Poets & Writers Theater

“Black women are crafting a collective response / to centuries of being under everybody’s water / We are a rising tsunami of fury come back / to take back what was carried away/without consent....” Staceyann Chin reads “Tsunami Rising” from her debut poetry collection, Crossfire: A Litany for Survival (Haymarket Books, 2019), for the Unbound series in Brooklyn, copresented by BAM and Greenlight Bookstore.

“In 2020 I’m trying to remember joy, the same way I remember pain....” In this video, Yaw Kyeremateng performs “Ode to 2020” with fellow poets from Write About Now Poetry, a community-oriented collective in Houston.

“The men in my family wear masculinity like war medals. From birth, deem themselves protectors, providers, kings of everything their light touches....” In this Button Poetry video, Jordan Bailey reads his poem “Men in My Family” at the 2019 Rustbelt Poetry Festival in St. Louis, Missouri.

“Today, today I said I would write my own healing.” In this 2015 video, Camonghne Felix reads her poem “Presence” at the Strivers Row’s Poetic Soul live performance series. Felix is the author of Build Yourself a Boat (Haymarket Books, 2019) and is featured in “Poetic Lenses: Our Fifteenth Annual Look at Debut Poetry” in the January/February issue of Poets & Writers Magazine.

“When I did not feel anything, I begged you for mercy, for myself, a form of forgiveness that always comes in muscle memory.” In this Write About Now Poetry video, Christopher Diaz performs his poem “again” at AvantGarden in Houston.

“I wanna be / all the girls I’ve ever loved / mean girls, shy girls, loud girls, my girls, / all of us angry on our porches…” Olivia Gatwood reads poems from her debut collection, Life of the Party (Dial Press, 2019), at the Bell House in Brooklyn.

“What we can contribute is an open space that’s really excited about learning and welcoming poets and writers from across different communities of literature in New York.” In this BRIC TV video, Rachel Valinsky, the artistic director of the Brooklyn nonprofit Wendy’s Subway, talks about the organization’s history and programming, and how it functions in the community as a reading room, event space, and publisher.

“My mama’s tongue is a telegram from her mother / decorated with the coqui’s of el campo...” Denice Frohman reads her poem “Accents” for this animated TED-Ed short film directed by Kapwa and Robertino Zambrano.

“There are two types of survival, there’s a kind that eats people alive and the kind I’m lucky enough to do by default.” Mason Granger, executive director of Bowery Poetry, reads his poem “Two Types of People” at the 2019 Bigfoot Regional Poetry Slam in Portland, Oregon.

“She is told she does not belong, to go back where she came from, as if where she came from is not where she is.” In this video, Leah Anderson reads her poem “You Ask Me What I Am So You May Know How to Fear Me” at Button Poetry Live in Saint Paul, Minnesota.

“Sometimes people love us in ways we do not understand how to be loved.” In this Button Poetry video, Blythe Baird, author of the debut poetry collection, If My Body Could Speak (Button Poetry, 2019), reads her poem “An Invitation.”

“If you ask me why representation in the media is important... / I will show you a woman who learned to dance until she / felt pretty...” On NPR Music’s Tiny Desk Concerts, Ashlee Haze reads her poem “For Colored Girls (The Missy Elliot Poem)” as part of Blood Orange’s performance of “By Ourselves” from the album Negro Swan.

“I do hope one day to be free of this body’s dry wood...” In this Button Poetry video, Kaveh Akbar, author of the poetry collection, Calling a Wolf a Wolf (Alice James Books, 2017), reads a poem that was published in Tin House’s “The Rehab Issue” in 2017.

“I want to write about tiny miracles: I woke up this morning. I woke up this morning.” George Abraham, author of the chapbook The Specimen’s Apology (Sibling Rivalry Press, 2019), reads his poem “Against Consolidation” at the 2017 VOX POP Poetry Slam Tournament in Manchester, New Hampshire.

“We slid pride first into his car opening the new year / the way ungraceful fingers open a gift not meant for them.” William Evans reads “New Year’s Eve Party at Eric’s House and the Black Boys Have Had Enough” from his poetry collection Still Can’t Do My Daughter’s Hair (Button Poetry, 2017) at Camp Bar in Saint Paul, Minnesota.

“I can’t remember the last time / someone commented on my sunny disposition. / That doesn’t mean I’m not trying to juice / the sun for every holy drop.” In this video, Andrea Gibson reads “Living Proof” from their poetry collection Lord of the Butterflies (Button Poetry, 2018) at the Westcott Theater in Syracuse, New York.

“Good luck implies the death of everyone who does not have it...” Jonathan Mendoza, author of the chapbook When the Crows Come (Pizza Pi Press, 2017), reads his poem “Confessions on Gratitude” in this video for Button Poetry.

“At nine years old, I transform into things I’ve never been before...” Phil Kaye, author of the collection Date & Time, forthcoming from Button Poetry in September, reads his poem “Before the Internet.”

Anne Waldman reads from the “Endtime” section of her longer poetic text at the 2017 Alternative New Year’s Day Spoken Word Performance Extravaganza at Nuyorican Poets Café in New York City. Waldman’s poetry collection Trickster Feminism (Penguin Books, 2018) is featured in Page One in the July/August issue of Poets & Writers Magazine.

“My family is a group of redwoods / that sought god instead of ground...” Samoan American poet William Nu’utupu Giles reads his poem “Prescribed Fire” at the 2015 National Poetry Slam. Giles won the National Underground Poetry Individual Competition in 2015, the first Pacific Islander to win the award.