Poets & Writers Theater

“in a documentary / they dove in / into the burble / of river, braiding / around each other....” Raymond Luczak reads and performs his poem “Otters,” which appears in his forthcoming collection, Animals Out-There W-i-l-d: A Bestiary in English and ASL Gloss (Unbound Edition Press, 2024), in this Academy of American Poets video. The poem is translated into American Sign Language (ASL) gloss, which uses English words and ASL idioms in the ASL sign order.

“It’s difficult to describe how I felt about the pictures I collected, how I continued to forge a link with them that I didn’t particularly understand.” Patricia Smith speaks about the photographs she collected over the course of twenty years that inspired her latest collection, Unshuttered (Northwestern University Press, 2023), for this recording of the Academy of American Poets’ 2023 Blaney Lecture. For more on Smith, read her conversation with Tyehimba Jess in the March/April issue of Poets & Writers Magazine.

“What I’m hoping is, ten years from now, a young Puerto Rican poet on the island or somewhere else knows that this is a possibility, that living a life with and through poetry is an honorable way of engaging with the world.” Ricardo Alberto Maldonado, the first Latino executive director and president of the Academy of American Poets, reflects on why he began writing and the importance of expanding the linguistic diversity of poetry in this PBS NewsHour interview with Jeffrey Brown.

Watch this virtual multilingual reading of poetry in translation presented by Words Without Borders in partnership with the Academy of American Poets. Enjoy poetry in Arabic, French, Malay, Spanish, and English, with readings by poet Jeannette Clariond and translator Samantha Schnee, poet Zahid M. Naser and translator Pauline Fan, poet Samira Negrouche, and translator Kareem James Abu-Zeid.

“I left like a season’s first lover across a window, // slowly like a southern sun / diagonal on a work-back.” Tyree Daye reads “The Mechanical Cotton Picker,” which appears in his poetry collection Cardinal (Copper Canyon Press, 2020), in this Academy of American Poets video.

Poet Brian Blanchfield reads Carl Phillips’s poem “Corral” at the Tippet Rise Art Center in Montana in this short film directed by Matthew Thompson as part of the Above Strands of Earth series produced in collaboration with Tippet Rise and the Academy of American Poets, and commissioned by the Adrian Brinkerhoff Poetry Foundation.

“It seems to me that prose, it may be lyrical, but it isn’t meant to be sung.” In this 2014 Academy of American Poets event, Edward Hirsch discusses the history and practice of poets writing prose with Toi Derricotte and Claudia Rankine.

“I know all the dark places / Where the sun hasn’t reached yet...” Charles Simic reads his poem “Summer Morning,” which he says needs no introduction, in this video for an installment of Poetry Breaks, a series created by Leita Luchetti in the 1980s and 1990s presented in partnership with the Academy of American Poets. The Pulitzer Prize–winning poet died at the age of eighty-four on January 9, 2023.

“I love the deep attribute of poetry to pause, to look, to listen, to respect, to pay attention to variety and learn something new.” Naomi Shihab Nye, Juan Felipe Herrera, and Jane Hirschfield discuss poetry and the poet’s role in America at the 2015 National Book Festival in this video from the Academy of American Poets.

“For me, poetry is a way of living in the world.” In this vintage video from the Poetry Breaks series, Lucille Clifton reflects on what poetry means to her and how it is not about answers, but rather questions. The Academy of American Poets has partnered with Leita Luchetti, who produced and directed the series in the late 1980s and early 1990s, to bring back these videos.

“With regard to war, I can’t help being suspicious of the very reasons we turn to poetry at all,” reads Paisley Rekdal from “Beyond Empathy, Beyond the Archive: Notes on Poetic Representation” for the 2022 Blaney Lecture, an annual lecture on contemporary poetry and poetics created by the Academy of American Poets. “Is our desire one of representation, political change, or emotional catharsis? And is that political change meant to happen on the page, or off it?”

“There are days we live / as if death were nowhere / in the background from joy / to joy to joy, from wing to wing,” reads Li-Young Lee from his poem “From Blossoms,” included in his debut collection, Rose (BOA Editions, 1986), for this installment of Poetry Breaks, a series created by Leita Luchetti in the 1980s and 1990s presented in partnership with the Academy of American Poets.

“I pulled down a book by Gayl Jones, Eva’s Man, and I sat down and didn’t get back up until I finished it—and I felt so haunted,” says Rachel Eliza Griffiths about what inspired her third poetry collection, Mule & Pear (New Issues Press, 2011), in this conversation at the 2013 Poets Forum for the Academy of American Poets.

“Green spring grass on / the hills had cured / by June and by July,” reads Forrest Gander from his poem “Wasteland: on the California Wildfires” for Dear Poet, the Academy of American Poets’ educational project for National Poetry Month.

“Now they have come home to roost—all the same kind at the same speed,” reads Kay Ryan from her poem “Home to Roost” in this installment of The Poet’s View, a film series produced by the Academy of American Poets, in which she is interviewed in her home and discusses being featured in the comic strip The Boondocks.

“Wait, for now. / Distrust everything if you have to. / But trust the hours.” Galway Kinnell reads his poem “Wait” in this installment of Poetry Breaks, a series created by Leita Luchetti in the late 1980s and early 1990s and presented in partnership with the Academy of American Poets.

“Don’t be afraid— / Someone has walked this way before / All the world’s music in her hands.” Patricia Spears Jones reads “Discovering America Again” by Lorenzo Thomas, her own poem “The Birth of Rhythm and Blues,” and talks about what it means to be a literary citizen. This video, part of the P.O.P. series, was shot and edited by Rachel Eliza Griffiths in partnership with the Academy of American Poets. Spears Jones is the eleventh winner of the Jackson Poetry Prize.

“Restless, I want to return and stand at the mouth where wild fig trees grow,” reads Anne Marie Macari in this installment of the P.O.P. series, shot and edited by Rachel Eliza Griffiths in partnership with the Academy of American Poets. Macari’s poetry collection Heaven Beneath (Persea Books, 2020) is featured in Page One in the January/February issue of Poets & Writers Magazine.

“So how do you discern a shape for / What is often called g-d.” Kazim Ali reads from his latest collection, The Voice of Sheila Chandra (Alice James Books, 2020), in this Academy of American Poets virtual reading and conversation with Joshua Bennett, author of Owed (Penguin Poets, 2020). For more from these poets, read what motivates Ali’s writing in Writers Recommend and about Bennett’s writing process in Ten Questions.

“Remember all is in motion, is growing, is you. / Remember language comes from this.”​ In this video from the Academy of American Poets, Joy Harjo reads her poem “Remember” from her 1983 collection, She Had Some Horses. Harjo has been appointed to serve a second term as poet laureate of the United States and is the first Native American to hold the post.