Poets & Writers Theater

“History hides. That’s its job. It hides behind other history.” Sam Lipsyte reads from his fourth novel, Hark (Simon & Schuster, 2019), at the University of San Francisco’s MFA Reading Series. Hark is featured in Page One in the January/February issue of Poets & Writers Magazine.

“If you’re on Twitter and Facebook and sharing there, there’s no pressure of concealment, and I think good memoir comes out of that place.” Dani Shapiro, whose fifth memoir, Inheritance: A Memoir of Genealogy, Paternity, and Love (Knopf, 2019), is featured in Page One in the January/February issue of Poets & Writers Magazine, talks with Literary Hub’s Emily Temple about how social media could have an adverse effect on writing and storytelling.

“There’s something in the lyric moment that really ruptures the taken for granted-ness of the world.” Meena Alexander discusses her writing process, artistic collaborations, and the sensory experience of being a poet in this 2015 interview for CUNY TV. The author of five books of poetry, including most recently Atmospheric Embroidery (TriQuarterly Books, 2018), Alexander died at the age of sixty-seven on November 21, 2018.

“It’s the way we have to connect not only the intellect, but also the heart, to engage the whole body with breath, with rhythm.” Natasha Trethewey, recipient of the 22nd Heinz Award for the Arts and Humanities, talks about the immense value of poetry. Trethewey’s fifth poetry collection, Monument: Poems New and Selected (Houghton Mifflin Harcourt, 2018), is featured in Page One in the November/December issue of Poets & Writers Magazine.

“The extraordinary story of a bloodstained, diminutive crumb of a servant girl who went on to become the world’s most famous wax sculptor,” is how the book trailer describes Edward Carey’s sixth novel, Little (Riverhead Books, 2018), which is featured in Page One in the November/December issue of Poets & Writers Magazine.

Kiese Laymon talks to Clemonce Heard about his debut memoir, Heavy: An American Memoir (Scribner, 2018), growing up in Mississippi, the influence of music on his writing, and reckoning with weight in all its different forms. Heavy is featured in Page One in the November/December issue of Poets & Writers Magazine.

“It takes facility, it takes brilliance, it takes verve!” Marilyn Chin talks to Joseph Ross about what it takes to write poetry and reads poems from her fifth collection, A Portrait of the Self as Nation: New and Selected Poems (Norton, 2018), which is featured in Page One in the November/December issue of Poets & Writers Magazine.

At OneLife Institute’s World Peace Day event, Alice Walker reads “Loving Oakland” from her tenth poetry collection, Taking the Arrow Out of the Heart (37 INK, 2018), which is featured in Page One in the November/December issue of Poets & Writers Magazine.

“They await counterintelligence / transmissions from our laptops / and our blue teeth, await word / of humanity’s critical mass, / our ripening.” Kyle Dargan’s poem “The Robots Are Coming” is brought to life in this animated Motionpoems film by Julia Iverson. Dargan’s new poetry collection, Anagnorisis (TriQuarterly Books, 2018), is featured in Page One in the September/October issue of Poets & Writers Magazine.

In this humorous video, Gary Shteyngart receives dubious feedback on his fourth novel, Lake Success (Random House, 2018), from “Sean, the World’s Worst Editor,” which includes inserting a laugh track into the book, holding book signings in an actual lake, and changing Shteyngart’s last name. Lake Success is featured in Page One in the September/October issue of Poets & Writers Magazine.

“Jeff Park’s living room was as palatial as the entrance to a modest New York museum.” Gary Shteyngart reads an excerpt from his fourth novel, Lake Success (Random House, 2018), at the University of Washington’s Stroum Center for Jewish Studies. Lake Success is featured in Page One in the September/October issue of Poets & Writers Magazine.

“I plot beforehand to the extent that I have an idea of where I’m going, but I’m always willing to toss that out the window...” Stephen Markley talks about his start as a writer, his writing habits, and the publication of his first novel, Ohio (Simon & Schuster, 2018), which is featured in Page One in the September/October issue of Poets & Writers Magazine.

“It was the first time that literature felt personal, relevant, urgent....” Laura van den Berg talks about the transformative experience of reading contemporary fiction and short stories during her first writing workshop in college. Van den Berg’s second novel, The Third Hotel (Farrar, Straus and Giroux, 2018), is featured in Page One in the September/October issue of Poets & Writers Magazine.

“What isn’t twisted and dark? Look around! Twisted and dark means new and interesting.” Ottessa Moshfegh speaks with Vintage Books about dark comedy in writing, the difference between art and entertainment, and why she writes about the female body. Moshfegh is the author of My Year of Rest and Relaxation (Penguin Press, 2018), which is featured in Page One in the July/August issue of Poets & Writers Magazine.

Anne Waldman reads from the “Endtime” section of her longer poetic text at the 2017 Alternative New Year’s Day Spoken Word Performance Extravaganza at Nuyorican Poets Café in New York City. Waldman’s poetry collection Trickster Feminism (Penguin Books, 2018) is featured in Page One in the July/August issue of Poets & Writers Magazine.

In a craft talk at the Center for Fiction in New York City, A. M. Homes discusses the value of having a writing routine, how she approaches novels and short stories differently, and her fascination with Barbie. Homes is the author of Days of Awe (Viking, 2018), which is featured in Page One in the July/August issue of Poets & Writers Magazine.

“I wanted writing to be something that involved relationships with other people.” Rachel Cusk talks about her experience teaching creative writing at Kingston University in London. Cusk’s novel Kudos (Farrar, Straus and Giroux, 2018), which is featured in Page One in the July/August issue of Poets & Writers Magazine, is the third volume in the trilogy that began with Outline (Picador, 2016).

“Justin used to think the trees were God. But today, right here, he thinks the ocean might be God. All that power and weakness, spread out for us to see.” Silas House reads from his fifth novel, Southernmost (Algonquin Books, 2018), which is featured in Page One in the July/August issue of Poets & Writers Magazine.

“I’m very fascinated by people on thresholds....” Dorthe Nors talks about her writing interests, short stories versus novels, and the differences between the Danish and English languages with Rosie Goldsmith at the 2016 European Literature Festival in London. Nors’s fourth novel, Mirror, Shoulder, Signal (Graywolf Press, 2018), translated from the Danish by Misha Hoekstra, is featured in Page One in the July/August issue of Poets & Writers Magazine.

Porochista Khakpour reads from her essay “How to Write Iranian-America, or The Last Essay” and talks to Northwestern University professor Brian Edwards about her writing interests and the publishing industry. Khakpour’s debut memoir, Sick (Harper Perennial, 2018), is featured in Page One in the July/August issue of Poets & Writers Magazine.