Poets & Writers Theater

“I love To the Lighthouse, but they never get to the lighthouse.” In this episode of Cocktails With Bright Antenna, Benjamin Percy talks about the differences between literary fiction and genre fiction, how some writers are gardeners and some are architects, and reveals the origins of his phobias. Percy’s latest book, Suicide Woods (Graywolf Press, 2019), is featured in Page One in the November/December issue of Poets & Writers Magazine.

“The very act of reading is an empathetic act.” In this Aspen Institute video, Adrienne Brodeur talks about her writing process and reads from her debut memoir, Wild Game: My Mother, Her Lover, and Me (Houghton Mifflin Harcourt, 2019), which is featured in Page One in the November/December issue of Poets & Writers Magazine.

“I wanted to encapsulate the experience I was having, and particularly the memories in terms of what they mean to me now, as someone who’s thirty-three years old.” At Unbound, a literary series copresented by BAM and Greenlight Bookstore, Saeed Jones talks about the drive that compelled him to write his debut memoir, How We Fight for Our Lives (Simon & Schuster, 2019), which is featured in Page One in the November/December issue of Poets & Writers Magazine.

“Beauty’s just a bite / away from want. / I’ve seen Fox chew / off her own limb / for one more taste / of freedom.” In this 2012 video, Tiffany Midge reads from her collection The Woman Who Married a Bear (University of New Mexico Press, 2016) at the Loft Literary Center in Minneapolis. Midge’s debut memoir, Bury My Heart at Chuck E. Cheese’s (Bison Books, 2019), is featured in Page One in the November/December issue of Poets & Writers Magazine.

“Olive is going through the late—very late—autumn of her life.” Elizabeth Strout talks about the title character and depictions of weather and seasons in her new novel, Olive, Again (Random House, 2019), the follow-up to her Pulitzer Prize–winning novel, Olive Kitteridge (Random House, 2008). Olive, Again is featured in Page One in the November/December issue of Poets & Writers Magazine.

“the long, drunk room a darkened sanctuary. / windows blocked opaque to make day insignificant / light impaired.” In this short film, Kevin Coval reads “Ode to the Dive Bar” from his poetry collection Everything Must Go (Haymarket Books, 2019), illustrated by Langston Allston, which is featured in Page One in the November/December issue of Poets & Writers Magazine.

“I wanted to center the emotions and the feelings of the actual enslaved people.” Ta-Nehisi Coates speaks about what inspired him to write his debut novel, The Water Dancer (One World, 2019), as he walks through Thomas Jefferson’s estate, Monticello, with Gayle King for CBS This Morning.

Mary Ruefle reads a selection of her poetry and prose at the 2019 Newcastle Poetry Festival at the Newcastle Centre for the Literary Arts. Ruefle’s fourteenth poetry collection, Dunce (Wave Books, 2019), is featured in Page One in the September/October issue of Poets & Writers Magazine.

“I just felt this deep need to express myself.... I had a strong desire to understand and to express that understanding.” In this CBS Sunday Morning interview, Ta-Nehisi Coates talks about the purpose of his writing and how the music of Marvin Gaye influences the language in his work. Coates’s debut novel, The Water Dancer (One World, 2019), is featured in Page One in the September/October issue of Poets & Writers Magazine.

“I wanted to find a way to write about people that felt guided by a spirit of appreciation and empathy.” Leslie Jamison speaks about the ethical complexities involved in nonfiction writing at a 2017 talk at Claremont McKenna College. Jamison’s second essay collection, Make It Scream, Make It Burn (Little, Brown, 2019), is featured in Page One in the September/October issue of Poets & Writers Magazine.

“When I was thinking about Red at the Bone, one thing I knew I wanted to talk about was class—economic class—especially in the Black community, and history.” Jacqueline Woodson talks about her new novel, Red at the Bone (Riverhead Books, 2019), which is featured in Page One in the September/October issue of Poets & Writers Magazine, and reads the poem from her memoir Brown Girl Dreaming (Nancy Paulsen Books, 2014) that she calls “the seed” of the novel.

“Our swarm, it move like a flock of birds. All these beautiful black people in motion. Moving and shifting with a kind of intelligence.” Rion Amilcar Scott reads from his debut story collection, Insurrections (University Press of Kentucky, 2016), and speaks with Cinder Barnes and Karl Smith at Montgomery College in Maryland. Scott’s second story collection, The World Doesn’t Require You (Liveright, 2019), is featured in Page One in the September/October issue of Poets & Writers Magazine.

In this 2018 video, Matthew Zapruder reads from his poetry collections Come On All You Ghosts (Copper Canyon Press, 2012) and Sun Bear (Copper Canyon Press, 2015), and his book Why Poetry (Ecco, 2017) for the Lunch Poems reading series at UC Berkeley. Zapruder’s fifth poetry collection, Father’s Day (Copper Canyon Press, 2019), is featured in Page One in the September/October issue of Poets & Writers Magazine.

“It took Arnold six and a half seconds to fall five hundred feet. During that time, an image of his son, Paris, flashed before his eyes....” At the Lensic Performing Arts Center, Edwidge Danticat reads “Without Inspection” from her third story collection, Everything Inside (Knopf, 2019), which is featured in Page One in the September/October issue of Poets & Writers Magazine.

Jillian Weise reads her poems “Semi Semi Dash,” “Café Loop,” and “Poem for His Girl,” from her second collection, The Book of Goodbyes (BOA Editions, 2013), at the Academy of American Poets’ 2013 Poets Forum Awards Ceremony. Weise’s third collection, Cyborg Detective (BOA Editions, 2019), is featured in Page One in the September/October issue of Poets & Writers Magazine.

“I can only hope that the criticism and reporting that you do write leaves little levers open psychologically for something good to happen.” Jia Tolentino speaks about the inner conflict of writing on pop culture in the current political climate in this conversation with fellow nonfiction writers Taffy Brodesser-Akner, Linda Holmes, and Emily Nussbaum. Tolentino’s debut essay collection, Trick Mirror (Random House, 2019), is featured in Page One in the September/October issue of Poets & Writers Magazine.

“You pick the right tool for the job, and sometimes fantasy is a way to open up a story and convey a universal truth, and sometimes realism.” Colson Whitehead speaks with PBS NewsHour’s Jeffrey Brown about his writing process and the true story that inspired his latest novel, The Nickel Boys, which was published this week by Doubleday.

This book trailer by filmmaker Diego Ongaro introduces Courtney Maum’s third novel, Costalegre (Tin House Books, 2019), which tells the story of an American heiress and art collector, her neglected teenage daughter, and the elite group of artists who escape into the Mexican jungle on the eve of World War II. For more from Maum, read her installment of Ten Questions.

“Every conversation between us then had a way of spiraling into the same abyss. Real men were impossible to understand. Real men suffered. Real men were broken.” Jaed Coffin reads from his second memoir, Roughhouse Friday (Farrar, Straus and Giroux, 2019), which is featured in Page One in the July/August issue of Poets & Writers Magazine, and talks about his experiences barroom boxing in Alaska with Kathryn Miles for Portland Public Library’s Literary Lunch series.

“My favorite form is the long short story or the novella because I think it allows you a little bit more breadth and scope in terms of what you can do.” Brian Evenson, whose eighth story collection, Song for the Unraveling of the World (Coffee House Press, 2019), is featured in Page One in the July/August issue of Poets & Writers Magazine, reads from his work and talks about teaching, writing habits, and spirituality in this video from the 2014 Mission Creek Festival.