Poets & Writers Theater

“Still under construction, the kiss as thunderclouds in summer sky that sometimes means lightning, as the smell of after rain.” In this Poetry.LA video, Keegan Lester reads from his debut collection, this shouldn't be beautiful but it was & it was all i had so i drew it (Slope Editions, 2017), and speaks with Lisa Grove about nostalgia, Bob Dylan, and the themes and influences behind his work.

“I went through a Philip Glass phase, but I’m out of that now. Lately I write to silence, usually.” In this Vintage Books interview, Kayo Chingonyi answers questions about his literary and pop culture influences, daily routine, and books he thinks everyone should read. Chingonyi won the 2018 International Dylan Thomas Prize for his debut poetry collection, Kumukanda (Chatto & Windus, 2017).

“As a photographer my looking really changed, it really did become sacred....” In this Louisiana Channel video, Teju Cole talks about and reads from his book of photography and text, Blind Spot (Random House, 2017), which was inspired by a short period of blindness in one eye that transformed his perspective on looking and attentiveness. The book is comprised of over a hundred fifty photographs interspersed with short lyrical prose pieces.

“There is so much time in the world. How many ways can it be divided?” In this 2017 video, Camille T. Dungy reads “Conspiracy” and “Natural History” from her poetry collection Trophic Cascade (Wesleyan University Press, 2017) at Syncopated Rhythms: A Celebration of African American Poetry & Music in Washington, D.C. Dungy’s essay “Say Yes to Yourself: A Poet’s Guide to Living and Writing” appears in the May/June issue of Poets & Writers Magazine.

“Inside a novel, one has the opportunity to experience the ambiguous reality of a whole other consciousness. When you read, you are possessed by the voice of another.” In this 2017 Louisiana Channel interview, Siri Hustvedt talks about the transformative experience of reading novels. Hustvedt’s seventh novel, Memories of the Future (Simon & Schuster, 2019), is featured in Page One in the March/April issue of Poets & Writers Magazine.

“In every single book of poems there are, to me, what feel like really explicit autobiographical moments and gestures.” Dawn Lundy Martin speaks about trying to find a language to express trauma, and the use of voice and narrative in her poetry in this interview with City of Asylum. Martin won the 2019 Kingsley Tufts Poetry Award for her collection Good Stock Strange Blood (Coffee House Press, 2017).

“I come from the fire city / fire came and licked up our houses, lapped them up like they were nothing / drank them like the last dribbling water...” This Motionpoems short film, directed by Daniel Daly and starring Khadija Shari, features Eve L. Ewing’s poem “I come from the fire city.” from her debut collection, Electric Arches (Haymarket Books, 2017). 

“I do hope one day to be free of this body’s dry wood...” In this Button Poetry video, Kaveh Akbar, author of the poetry collection, Calling a Wolf a Wolf (Alice James Books, 2017), reads a poem that was published in Tin House’s “The Rehab Issue” in 2017.

“What one carries from one point to another, geographically or temporally, is one’s self.” Yiyun Li reads from her debut memoir, Dear Friend, From My Life I Write to You in Your Life (Random House, 2017), in this video produced by the Office of Communications at Princeton University. Li, whose novel Where Reasons End is forthcoming from Random House in February, is featured in “Portraits of Inspiration” in the January/February issue of Poets & Writers Magazine.

Dorianne Laux reads her poems “If It Weren’t for Bad Ideas, I’d Have No Ideas at All,” “Evening,” “This Close,” and “Savages” at a 2017 reading in Washington, D.C. for the Field Office. Laux’s new collection, Only as the Day Is Long: New and Selected Poems (Norton, 2019), is featured in Page One in the January/February issue of Poets & Writers Magazine.

“We slid pride first into his car opening the new year / the way ungraceful fingers open a gift not meant for them.” William Evans reads “New Year’s Eve Party at Eric’s House and the Black Boys Have Had Enough” from his poetry collection Still Can’t Do My Daughter’s Hair (Button Poetry, 2017) at Camp Bar in Saint Paul, Minnesota.

“If you’re on Twitter and Facebook and sharing there, there’s no pressure of concealment, and I think good memoir comes out of that place.” Dani Shapiro, whose fifth memoir, Inheritance: A Memoir of Genealogy, Paternity, and Love (Knopf, 2019), is featured in Page One in the January/February issue of Poets & Writers Magazine, talks with Literary Hub’s Emily Temple about how social media could have an adverse effect on writing and storytelling.

“The book is a kind of implosion, emotionally and intellectually, and you just wait for some kind of rhythm to form.... And then I will work all day, every day.” Nicola Barker, who won the 2017 Goldsmiths Prize for her novel H(a)ppy (William Heinemann, 2017), talks to Granta about her writing process and the difficulty of transitioning from writing on a digital screen to seeing the book in print form.

“I think there’s also in the book a sort of collective mind-set, which is seen as more important than the individual identity or autonomy.” Anna Burns talks about her third novel, Milkman (Faber & Faber, 2017), for which she won the 2018 Man Booker Prize, making her the award’s first Northern Irish honoree.

“I am begging: Let me be lonely but not invisible.” This Motionpoems film directed by Mohammed Hammad features Natalie Diaz’s poem “American Arithmetic,” which appeared in the anthology Tales of Two Americas: Stories of Inequality in a Divided Nation (Penguin Books, 2017) edited by John Freeman.

“It was in the autumn—it felt like the perfect time to do this ritual, when everything’s changing to go to sleep for the winter....” In this interview at the 2018 Louisiana Literature festival in Denmark, CAConrad talks about how performing rituals after their boyfriend’s death gave rise to the poetry in their collection While Standing in Line for Death (Wave Books, 2017), which won the 2018 Lambda Literary Award in Gay Poetry.

The Hate U Give (Balzer + Bray, 2017), the best-selling debut novel by Angie Thomas about a Black high school student who witnesses the fatal shooting of her childhood friend by a police officer and is subsequently drawn into activism, has been adapted into a feature film. Directed by George Tillman Jr., the film stars Regina Hall, Russell Hornsby, Issa Rae, and Amandla Stenberg.

“Catch whispers in libraries. / Greet strangers with acorns and grapefruit. / Remember eyes, ghosts, smoke. / Watch brothers as they disappear.” Maw Shein Win reads several poems, including “Flower Instructions,” from her debut collection, Invisible Gifts (Manic D Press, 2018), for the Radar Reading series at the San Francisco Public Library in 2017. Win is featured in “5 Over 50” in the November/December issue of Poets & Writers Magazine.

“Just keep going.” In this video from the 2017 Bay Area Book Festival, Literary Hub senior editor Emily Temple speaks to authors, including Michael Chabon, Vanessa Hua, Katie Kitamura, Paul Murray, Hannah Tinti, Ayelet Waldman, and Esmé Weijun Wang, about the best writing advice they have ever received.

“It was sad. I would rather talk to my idea of a person, a fantasy ghost-person that existed only in my imagination, than talk with my own parents.” Patty Yumi Cottrell, author of Sorry to Disrupt the Peace (McSweeney’s, 2017) and a recipient of a 2018 Whiting Award in fiction, reads from her essay “My Abyss.”