Poets & Writers Theater

“My heart had recently cracked // Open. Fear had departed me.” Ariana Reines reads “To the Reader” from her poetry collection, A Sand Book (Tin House Books, 2019), and talks about the origins of the book, her writing background, and the power of poetry to reach the deepest levels of human experience in this Louisiana Channel interview.

Mary Ruefle reads a selection of her poetry and prose at the 2019 Newcastle Poetry Festival at the Newcastle Centre for the Literary Arts. Ruefle’s fourteenth poetry collection, Dunce (Wave Books, 2019), is featured in Page One in the September/October issue of Poets & Writers Magazine.

“When I was thinking about Red at the Bone, one thing I knew I wanted to talk about was class—economic class—especially in the Black community, and history.” Jacqueline Woodson talks about her new novel, Red at the Bone (Riverhead Books, 2019), which is featured in Page One in the September/October issue of Poets & Writers Magazine, and reads the poem from her memoir Brown Girl Dreaming (Nancy Paulsen Books, 2014) that she calls “the seed” of the novel.

“It took Arnold six and a half seconds to fall five hundred feet. During that time, an image of his son, Paris, flashed before his eyes....” At the Lensic Performing Arts Center, Edwidge Danticat reads “Without Inspection” from her third story collection, Everything Inside (Knopf, 2019), which is featured in Page One in the September/October issue of Poets & Writers Magazine.

“Every conversation between us then had a way of spiraling into the same abyss. Real men were impossible to understand. Real men suffered. Real men were broken.” Jaed Coffin reads from his second memoir, Roughhouse Friday (Farrar, Straus and Giroux, 2019), which is featured in Page One in the July/August issue of Poets & Writers Magazine, and talks about his experiences barroom boxing in Alaska with Kathryn Miles for Portland Public Library’s Literary Lunch series.

“I have withheld more than I have written. I have restrained more than I have given. I have left unsaid more than I have said.” In this Granta video, Dionne Brand reads from her collection The Blue Clerk (McClelland & Stewart, 2018), which was shortlisted for the 2019 Griffin Poetry Prize.

“My favorite form is the long short story or the novella because I think it allows you a little bit more breadth and scope in terms of what you can do.” Brian Evenson, whose eighth story collection, Song for the Unraveling of the World (Coffee House Press, 2019), is featured in Page One in the July/August issue of Poets & Writers Magazine, reads from his work and talks about teaching, writing habits, and spirituality in this video from the 2014 Mission Creek Festival.

“Rule No. 10: Revise, revise, revise. I cannot stress this enough. Revision is when you do what you should have done the first time, but didn’t.” Colson Whitehead, whose seventh novel, The Nickel Boys (Doubleday, 2019), is featured in Page One in the July/August issue of Poets & Writers Magazine, reads his 2012 New York Times piece “How to Write” at the Muldoon’s Picnic variety show in New York City in 2015.

“It’s hard to imagine the pain of another without being swallowed by it.” Dave Harris reads “Preparing a Meal” from his debut poetry collection, Patricide, which was published by Button Poetry in May.

In celebration of Walt Whitman’s bicentennial birthday on May 31 of this year, Brooklyn residents—including Mahogany L. Browne, Jason Koo, Gregory Pardlo, Ben Purkert, and Brooklyn poet laureate Tina Chang—recite his 1856 poem “Crossing Brooklyn Ferry” from Leaves of Grass in various neighborhoods and libraries throughout the borough. This video was produced by the Brooklyn Public Library.

“There is nothing one man will not do to another.” Carolyn Forché reads “The Visitor” and “The Colonel” from her second poetry collection, The Country Between Us (Copper Canyon Press, 1981), which bore witness to her travels in El Salvador in the late 1970s. Forché’s debut memoir, What You Have Heard Is True: A Memoir of Witness and Resistance (Penguin Press, 2019), documents that same period of time and is featured in Page One in the March/April issue of Poets & Writers Magazine.

“Let us bridge the generations and remind all who will listen that it only takes one woman sitting on a bus to inspire hundreds…” Amy Uyematsu, the author most recently of Basic Vocabulary (Red Hen Press, 2016), reads her poem “As American As” at the third annual Writers Resist Los Angeles reading at Beyond Baroque Literary Arts Center in Venice, California.

Sophie Mackintosh reads from her debut novel, The Water Cure (Doubleday, 2019), at Waterstones bookstore and talks about being influenced by Jeffrey Eugenides’s novel The Virgin Suicides, Yorgos Lanthimos’s film Dogtooth, Joan Lindsay’s novel Picnic at Hanging Rock, and the recent sociopolitical climate.

“I want to write about tiny miracles: I woke up this morning. I woke up this morning.” George Abraham, author of the chapbook The Specimen’s Apology (Sibling Rivalry Press, 2019), reads his poem “Against Consolidation” at the 2017 VOX POP Poetry Slam Tournament in Manchester, New Hampshire.

Dorianne Laux reads her poems “If It Weren’t for Bad Ideas, I’d Have No Ideas at All,” “Evening,” “This Close,” and “Savages” at a 2017 reading in Washington, D.C. for the Field Office. Laux’s new collection, Only as the Day Is Long: New and Selected Poems (Norton, 2019), is featured in Page One in the January/February issue of Poets & Writers Magazine.

“History hides. That’s its job. It hides behind other history.” Sam Lipsyte reads from his fourth novel, Hark (Simon & Schuster, 2019), at the University of San Francisco’s MFA Reading Series. Hark is featured in Page One in the January/February issue of Poets & Writers Magazine.

“It was in the autumn—it felt like the perfect time to do this ritual, when everything’s changing to go to sleep for the winter....” In this interview at the 2018 Louisiana Literature festival in Denmark, CAConrad talks about how performing rituals after their boyfriend’s death gave rise to the poetry in their collection While Standing in Line for Death (Wave Books, 2017), which won the 2018 Lambda Literary Award in Gay Poetry.

“It takes facility, it takes brilliance, it takes verve!” Marilyn Chin talks to Joseph Ross about what it takes to write poetry and reads poems from her fifth collection, A Portrait of the Self as Nation: New and Selected Poems (Norton, 2018), which is featured in Page One in the November/December issue of Poets & Writers Magazine.

“Mom always went up the mountain and down the valley so I decide that’s what we’ll do too.” Lydia Kiesling, a 2018 National Book Foundation 5 Under 35 honoree, reads from her debut novel, The Golden State (MCD, 2018), for the ZYZZYVA series at Green Apple Books on the Park in San Francisco.

“He wanted to send her and their unborn child halfway around the world to Perfume Bay, five-star accommodations located outside of Los Angeles.” Vanessa Hua reads from her debut novel, A River of Stars (Ballantine Books, 2018), for the ZYZZYVA reading series at Booksmith bookstore in San Francisco.