Poets & Writers Theater

Madhu Kaza and Jeremy Tiang speak about their “slow, long fall into translation” and how writing and literary translation are forms of encounter in this conversation for the Literary Translation Clinic series, presented by the Center for Fiction and Cedilla & Co.

In this 2017 craft talk for Hugo House, Terrance Hayes reads from his book American Sonnets for My Past and Future Assassin (Penguin Books, 2018) and discusses the work and writing strategies of the late poet Lynda Hull.

“Genre writing is an amazing place to try new words out as long as you provide good context.” In this video, Stacey Abrams discusses her love of language and word choice, as well as the writing process for her latest novel, While Justice Sleeps (Doubleday, 2021), with Merriam-Webster editors Ammon Shea and Adam Maid.

“To what and whom am I responsible when translating this text?” In this Center for Fiction virtual event, Brazilian literature translator Katrina Dodson offers ways to consider a practical philosophy of translation and speaks with translator Heather Cleary about questions and ways to approach the work. The Literary Translation Clinic is a monthly series of open sessions with a focus on literary translation as a profession hosted by members of the translator collective, Cedilla & Co.

“Writing for me came about because I wanted to write from a Black British woman’s perspective.” In this Vogue Visionaries class produced in partnership with YouTube, Bernardine Evaristo offers a five-chapter tutorial on writing fiction and explains why “rejection is really good for you.”

In this virtual craft talk, Patricia Lockwood reads from her debut novel, No One Is Talking About This (Riverhead Books, 2021), and talks about her writing process and how her poetry influences her prose writing with Zach Powers, novelist and director of communications at the Writer’s Center in Bethesda, Maryland. 

“I became interested in Black poets writing about the animal as the result of my own work,” says Joy Priest at the beginning of her virtual craft talk titled “The Black Poet & the Deer: On the Transpositional Phenomena of the Line” for the Vermont Studio Center. Priest is the author of Horsepower (University of Pittsburgh Press, 2020) and was a featured guest writer for Craft Capsules, a series of micro craft essays exploring the finer points of writing.

“When you’re looking at the transitions in your own poetry, one of the things to do is feel as you’re reading over your poem, ‘Am I bored? Do I feel lectured at?’” says Jane Hirshfield in this video from a 2011 Poets House event. “Take out some of the transitions. Allow more mystery. Allow things to stand on their own two feet.” Hirshfield is the author of nine books of poetry, including her most recent collection, Ledger (Knopf, 2020).

In this video for Poets House, Carl Phillips, whose most recent poetry collection, Pale Colors in a Tall Field, was published in March by Farrar, Straus and Giroux, reflects on his process for putting a book together, as well as his journey as a poet, teacher, and mentor. 

“Maybe every talk about poetry is a defense of poetry,” says Tony Hoagland in this 2011 Chicago Ideas Week talk at the Poetry Foundation on the mind of a poet and how poets explain the world. Hoagland, the author of eight books of poetry and a recipient of the Jackson Poetry Prize, died on October 23 at the age of sixty-four.

In a craft talk at the Center for Fiction in New York City, A. M. Homes discusses the value of having a writing routine, how she approaches novels and short stories differently, and her fascination with Barbie. Homes is the author of Days of Awe (Viking, 2018), which is featured in Page One in the July/August issue of Poets & Writers Magazine.

Carl Phillips gives a craft talk on poems by Thom Gunn, francine j. harris, and Louise Glück at the 2017 Palm Beach Poetry Festival. Phillips’s most recent poetry collection, Wild Is the Wind (Farrar, Straus and Giroux, 2018), is featured in Page One in the January/February 2018 issue of Poets & Writers Magazine.

"Number 1: Don't write what you know. Start with what you don't know, what you don't understand." In her craft talk at the 2012 Colgate Writers' Conference, novelist Dana Spiotta explains how she wrote Stone Arabia (Scribner, 2011) in six (not-so-easy) steps. Her new novel, Innocents and Others (Scribner, 2016), explores a friendship between two female filmmakers.