Poets & Writers Theater

“With regard to war, I can’t help being suspicious of the very reasons we turn to poetry at all,” reads Paisley Rekdal from “Beyond Empathy, Beyond the Archive: Notes on Poetic Representation” for the 2022 Blaney Lecture, an annual lecture on contemporary poetry and poetics created by the Academy of American Poets. “Is our desire one of representation, political change, or emotional catharsis? And is that political change meant to happen on the page, or off it?”

“There are days we live / as if death were nowhere / in the background from joy / to joy to joy, from wing to wing,” reads Li-Young Lee from his poem “From Blossoms,” included in his debut collection, Rose (BOA Editions, 1986), for this installment of Poetry Breaks, a series created by Leita Luchetti in the 1980s and 1990s presented in partnership with the Academy of American Poets.

“I pulled down a book by Gayl Jones, Eva’s Man, and I sat down and didn’t get back up until I finished it—and I felt so haunted,” says Rachel Eliza Griffiths about what inspired her third poetry collection, Mule & Pear (New Issues Press, 2011), in this conversation at the 2013 Poets Forum for the Academy of American Poets.

“Green spring grass on / the hills had cured / by June and by July,” reads Forrest Gander from his poem “Wasteland: on the California Wildfires” for Dear Poet, the Academy of American Poets’ educational project for National Poetry Month.

“Now they have come home to roost—all the same kind at the same speed,” reads Kay Ryan from her poem “Home to Roost” in this installment of The Poet’s View, a film series produced by the Academy of American Poets, in which she is interviewed in her home and discusses being featured in the comic strip The Boondocks.

“Wait, for now. / Distrust everything if you have to. / But trust the hours.” Galway Kinnell reads his poem “Wait” in this installment of Poetry Breaks, a series created by Leita Luchetti in the late 1980s and early 1990s and presented in partnership with the Academy of American Poets.

“Don’t be afraid— / Someone has walked this way before / All the world’s music in her hands.” Patricia Spears Jones reads “Discovering America Again” by Lorenzo Thomas, her own poem “The Birth of Rhythm and Blues,” and talks about what it means to be a literary citizen. This video, part of the P.O.P. series, was shot and edited by Rachel Eliza Griffiths in partnership with the Academy of American Poets. Spears Jones is the eleventh winner of the Jackson Poetry Prize.

“Restless, I want to return and stand at the mouth where wild fig trees grow,” reads Anne Marie Macari in this installment of the P.O.P. series, shot and edited by Rachel Eliza Griffiths in partnership with the Academy of American Poets. Macari’s poetry collection Heaven Beneath (Persea Books, 2020) is featured in Page One in the January/February issue of Poets & Writers Magazine.

“So how do you discern a shape for / What is often called g-d.” Kazim Ali reads from his latest collection, The Voice of Sheila Chandra (Alice James Books, 2020), in this Academy of American Poets virtual reading and conversation with Joshua Bennett, author of Owed (Penguin Poets, 2020). For more from these poets, read what motivates Ali’s writing in Writers Recommend and about Bennett’s writing process in Ten Questions.

“Remember all is in motion, is growing, is you. / Remember language comes from this.”​ In this video from the Academy of American Poets, Joy Harjo reads her poem “Remember” from her 1983 collection, She Had Some Horses. Harjo has been appointed to serve a second term as poet laureate of the United States and is the first Native American to hold the post.

“Many people aren’t even remotely interested in [poetry]. But it’s so clear to me that, of course, it’s what you want to do.” Louise Glück ruminates about her writing process in this short documentary from the Academy of American Poets. Glück has been named the winner of the 2020 Nobel Prize in Literature.

“Would you agree it’s possible to be both enlightened and in the dark?” For the 2019 Blaney Lecture, an annual lecture on contemporary poetry and poetics created by the Academy of American Poets, Terrance Hayes presents “Survey of an American Century” and reflects on the last century of poetry at the Lillian Vernon Creative Writers House in New York.

John Murillo reads “Trouble Man,” a poem from his first collection, Up Jump the Boogie (Cypher Books, 2010), and a poem by Etheridge Knight for the P.O.P series, shot and edited by Rachel Eliza Griffiths in partnership with the Academy of American Poets. Murillo’s second collection, Kontemporary Amerikan Poetry (Four Way Books, 2020), is featured in Page One in the March/April issue of Poets & Writers Magazine.

In this Academy of American Poets video, Rachel Zucker reads “Please Alice Notley Tell Me How to Be Old” from her poetry collection The Pedestrians (Wave Books, 2014) at the 2014 Poets Forum. Zucker’s tenth book, SoundMachine, is out today from Wave Books.

Jillian Weise reads her poems “Semi Semi Dash,” “Café Loop,” and “Poem for His Girl,” from her second collection, The Book of Goodbyes (BOA Editions, 2013), at the Academy of American Poets’ 2013 Poets Forum Awards Ceremony. Weise’s third collection, Cyborg Detective (BOA Editions, 2019), is featured in Page One in the September/October issue of Poets & Writers Magazine.

“So few grains of happiness / measured against all the dark / and still the scales balance.” In this video produced by the Academy of American Poets, Jane Hirshfield reads “The Weighing” from the new anthology, Here: Poems for the Planet, which will be published this week by Copper Canyon Press. The anthology includes poems by Margaret Atwood, Kwame Dawes, Ross Gay, Nikki Giovanni, Robert Hass, Aimee Nezhukumatathil, Mary Oliver, and others.

Glenn Close reads “Old Wives’ Tales on Which I Was Fed” from Jenny Xie’s debut collection, Eye Level (Graywolf Press, 2018), which won the Academy of American Poets’ 2017 Walt Whitman Award. Eye Level is featured in Page One in the May/June issue of Poets & Writers Magazine.

“Poems engage our imagination such that the confusion is not the end point.” Patrick Rosal, who won the Academy of American Poets’ 2017 Lenore Marshall Poetry Prize for his fourth collection, Brooklyn Antediluvian (Persea Books, 2016), talks about the importance of art and reads several of his poems at the Loft Literary Center.

“Ginkgo, cottonwood, pin oak, sweet gum, tulip tree: / our emotions resemble leaves and alive / to their shapes we are nourished.” Arthur Sze reads his poem “The Shapes of Leaves” for Dear Poet, an educational project for the Academy of American Poets.

“Giving is, first and every time, hand to hand, / Mine to yours, yours to mine.” Alberto Ríos reads his poem “When Giving Is All We Have” as part of Dear Poet, an educational project for the Academy of American Poets.