Poets & Writers Theater

“To be seen and not / heard, herded, and yet, / heralded—ambidoxic / harem, primary colors-studded...” Tyrone Williams reads “Alhambra,” “taškīl,” and “The D.I.Y. Archive” from his poetry collection As iZ (Omnidawn, 2018) in this third installment of ENCLAVE, a virtual series of readings by contemporary innovative poets curated by Rae Armantrout and Jeanne Heuving.

“In those brown albums, our family at times looks like a family and at other times not.” Porochista Khakpour reads from her new book, Brown Album: Essays on Exile and Identity (Vintage, 2020), and talks to author Tania James in this virtual Politics and Prose Bookstore event video. 

“I acquired a copy of my great-great-grandfather’s diaries in 2013,” says Lauren Russell about the inspiration for her new book, Descent (Tarpaulin Sky Press, 2020), at an event with author Megan Milks for Brown University’s Authors in the Archives series in 2019. Descent is featured in Page One in the July/August issue of Poets & Writers Magazine.

“Larry thought it was as if the whole of the world was asking to be fuel.” Leah Hampton, whose debut book, F*ckface (Henry Holt, 2020), is featured in Page One in the July/August issue of Poets & Writers Magazine, reads from her short story “Boomer” at Malvern Books in 2018. 

“He forgets his own name somewhere in the tunnel to Penn Station. He doesn’t notice, at first. Too busy with all the stuff people usually do when they’re about to reach their train stop: cleaning up the pretzel bags and plastic bottles of breakfast....” N. K. Jemisin reads from the first chapter of her new fantasy novel, The City We Became (Orbit, 2020), the first in her Great Cities trilogy, and answers audience questions for a virtual event hosted by Politics and Prose Bookstore. 

“They’ve asked that the bookstore be cleared away during the event / they say it’s no place to sell books…” As part of the Writers in Residence at-home video series for PEN America’s 2020 Digital World Voices Festival, Oksana Vasyakina reads her poem “These people didn’t know my father,” translated from the Russian by Ainsley Morse and Eugene Ostashevsky. 

“The most astonishing thing to happen in the almost 14 billion years since the birth of the cosmos is that ordinary, apparentle inert matter, has—by its self-organizing capacity (or, autopoesis)—become conscious.” Harry Dodge reads from his debut book, My Meteorite: Or, Without the Random There Can Be No New Thing (Penguin Books, 2020), and discusses its themes in a conversation with Maggie Nelson in their Los Angeles home.

“It is an ancient Mariner, / And he stoppeth one of three. / ‘By thy long grey beard and glittering eye, / Now wherefore stopp’st thou me?’” Jeremy Irons reads the opening lines of Samuel Taylor Coleridge’s 1798 poem “The Rime of the Ancient Mariner,” accompanied by Glenn Brown’s oil painting The Shallow End, for the “Ancient Mariner” Big Read, an online audio and visual art project curated and produced by the University of Plymouth with forty readers—including Simon Armitage, Alan Cumming, Willem Dafoe, Olivia Laing, Hilary Mantel, Iggy Pop, Ali Smith, Tilda Swinton, Neil Tennant, and Jeanette Winterson.

In this installment of the AAWW at Home series, Rowan Hisayo Buchanan, author of the novel Starling Days (Overlook Press, 2020), talks about how she’s been occupied during the coronavirus pandemic lockdown and reads from Alexander Chee’s essay collection, How to Write an Autobiographical Novel (Mariner Books, 2018). 

“Looking down from the window / into the bare augur sycamore tree / in the park across the street / the surprise is how full / of red-winged blackbirds it is…” In this Poets House Presents video, Ed Roberson shares new and unpublished poems still in drafts written during the coronavirus pandemic from his home in Chicago. Roberson is the recipient of the 2020 Jackson Poetry Prize, awarded annually by Poets & Writers to an American poet of exceptional talent.

“The theater goes dark. I’m watching characters move across the screen, but thinking more about Noah holding my hand, rotating the knuckle of my thumb with his own.” Paul Lisicky reads from his memoir Later: My Life at the Edge of the World (Graywolf Press, 2020) in this online reading event for Books Are Magic with Susan Choi. For more Lisicky, read his installation of Ten Questions.

“Daily, I remind myself: the future is not dependent / on your inability to describe your undoing.” Lara Mimosa Montes reads from her latest poetry collection, Thresholes (Coffee House Press, 2020), and answers questions about writing as part of the Loft Literary Center’s annual Wordplay festival, held virtually this year.

“The police will tell her anyone might have missed these things, and she has no reason to feel responsible. She does, nevertheless.” From his home, Stephen King reads from the title novella of his new collection, If It Bleeds (Scribner, 2020).

In this bilingual reading presented virtually from three cities hosted by Poets House, Garous Abdolmalekian reads poems from his collection Lean Against This Late Hour (Penguin Books, 2020), along with Ahmad Nadalizadeh and Idra Novey, who cotranslated the book from the Persian. Lean Against This Late Hour is featured in Page One in the May/June issue of Poets & Writers Magazine.

“Years ago, right after I moved into my last apartment in Chicago, the one I expected to die alone in to the soundtrack of an NCIS marathon, I thought I had a ghost.” In this Loft Literary Center video, one of their recent online events from their annual Wordplay festival (held entirely virtually this year through May 9) features a reading by Samantha Irby from her fourth essay collection, Wow, No Thank You (Vintage, 2020), backdropped with video footage of rabbits.

“We would try by any means / To reach the limits of ourselves, to reach beyond ourselves, / To let go the means, to wake.” In the first installment of the Asian American Writers’ Workshop’s AAWW at Home series in which writers share how they have been spending their time during the coronavirus pandemic, Celeste Ng talks about her current activities and concerns, and reads Muriel Rukeyser’s “Poem” from The Speed of Darkness (Vintage Books, 1968).

“Mama was an elevator girl at Montgomery Ward’s in Trenton, New Jersey, summer of 1952...” In this video with poet Alondra Uribe, Nikky Finney reads “Hotbed #224” from her collection Love Child’s Hotbed of Occasional Poetry (TriQuarterly Books, 2020), which is featured in Page One in the May/June issue of Poets & Writers Magazine.

“I was so struck by ‘Snow Drops’—it became sort of my prayer toward healing.” Leila Chatti talks about her connection with Louise Glück’s Pulitzer Prize–winning collection, The Wild Iris, and reads the poem “Snow Drops” for the Poetry Foundation’s Ours Poetica video series.

“The orchard grew excellent, // Good mass of apples assembling, one angel burned, looped / On the wire fence, in a bowl of gold most satisfactory.” Stephanie Burt reads Lucie Brock-Broido’s poem “Posthumous Seduction,” which first appeared in the Summer 2012 issue of Paris Review, for the new Poets on Couches series where poets read and discuss favorite poems that get them through during difficult times.

“The street shines with / mannequins in rhinestone. We walk / as if just friends.” In this Ours Poetica video, Oliver Baez Bendorf reads Rane Arroyo’s poem “Details as Revelations.” For more Bendorf, read his installment of Ten Questions.