Poets & Writers Theater

“I wanna be / all the girls I’ve ever loved / mean girls, shy girls, loud girls, my girls, / all of us angry on our porches…” Olivia Gatwood reads poems from her debut collection, Life of the Party (Dial Press, 2019), at the Bell House in Brooklyn.

In this Academy of American Poets video, Rachel Zucker reads “Please Alice Notley Tell Me How to Be Old” from her poetry collection The Pedestrians (Wave Books, 2014) at the 2014 Poets Forum. Zucker’s tenth book, SoundMachine, is out today from Wave Books.

“Let’s be resentful about how / we didn’t have a quinceañera and forget / that we never wanted one...” In this Poetry.LA video, Sara Borjas reads “Pocha Café” from her debut collection, Heart Like a Window, Mouth Like a Cliff (Noemi Press, 2019), at the Writers for Migrant Justice reading in Los Angeles.

“My heart had recently cracked // Open. Fear had departed me.” Ariana Reines reads “To the Reader” from her poetry collection, A Sand Book (Tin House Books, 2019), and talks about the origins of the book, her writing background, and the power of poetry to reach the deepest levels of human experience in this Louisiana Channel interview.

Mary Ruefle reads a selection of her poetry and prose at the 2019 Newcastle Poetry Festival at the Newcastle Centre for the Literary Arts. Ruefle’s fourteenth poetry collection, Dunce (Wave Books, 2019), is featured in Page One in the September/October issue of Poets & Writers Magazine.

In this 2018 video, Matthew Zapruder reads from his poetry collections Come On All You Ghosts (Copper Canyon Press, 2012) and Sun Bear (Copper Canyon Press, 2015), and his book Why Poetry (Ecco, 2017) for the Lunch Poems reading series at UC Berkeley. Zapruder’s fifth poetry collection, Father’s Day (Copper Canyon Press, 2019), is featured in Page One in the September/October issue of Poets & Writers Magazine.

Jillian Weise reads her poems “Semi Semi Dash,” “Café Loop,” and “Poem for His Girl,” from her second collection, The Book of Goodbyes (BOA Editions, 2013), at the Academy of American Poets’ 2013 Poets Forum Awards Ceremony. Weise’s third collection, Cyborg Detective (BOA Editions, 2019), is featured in Page One in the September/October issue of Poets & Writers Magazine.

“What we can contribute is an open space that’s really excited about learning and welcoming poets and writers from across different communities of literature in New York.” In this BRIC TV video, Rachel Valinsky, the artistic director of the Brooklyn nonprofit Wendy’s Subway, talks about the organization’s history and programming, and how it functions in the community as a reading room, event space, and publisher.

“It wasn’t fair that fish could see color, / and whales could not, but I was okay: I loved my new body. / I don’t know what kind of whale I was. In the ocean / there were no mirrors.” Emily Jungmin Yoon’s poem “The Transformation,” which appears in her debut collection, A Cruelty Special to Our Species (Ecco, 2018), has been adapted into a Motionpoems film directed by Malin Sandberg. 

“I wish I could tell you that they are like seeds as they wish to be.” In this video Bernard Ferguson, one of the winners of 92Y’s 2019 Discovery Poetry Contest, reads his poem “When a Grave Swells.”

“My mama’s tongue is a telegram from her mother / decorated with the coqui’s of el campo...” Denice Frohman reads her poem “Accents” for this animated TED-Ed short film directed by Kapwa and Robertino Zambrano.

“When the water in my heart falls, I hold on to a memory…” Monica Sok reads her poem “I Am Rachana” from her chapbook, Year Zero (Poetry Society of America, 2016), at the Asian American Writers’ Workshop in 2016. Sok is one of the finalists for the 2019 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowships.

“I don’t know exactly what a prayer is. I do know how to pay attention, how to fall down into the grass, how to kneel down in the grass, how to be idle and blessed...” In this animated video, the late Mary Oliver reads her poem “The Summer Day” recorded from a 2012 92Y reading.

“From the window I watched older men push carts between stopped cars...” In this video Alfredo Aguilar, one of the winners of 92Y’s 2019 Discovery Poetry Contest, reads his poem “My Mother Drove Us Into Tijuana for Dentistry.”

“Back home we are plagued by a politeness / so dense even the doctors cannot call things / what they are…” Safia Elhillo narrates her poem “To Make Use of Water” from her collection, The January Children (University of Nebraska Press, 2017), for this animated TED-Ed film directed by Jérémie Balais and Jeffig Le Bars.

In this PBS NewsHour video, NPR’s Maureen Corrigan and the Washington Post’s Carlos Lozada highlight their favorite books for summer reading, which include Ocean Vuong’s On Earth We’re Briefly Gorgeous (Penguin Press, 2019), Jill Ciment’s The Body in Question (Pantheon, 2019), and José Olivarez’s Citizen Illegal (Haymarket Books, 2018).

“To deprivatize is not the same as to make public. A field is only natural or private after so much hurt.” In this short film, Jos Charles offers a preface for her poetry collection feeld (Milkweed Editions, 2018), which was a finalist for the 2019 Pulitzer Prize in poetry.

“I have withheld more than I have written. I have restrained more than I have given. I have left unsaid more than I have said.” In this Granta video, Dionne Brand reads from her collection The Blue Clerk (McClelland & Stewart, 2018), which was shortlisted for the 2019 Griffin Poetry Prize.

“It is not what drove your body here like a stolen car. / why you abandoned it on this unreasonable ledge....” This Button Poetry video features sam sax’s poem “Gay Boys & the Bridges Who Love Them” from his second collection, Bury It (Wesleyan University Press, 2018), and is directed by Seth Moore and Cole Smothers with choreography by Matthew Bovee and Sarah Adam.

“When I did begin to make connections with poets, everything opened up for me,” says the late Holly Prado in this Poetry.LA video interviewing noted Southern California poets, including William Archila, Chiwan Choi, Marcia de la O, and Douglas Kearney, on how they got started in their writing careers. Prado died at the age of eighty-one on June 14, 2019.