Poets & Writers Theater

Josh Malerman talks about writing novels while touring with his band, incorporating performance and radio play elements into his book readings, and the inspiration behind his debut novel, Bird Box (Ecco, 2014), in this video from the 2015 Midwest Literary Walk. The novel has been adapted into a feature film directed by Susanne Bier and starring Sandra Bullock, John Malkovich, Sarah Paulson, and Trevante Rhodes.

Bird Box (Ecco, 2014), the debut novel by Josh Malerman has been adapted into a feature film. Directed by Susanne Bier, the psychological thriller film stars Sandra Bullock, John Malkovich, Sarah Paulson, and Trevante Rhodes and follows a woman and her two children as they traverse a post-apocalyptic landscape while blindfolded to escape an unseen, supernatural adversary.

In this 2015 video, Jess Row reads from his debut novel, Your Face in Mine (Riverhead Books, 2014), for the Story Hour in the Library series at the University of California in Berkeley. Row is a recipient of the 2018 Whiting Creative Nonfiction Grant for White Flights: Race, Fiction, and the American Imagination, forthcoming from Graywolf Press.

William Giraldi’s 2014 novel, Hold the Dark, has been adapted into a film for Netflix. Directed by Jeremy Saulnier, the film stars Riley Keough, Alexander Skarsgård, and Jeffrey Wright. Giraldi is a frequent contributor to Poets & Writers Magazine, most recently with “The Art of Reading James Baldwin” in the November/December 2017 issue.

The Miniaturist (Ecco, 2014), Jessie Burton’s debut novel revolving around a mysterious dollhouse in seventeenth-century Amsterdam, has been adapted into a three-part television miniseries for Masterpiece on PBS. Directed by Guillem Morales, the series stars Emily Berrington, Romola Garai, Alex Hassell, Hayley Squires, and Anya Taylor-Joy.

“I’m always too busy, the law can take over your life.” Emma Thompson plays eminent High Court judge Fiona Maye in the film adaptation of The Children Act (Nan A. Talese, 2014) by Ian McEwan, who also wrote the screenplay. Directed by Richard Eyre, the film also stars Stanley Tucci and Fionn Whitehead.

Leslie Jamison reads her essay “The Broken Heart of James Agee” from The Empathy Exams (Graywolf Press, 2014) for a reading series hosted by the Center for Documentary Studies and the Kenan Institute for Ethics at Duke University. Jamison speaks about her new book, The Recovering: Intoxication and Its Aftermath (Little, Brown, 2018), in “The Infinite World” by Michele Filgate in the May/June issue of Poets & Writers Magazine.

In this video, Claudia Rankine talks about how touring for her award-winning book Citizen: An American Lyric (Graywolf Press, 2014) organically led to the development of her new play, The White Card. The play unfolds as an influential white couple invites an up-and-coming black artist over to their posh New York City loft for a dinner party. The world premiere is directed by Diane Paulus and produced by the American Repertory Theater in Cambridge, Massachusetts.

David Tomas Martinez reads his poem “Hoodies” accompanied by musicians David Cieri and Mike Brown for the Gavagai music and reading series at Cornelia Street Café in New York City. Martinez is the author of Hustle (Sarabande Books, 2014) and Post Traumatic Hood Disorder (Sarabande Books, 2018), which is featured in Page One in the March/April issue of Poets & Writers Magazine.

In this video, Tarfia Faizullah reads her poem “Self-Portrait as Slinky” for the Brooklyn Poets Reading Series. Faizullah is the author of Seam (Southern Illinois University Press, 2014) and Registers of Illuminated Villages (Graywolf Press, 2018), which is featured in Page One in the March/April issue of Poets & Writers Magazine.

“In place of a mother tongue, I grew a forked fin.” Franny Choi reads her poem “Split Mouth” at the 2017 Rustbelt Regional Poetry Festival. Choi is the author of the debut collection, Floating, Brilliant, Gone (Write Bloody Publishing, 2014), and the chapbook, Death by Sex Machine (Sibling Rivalry Press, 2017).

“We will need writers who can remember freedom.” In this video, Ursula K. Le Guin accepts the National Book Foundation’s 2014 Medal for Distinguished Contribution to American Letters. Le Guin’s essay collection, No Time to Spare: Thinking About What Matters (Houghton Mifflin Harcourt, 2017), is featured in Page One in the January/February issue of Poets & Writers Magazine.

Annihilation (FSG Originals, 2017), the first novel in Jeff VanderMeer’s Southern Reach Trilogy series, has been adapted into a feature film. Written and directed by Alex Garland, the film stars Natalie Portman, Jennifer Jason Leigh, Gina Rodriguez, and Oscar Isaac.

“I’ve left Earth in search of darker planets, a solar system that revolves too near a black hole. I have left a patch of dirt in my place and many of you won’t know the difference...” Danez Smith reads his poem “Dear White America” at the 2014 Rustbelt Regional Poetry Festival. Smith’s second collection, Don’t Call Us Dead (Graywolf Press, 2017), is longlisted for the 2017 National Book Award in poetry.

Celeste Ng talks with Amazon senior editor Chris Schluep about becoming a mother while writing her debut novel, Everything I Never Told You (Penguin Press, 2014), elements of story inspiration, and the setting of her second novel, Little Fires Everywhere (Penguin Press, 2017). Ng’s second novel is featured in Page One in the September/October issue of Poets & Writers Magazine.

Roxane Gay reads part of “The Illusion of Safety/The Safety of Illusion” from her essay collection, Bad Feminist (Harper Perennial, 2014). Her debut memoir, Hunger: A Memoir of (My) Body (Harper, 2017), is featured in Page One in the July/August issue of Poets & Writers Magazine.

“I am the mother of the universe. I am the planets and the years of light and darkness in between.” Vivek Shraya, author of the novel, She of the Mountains (Arsenal Pulp Press, 2014), reads for the Radar Reading Series at the San Francisco Public Library.

“Nothing makes me want to hurl a book across the room harder and faster than when the writer gives me a quick little emotional recap to make sure I’m keeping up.” For the Word Works series at Hugo House, Pam Houston, the author most recently of Contents May Have Shifted (Norton, 2012), delivers a lecture on crafting dialogue.

“City of my birth— / if I forget thee, who will I be, singing the Lord’s song in this strange land?” Shara McCallum reads her poem “Psalm for Kingston” at the 2014 Dodge Poetry Festival. McCallum's latest collection, Madwoman (Alice James Books, 2017), is featured in Page One in the January/February issue of Poets & Writers Magazine.

“The best kind of fire that we can hope to be able to spark is one that creates light and also creates heat.” In this interview with Mariano Zaro for the Poetry.LA series, Douglas Kearney discusses performative typography, his play with language and sound, and how he came to poetry.