Poets & Writers Theater

“I believe literature should always start from zero. So, I write stories in both languages on purpose.” In this Louisiana Channel interview, Yoko Tawada speaks in German, English, and Japanese about thinking and writing in two different languages and about her novel Memoirs of a Polar Bear (New Directions, 2016), translated from the German by Susan Bernofsky.

“I’m very skeptical of the way in which books are marketed as commodities, almost like accessories which people can fill their homes with,” says Sally Rooney in this interview at the 2018 Louisiana Literature festival in Denmark. Rooney’s second novel, Normal People (Hogarth, 2019), was longlisted for the 2018 Man Booker Prize and will be adapted into a television series.

“As a photographer my looking really changed, it really did become sacred....” In this Louisiana Channel video, Teju Cole talks about and reads from his book of photography and text, Blind Spot (Random House, 2017), which was inspired by a short period of blindness in one eye that transformed his perspective on looking and attentiveness. The book is comprised of over a hundred fifty photographs interspersed with short lyrical prose pieces.

“I’m always watching the moon and the moonlight. But I didn’t write about it.” Japanese poet Hiromi Itō talks about how the moon is linked to the menstrual cycle and her decision to write about menstruation, and reads from her poem “Vinegar, Oil” from Killing Kanoko (Action Books, 2009), translated from the Japanese by Jeffrey Angles, at the 2018 Louisiana Literature festival in Denmark.

Argentinean author Mariana Enriquez and Mexican author Guadalupe Nettel discuss their shared passion for dark and sordid aesthetics, writing about the body, blurred realities, and writers including Charles Baudelaire, Mircea Cărtărescu, and Philip Roth. Enriquez is the author of Things We Lost in the Fire (Hogarth, 2017), translated from the Spanish by Megan McDowell, and Nettel is the author of After the Winter (Coffee House Press, 2018), translated from the Spanish by Rosalind Harvey.

“Inside a novel, one has the opportunity to experience the ambiguous reality of a whole other consciousness. When you read, you are possessed by the voice of another.” In this 2017 Louisiana Channel interview, Siri Hustvedt talks about the transformative experience of reading novels. Hustvedt’s seventh novel, Memories of the Future (Simon & Schuster, 2019), is featured in Page One in the March/April issue of Poets & Writers Magazine.

“My work is a tragic form of fiction that is both European and African at the same time.” In this interview for the Louisiana Channel, Chigozie Obioma speaks about how his early influences of Shakespeare and Igbo folklore led him to write his debut novel, The Fishermen (Little, Brown, 2015). Obioma is featured in “Portraits of Inspiration” in the January/February issue of Poets & Writers Magazine.

“You’ve got to do two very contradictory things as a writer: you’ve got to enjoy spending a lot of time alone—and a lot of people don’t—and you’ve also got to go out and see about the world and immerse yourself in that world....” Irvine Welsh, whose latest novel, Dead Men’s Trousers, is forthcoming from Melville House in February, contemplates the words of wisdom and advice he would offer to young writers in this interview with Christian Lund for Louisiana Channel.

“That’s the moon—it’s the ghost of the sun wandering the sky at night,” says Daniel Kehlmann. In this video from Louisiana Channel, Kehlmann and fellow writers CAConrad, Georgi Gospodinov, Guadalupe Nettel, Delphine de Vigan, and Yoko Tawada discuss the moon’s mysterious presence and why writers are drawn to it as we watch visuals of the moon captured by NASA paired with Claude Debussy’s “Clair de Lune.”

“Be very patient, even patient with chaos,” Lydia Davis advises writers in this compilation of interviews by Louisiana Channel. Seasoned writers from around the world, including Alaa Al Aswany, Umberto Eco, Richard Ford, Patti Smith, and Ngũgĩ wa Thiong’o, also offer their thoughts on how to keep writing.

“It was in the autumn—it felt like the perfect time to do this ritual, when everything’s changing to go to sleep for the winter....” In this interview at the 2018 Louisiana Literature festival in Denmark, CAConrad talks about how performing rituals after their boyfriend’s death gave rise to the poetry in their collection While Standing in Line for Death (Wave Books, 2017), which won the 2018 Lambda Literary Award in Gay Poetry.

“Everybody feels ashamed when they write. It’s a shameful practice.” In this 2018 interview with Louisiana Channel, Zadie Smith, author most recently of Swing Time (Penguin Press, 2016), discusses the positive aspects of shame and how it can be productive for the writing process.

“The lyric is a kind of small gift, and the fiction is more like putting on a theatrical production.” In this Louisiana Channel interview, Michael Ondaatje speaks about the differences in writing a poem versus a novel, his mentors, and what he discovers through the research that goes into his novels. Ondaatje recently won the Golden Man Booker Prize for The English Patient, and his novel Warlight (Jonathan Cape, 2018) is longlisted for the 2018 Man Booker Prize.

“I think physicists and poets are not as different as we like to think. The same unconscious processes are at work in both.” In this interview from the 2017 Louisiana Literature festival in Denmark, Siri Hustvedt talks about her background in neuroscience, the experiences of writing both nonfiction and fiction, and the value of approaching questions from different interdisciplinary perspectives.

“I narrate in such a free manner that, I hope, inspires the reader.” In this interview for Louisiana Channel, Olga Tokarczuk talks about air travel and how it influenced the story structure for her most recent novel, Flights (Riverhead Books, 2018), translated from the Polish by Jennifer Croft, which is longlisted for the 2018 Man Booker International Prize.

“I became a writer once I realized no one liked my stuff. I just had no choice but to keep going and start a new novel.” In an interview for Louisiana Channel, Pulitzer Prize–winning author Colson Whitehead talks about how rejections of his first manuscript pushed him forward to pursue writing and why he enjoys exploring different genres.

“I work on the paragraph as if it’s a little poem, as if it’s a musical composition...” In this interview with Louisiana Channel, Paul Auster talks about his writing habits, aging, creative obsession, his recent and upcoming projects, and the one-on-one intimacy that makes books different from other art forms.

“At some point I feel that the characters do exist...they become independent.” In this video from Louisiana Channel, Egyptian author Alaa Al Aswany speaks about how the characters in his novel The Yacoubian Building (American University in Cairo Press, 2004), translated from the Arabic by Humphrey Davies, began to take on a life of their own as he wrote them.

In this Louisiana Channel interview, Imbolo Mbue speaks about her love of New York City and the challenges of being black and working-class in America, which she explores in her debut novel, Behold the Dreamers (Random House, 2016). Mbue is one of the debut authors featured in “First Fiction 2016” in the July/August issue of Poets & Writers Magazine.

“Usually I find something that won’t seem like an unfair end.” Novelist and translator Clemens Setz speaks with Louisiana Channel about the importance of the final sentence in a book, and the various ways authors like Jack Kerouac, John Irving, and Thomas Bernhard have written their last sentences.