Poets & Writers Theater

“The freedom an oak tree knows. / That is built at night by stars.” In this video, Linda Gregg reads “The Weight” and “Alone With the Goddess” from her poetry collection All of It Singing (Graywolf Press, 2008) at the 2006 Dodge Poetry Festival. Gregg died at the age of seventy-six on March 20, 2019.

“I’m always watching the moon and the moonlight. But I didn’t write about it.” Japanese poet Hiromi Itō talks about how the moon is linked to the menstrual cycle and her decision to write about menstruation, and reads from her poem “Vinegar, Oil” from Killing Kanoko (Action Books, 2009), translated from the Japanese by Jeffrey Angles, at the 2018 Louisiana Literature festival in Denmark.

“The other night, somebody asked, is Black poetry back? Like, we penned one verse, and it got lost at sea or slipped inside a big old crack in the big old earth, and then re-returned when everything was chaos.” In this PBS NewsHour video, Erica Dawson reads a poem about her experience while on tour for her poetry collection When Rap Spoke Straight to God (Tin House Books, 2018).

“Look at the old house in the dawn rain / all the flowers are forms of water…” In this excerpt from the documentary Even Though the Whole World Is Burning, the late W. S. Merwin reads his poem “Rain Light.” Merwin’s final collection, Garden Time (Copper Canyon Press, 2016), was featured in Page One in the September/October issue of Poets & Writers Magazine.

Wild Nights With Emily is a comedic biopic about Emily Dickinson focusing on her irreverent sense of humor and inspired by love letters she penned to her brother’s wife. Directed by Madeleine Olnek, the film stars Molly Shannon as Emily Dickinson and Susan Ziegler as her sister-in-law Susan Gilbert Dickinson.

Poet, memoirist, and teacher Reginald Dwayne Betts speaks with PBS NewsHour’s Jeffrey Brown about his experience as a teen in prison and how poetry gave him a new identity. Betts is the author of Bastards of the Reagan Era (Four Way Books, 2015) and Felon, forthcoming from Norton in October, and is a recipient of the 2019 Barnes & Noble Writers for Writers Award.

“I would read out loud and tried to check in my own breath, in my own body how the sentence was feeling and what kind of experience it was giving me as the first reader.” Marci Vogel reads from her books At the Border of Wilshire & Nobody (Howling Bird Press, 2015) and Death and Other Holidays (Melville House, 2018) and discusses her writing process both with poetry and prose in this Poetry.LA interview with Mariano Zaro.

“In every single book of poems there are, to me, what feel like really explicit autobiographical moments and gestures.” Dawn Lundy Martin speaks about trying to find a language to express trauma, and the use of voice and narrative in her poetry in this interview with City of Asylum. Martin won the 2019 Kingsley Tufts Poetry Award for her collection Good Stock Strange Blood (Coffee House Press, 2017).

“Let them borrow the light from the blind. / Let them kiss your forehead, approached from every angle. / What is silence? Something of the sky in us.” Joseph Fasano reads an excerpt from Ilya Kaminsky’s new collection, Deaf Republic (Graywolf Press, 2019), for the American Poem video series. An interview with Kaminsky by Garth Greenwell appears in the March/April issue of Poets & Writers Magazine.

“I am hovering over a 1950s America: chrome fins, picnic tables, hydroelectric power.” In this installment of Joseph Fasano’s Unamuno Poem Project, which presents pairings of poem recitations in English and Spanish, Kathleen Flenniken’s poem “Angel” is read by Clarissa Watson in English and Javier O’Donnell reads his translation in Spanish.

“There is nothing one man will not do to another.” Carolyn Forché reads “The Visitor” and “The Colonel” from her second poetry collection, The Country Between Us (Copper Canyon Press, 1981), which bore witness to her travels in El Salvador in the late 1970s. Forché’s debut memoir, What You Have Heard Is True: A Memoir of Witness and Resistance (Penguin Press, 2019), documents that same period of time and is featured in Page One in the March/April issue of Poets & Writers Magazine.

“I started with one word and I never stopped.” Jimmy Santiago Baca talks with Megan Kamerick on New Mexico in Focus about reading the dictionary, writing poetry while incarcerated, and his experiences learning and educating others about the power of language. Baca’s poetry collection When I Walk Through That Door, I Am: An Immigrant Mother’s Quest for Freedom (Beacon Press, 2019) is featured in Page One in the March/April issue of Poets & Writers Magazine.

“Poses no significant litter problem. / Ranks as ‘not particularly outstanding,’ according to the Forest Service.” At the Poetry Center at San Francisco State University, Forrest Gander reads from the opening of Casting Deep Shade (Copper Canyon Press, 2019), C. D. Wright’s posthumously published collection. The multigenre, three-panel, hardcover book is featured in Page One in the March/April issue of Poets & Writers Magazine.

“Let us bridge the generations and remind all who will listen that it only takes one woman sitting on a bus to inspire hundreds…” Amy Uyematsu, the author most recently of Basic Vocabulary (Red Hen Press, 2016), reads her poem “As American As” at the third annual Writers Resist Los Angeles reading at Beyond Baroque Literary Arts Center in Venice, California.

“If you ask me why representation in the media is important... / I will show you a woman who learned to dance until she / felt pretty...” On NPR Music’s Tiny Desk Concerts, Ashlee Haze reads her poem “For Colored Girls (The Missy Elliot Poem)” as part of Blood Orange’s performance of “By Ourselves” from the album Negro Swan.

“They taste good to her / They taste good / to her. They taste / good to her...” Rafael Campo reads William Carlos Williams’s poem “To a Poor Old Woman” and speaks with Elisa New about enjambments, plums, and empathy for Poetry in America.

“I come from the fire city / fire came and licked up our houses, lapped them up like they were nothing / drank them like the last dribbling water...” This Motionpoems short film, directed by Daniel Daly and starring Khadija Shari, features Eve L. Ewing’s poem “I come from the fire city.” from her debut collection, Electric Arches (Haymarket Books, 2017). 

“I do hope one day to be free of this body’s dry wood...” In this Button Poetry video, Kaveh Akbar, author of the poetry collection, Calling a Wolf a Wolf (Alice James Books, 2017), reads a poem that was published in Tin House’s “The Rehab Issue” in 2017.

“My frugal mouth spends the only foreign words it owns. / At present, on this sleeper train, there’s nowhere to arrive.” Jenny Xie, a finalist for the 2018 National Book Award in poetry, reads “Rootless” and “Ongoing” from her debut poetry collection, Eye Level (Graywolf Press, 2018). Xie is featured in “Wilder Forms: Our Fourteenth Annual Look at Debut Poets” in the January/February issue of Poets & Writers Magazine.

In this video for PBS NewsHour’s “Brief but Spectacular” series, Franny Choi reads her poem “Introduction to Quantum Theory” and discusses the importance of asking unanswerable questions and imagining alternate realities. Choi is the author of Floating, Brilliant, Gone (Write Bloody Publishing, 2014) and Soft Science, which is forthcoming from Alice James Books in April.