Poets & Writers Theater

“My mother thought that if she taught me to read, I would become interested to read my books and leave her alone,” says Jamaica Kincaid about her experience reading as a child and how it influenced her as a writer in this interview from the 2021 Louisiana Literature Festival at the Louisiana Museum of Modern Art in Denmark.

“I read so much, still, because I want to learn how to tell the perfect story.” In this Louisiana Channel interview, Alex Schulman, author most recently of the novel The Survivors (Doubleday, 2021), speaks about the impact reading has had on his life, the power of storytelling, and how he started his writing career as a blogger.

“I believe that the best books aren’t those that entertain us. The best books are those that hurt us.” In this 2018 interview at the Louisiana Literature festival in Denmark, Italian writer Domenico Starnone talks about the pleasure and exhaustion of writing and refers to a letter Kafka wrote about the importance of writing books “that are like an axe that breaks the frozen chest.” Starnone’s novel Trust (Europa Editions, 2021), translated from the Italian by Jhumpa Lahiri, is featured in Page One in the November/December issue of Poets & Writers Magazine.

“Writing can be beautiful, witty, and entertaining but it’s a serious commitment.” In this 2019 Louisiana Literature interview, Anne Waldman shares her advice to aspiring writers with emphasis on the importance of reading widely and respecting the act of writing.

“Discipline is a massive component of creating a body of work, and the further I get, the more I see that that really is true,” says Rachel Cusk in this 2019 interview with Tonny Vorm at the Louisiana Museum of Modern Art in Denmark. Cusk’s novel Second Place (Farrar, Straus and Giroux, 2021) is featured in Page One in the May/June issue of Poets & Writers Magazine.

“Pursue it as if it were possible,” says Álvaro Enrigue about advice for young writers in this 2017 interview filmed at the Louisiana Museum of Modern Art in Humlebæk, Denmark. “I’m a kid from Colonia Nápoles in Mexico City…there was no way of making an equation that would start with my childhood and finish with me talking to you in Louisiana about my work, in Denmark, as a writer.” Enrigue is the author of several novels, including Sudden Death (Riverhead Books, 2016), his first to be translated into English.

“That’s the moon—it’s the ghost of the sun wandering the sky at night,” says Daniel Kehlmann. In this video from Louisiana Channel, Kehlmann and fellow writers CAConrad, Georgi Gospodinov, Guadalupe Nettel, Delphine de Vigan, and Yoko Tawada discuss the moon’s mysterious presence and why writers are drawn to it as we watch visuals of the moon captured by NASA paired with Claude Debussy’s “Clair de Lune.”

“If we only read the same type of authors all our lives it’s like you’re only hearing one thread, one voice.” In this video from the 2019 Louisiana Literature festival, Elif Shafak talks about reading the same books over and over again as a child, and why it’s more inspiring to read “from East and West, fiction and nonfiction.”

“I’ve always found that the things I find the most intimidating end up being the most intellectually satisfying.” At the Louisiana Literature Festival in 2019, Roxane Gay speaks about what moved her to write Hunger: A Memoir of (My) Body (Harper, 2017), and begins her reading with a piece about loving Mister Rogers.

“In the silence of the house with the rain falling all around me—and the sound of African rain is very unique unto itself—I did two things: I picked up a piece of paper and I drew with great detail and care what was on the mantelpiece. And I finished that, and I took another piece of paper, and I wrote a poem about the rain.” Booker Prize–winning author Ben Okri talks about the life-changing moment when he began writing poetry in this interview from the 2019 Louisiana Literature Festival in Denmark.

“It’s really hard to inhabit the mind of another,” says Isabella Hammad, author of The Parisian (Grove Press, 2019), about the difficulties and joys of writing fiction in this Louisiana Channel interview. “You use your emotional experience, you use your literal experience, you use the experience of others you know to access imaginatively another subjectivity.”

“The only counsel that is acceptable is to work! To work very hard until you discover the kind of writer that you want to be.” Nobel Prize–winning Peruvian writer Mario Vargas Llosa dispenses advice to young and emerging writers in this Louisiana Channel interview with Christian Lund at the Louisiana Museum of Modern Art in Denmark.

“My heart had recently cracked // Open. Fear had departed me.” Ariana Reines reads “To the Reader” from her poetry collection, A Sand Book (Tin House Books, 2019), and talks about the origins of the book, her writing background, and the power of poetry to reach the deepest levels of human experience in this Louisiana Channel interview.

“I believe literature should always start from zero. So, I write stories in both languages on purpose.” In this Louisiana Channel interview, Yoko Tawada speaks in German, English, and Japanese about thinking and writing in two different languages and about her novel Memoirs of a Polar Bear (New Directions, 2016), translated from the German by Susan Bernofsky.

“I’m very skeptical of the way in which books are marketed as commodities, almost like accessories which people can fill their homes with,” says Sally Rooney in this interview at the 2018 Louisiana Literature festival in Denmark. Rooney’s second novel, Normal People (Hogarth, 2019), was longlisted for the 2018 Man Booker Prize and will be adapted into a television series.

“As a photographer my looking really changed, it really did become sacred....” In this Louisiana Channel video, Teju Cole talks about and reads from his book of photography and text, Blind Spot (Random House, 2017), which was inspired by a short period of blindness in one eye that transformed his perspective on looking and attentiveness. The book is comprised of over a hundred fifty photographs interspersed with short lyrical prose pieces.

“I’m always watching the moon and the moonlight. But I didn’t write about it.” Japanese poet Hiromi Itō talks about how the moon is linked to the menstrual cycle and her decision to write about menstruation, and reads from her poem “Vinegar, Oil” from Killing Kanoko (Action Books, 2009), translated from the Japanese by Jeffrey Angles, at the 2018 Louisiana Literature festival in Denmark.

Argentinean author Mariana Enriquez and Mexican author Guadalupe Nettel discuss their shared passion for dark and sordid aesthetics, writing about the body, blurred realities, and writers including Charles Baudelaire, Mircea Cărtărescu, and Philip Roth. Enriquez is the author of Things We Lost in the Fire (Hogarth, 2017), translated from the Spanish by Megan McDowell, and Nettel is the author of After the Winter (Coffee House Press, 2018), translated from the Spanish by Rosalind Harvey.

“Inside a novel, one has the opportunity to experience the ambiguous reality of a whole other consciousness. When you read, you are possessed by the voice of another.” In this 2017 Louisiana Channel interview, Siri Hustvedt talks about the transformative experience of reading novels. Hustvedt’s seventh novel, Memories of the Future (Simon & Schuster, 2019), is featured in Page One in the March/April issue of Poets & Writers Magazine.

“My work is a tragic form of fiction that is both European and African at the same time.” In this interview for the Louisiana Channel, Chigozie Obioma speaks about how his early influences of Shakespeare and Igbo folklore led him to write his debut novel, The Fishermen (Little, Brown, 2015). Obioma is featured in “Portraits of Inspiration” in the January/February issue of Poets & Writers Magazine.