Poets & Writers Theater

“That is what my grandfather, Glafkos, must have felt like. / Wandering the hillsides and down to the sea while his parents labored...” In Delphi 1927, a multimedia performance by Eleni Sikelianos, the poet examines her family history and her great grandparents’ efforts to revive the Delphic Festivals. Sikelianos’s collection What I Knew (Nightboat Books, 2019) is featured in Page One in the May/June issue of Poets & Writers Magazine.

“The moment kids start to lie is the moment storytelling begins.” Young-Ha Kim delivers a TEDx Talk about all children beginning as artists, novel writing as a process of composing one sentence after another, and the value of a world in which everyone creates art, whether in public or in private. Kim’s story collection Diary of a Murderer (Mariner Books, 2019), translated from the Korean by Krys Lee, is featured in Page One in the May/June issue of Poets & Writers Magazine.

Jan-Henry Gray talks about recipe poems and the structural parallels between poetry and cooking in this short film by Talia Sadie Feder. Gray’s debut poetry collection, Documents (BOA Editions, 2019), is featured in Page One in the May/June issue of Poets & Writers Magazine.

“Based on real events, Women Talking is the story of eight women in a remote Mennonite colony who face an agonizing decision in the aftermath of a series of unspeakable sexual crimes.” This book trailer introduces Miriam Toews’s seventh novel, Women Talking (Bloomsbury, 2019), which is featured in Page One in the May/June issue of Poets & Writers Magazine.

“I begin with love, hoping to end there. / I don’t want to leave a messy corpse.” Jericho Brown reads “Duplex” from his third poetry collection, The Tradition (Copper Canyon Press, 2019), which is featured in Page One in the May/June issue of Poets & Writers Magazine.

“Take a microscope to the face of a beautiful woman and tell me it isn’t grotesque. Poetry is such a broad genre, it covers so many ways of looking.” Kim Hyesoon talks about her newest collection, Autobiography of a Death (New Directions, 2018), translated from the Korean by Don Mee Choi, what it means to be a female poet, and why she thinks poetry is disappearing in this 2018 interview with the Literature Translation Institute of Korea.

“Look at the old house in the dawn rain / all the flowers are forms of water…” In this excerpt from the documentary Even Though the Whole World Is Burning, the late W. S. Merwin reads his poem “Rain Light.” Merwin’s final collection, Garden Time (Copper Canyon Press, 2016), was featured in Page One in the September/October issue of Poets & Writers Magazine.

Washington Post book critic Ron Charles takes a humorous look at Helen Oyeyemi’s sixth novel, Gingerbread (Riverhead Books, 2019), for his Totally Hip Video Book Review series. Oyeyemi answers questions about her new novel in a recent installment of our online series Ten Questions.

“Inside a novel, one has the opportunity to experience the ambiguous reality of a whole other consciousness. When you read, you are possessed by the voice of another.” In this 2017 Louisiana Channel interview, Siri Hustvedt talks about the transformative experience of reading novels. Hustvedt’s seventh novel, Memories of the Future (Simon & Schuster, 2019), is featured in Page One in the March/April issue of Poets & Writers Magazine.

“There is nothing one man will not do to another.” Carolyn Forché reads “The Visitor” and “The Colonel” from her second poetry collection, The Country Between Us (Copper Canyon Press, 1981), which bore witness to her travels in El Salvador in the late 1970s. Forché’s debut memoir, What You Have Heard Is True: A Memoir of Witness and Resistance (Penguin Press, 2019), documents that same period of time and is featured in Page One in the March/April issue of Poets & Writers Magazine.

“The White Card is a play I wanted to write because it seemed to me that people had a difficult time talking about race. And I thought, ‘What would it look like?’” In this ArtsEmerson video, Claudia Rankine talks about the inspiration for her debut play, The White Card: A Play (Graywolf Press, 2019), which is featured in Page One in the March/April issue of Poets & Writers Magazine.

“I started with one word and I never stopped.” Jimmy Santiago Baca talks with Megan Kamerick on New Mexico in Focus about reading the dictionary, writing poetry while incarcerated, and his experiences learning and educating others about the power of language. Baca’s poetry collection When I Walk Through That Door, I Am: An Immigrant Mother’s Quest for Freedom (Beacon Press, 2019) is featured in Page One in the March/April issue of Poets & Writers Magazine.

Khaled Khalifa talks with Renée Ragin at Duke University about questions of Arab and Syrian identity, the relationship between his writing and war, and themes of death and difficult journeys in his fifth novel, Death Is Hard Work (Farrar, Straus and Giroux, 2019). The novel, translated from the Arabic by Leri Price, is featured in Page One in the March/April issue of Poets & Writers Magazine.

“Poses no significant litter problem. / Ranks as ‘not particularly outstanding,’ according to the Forest Service.” At the Poetry Center at San Francisco State University, Forrest Gander reads from the opening of Casting Deep Shade (Copper Canyon Press, 2019), C. D. Wright’s posthumously published collection. The multigenre, three-panel, hardcover book is featured in Page One in the March/April issue of Poets & Writers Magazine.

“Not only did To the Lighthouse help me to understand my own story, but my own story helped me to better understand To the Lighthouse—there’s sort of a beautiful reciprocity there.” Katharine Smyth talks with Michelle Dunton Cronauer about how Virginia Woolf’s 1927 novel led to writing her debut memoir, All the Lives We Ever Lived: Seeking Solace in Virginia Woolf (Crown, 2019), which is featured in Page One in the January/February issue of Poets & Writers Magazine.

“Carson McCullers is probably the author I feel the strongest connection to, in the way of empathy and seeing the world.” Benedict Wells, whose fourth novel, The End of Loneliness (Penguin Books, 2019), translated from the German by Charlotte Collins, is featured in Page One in the January/February issue of Poets & Writers Magazine, talks about his writing process, how he began as a writer, and some of the authors who have inspired him.

Dorianne Laux reads her poems “If It Weren’t for Bad Ideas, I’d Have No Ideas at All,” “Evening,” “This Close,” and “Savages” at a 2017 reading in Washington, D.C. for the Field Office. Laux’s new collection, Only as the Day Is Long: New and Selected Poems (Norton, 2019), is featured in Page One in the January/February issue of Poets & Writers Magazine.

“History hides. That’s its job. It hides behind other history.” Sam Lipsyte reads from his fourth novel, Hark (Simon & Schuster, 2019), at the University of San Francisco’s MFA Reading Series. Hark is featured in Page One in the January/February issue of Poets & Writers Magazine.

“If you’re on Twitter and Facebook and sharing there, there’s no pressure of concealment, and I think good memoir comes out of that place.” Dani Shapiro, whose fifth memoir, Inheritance: A Memoir of Genealogy, Paternity, and Love (Knopf, 2019), is featured in Page One in the January/February issue of Poets & Writers Magazine, talks with Literary Hub’s Emily Temple about how social media could have an adverse effect on writing and storytelling.

“There’s something in the lyric moment that really ruptures the taken for granted-ness of the world.” Meena Alexander discusses her writing process, artistic collaborations, and the sensory experience of being a poet in this 2015 interview for CUNY TV. The author of five books of poetry, including most recently Atmospheric Embroidery (TriQuarterly Books, 2018), Alexander died at the age of sixty-seven on November 21, 2018.