Poets & Writers Theater

“Fish have always swum me beyond my body, exploded me into some other mythic, imagined space.” Lars Horn talks about their love of research, writing about transmasculinity, and piecing together their first book, Voice of the Fish: A Lyric Essay, which won the 2020 Graywolf Press Nonfiction Prize, in this City Lights Live virtual event with Carolina De Robertis. Horn’s book is featured in Page One in the July/August issue of Poets & Writers Magazine.

“I had wanted to write a book about freedom,” reads Maggie Nelson from her latest essay collection, On Freedom: Four Songs of Care and Constraint (Graywolf Press, 2021), in this 2021 virtual reading and conversation with author Hari Kunzru for the Hammer Museum in Los Angeles. 

In this virtual event for the Vocarium reading series sponsored by the Woodberry Poetry Room, CAConrad, author of AMANDA PARADISE: Resurrect Extinct Vibration (Wave Books, 2021), and Diane Seuss, author of the Pulitzer Prize–winning collection, frank: sonnets (Graywolf Press, 2021), read from their work following an introduction by poet Ariana Reines.

“We in the fields, the watchers from the burnt slope, / Facing the west, facing the bright sky, hopelessly longing / to know the red beauty…” In this 2011 PBS NewsHour video, Jeffrey Yang reads William Everson’s poem “We in the Fields” along with other poems published in Birds, Beasts, and Seas: Nature Poems From New Directions, an anthology edited by the poet celebrating the seventy-fifth anniversary of New Directions. Yang’s new poetry collection, Line and Light (Graywolf Press, 2022), is featured in Page One in the May/June issue of Poets & Writers Magazine.

“The face of Chinatown returns its color, / plucked from July’s industrial steamer,” reads Jenny Xie from her poem “Chinatown Diptych,” published in her collection Eye Level (Graywolf Press, 2018), in this video directed by Jean Coleman and produced by the Adrian Brinkerhoff Poetry Foundation for their Read By poetry film series.

“Quiet thinking is like a current in the sea and moves freely until it’s disturbed by its own voice, and then it becomes a music each individual sings when speaking. This is what we hear when we hear Ilya read,” says poet Fanny Howe introducing Ilya Kaminsky at this 2018 reading of his poetry collection Deaf Republic (Graywolf Press, 2019) at Harvard University’s Woodberry Poetry Room.

In honor of the seventh anniversary of poet Philip Levine’s passing, Tom Sleigh speaks about their friendship and reads “That Word,” a poem from his latest book, The King’s Touch (Graywolf Press, 2022), dedicated to Levine in this video directed by Ed Robbins. Sleigh says of Levine: “Phil’s intelligence was as brilliantly acerbic as it was heartbreaking.”

In this video, Tom Sleigh reads “The King’s Touch,” the title poem from his new collection published by Graywolf Press this month. The video is part of a series called “Age of Wonder” directed by filmmaker Ed Robbins which features Sleigh reading selections from the book.

“I don’t call it sleep anymore. / I’ll risk losing something new instead,” reads Natalie Diaz from her poem “From the Desire Field” in this Graywolf Press virtual event celebrating her collection Postcolonial Love Poem, for which she won the 2021 Pulitzer Prize in poetry.

“I’ve turned old. I ache most / To be confronted by the real, / By the cold, the pitiless, the bleak.” In this 2018 video from the 92nd Street Y, Tracy K. Smith reads her poem “Annunciation,” which appears in her new collection, Such Color: New and Selected Poems (Graywolf Press, 2021). Smith’s fifth poetry collection is featured in Page One in the November/December issue of Poets & Writers Magazine.

“It’s a book about trying to figure out how to live while around you people are dying. How do you learn to live with tremendous loss?” says Mark Wunderlich about his latest poetry collection, God of Nothingness (Graywolf Press, 2021), in this video for the James Merrill House’s virtual series Studio 107, which interviews former writers in residency about their writing process.

“Great stones of whitewater / hammer down.” In this 2017 reading at the Bookworm, an independent bookstore in Beijing, Tracy K. Smith reads a translation of Yi Lei’s poem “Huangguoshu Waterfall,” included in My Name Will Grow Wide Like a Tree (Graywolf Press, 2020), translated from the Chinese by Changtai Bi and Smith, which is featured in Page One in the November/December issue of Poets & Writers Magazine.

“The theater goes dark. I’m watching characters move across the screen, but thinking more about Noah holding my hand, rotating the knuckle of my thumb with his own.” Paul Lisicky reads from his memoir Later: My Life at the Edge of the World (Graywolf Press, 2020) in this online reading event for Books Are Magic with Susan Choi. For more Lisicky, read his installation of Ten Questions.

“The rain will eventually come, or not. / Until then, we touch our bodies like wounds…” In this Mellon Foundation video, Natalie Diaz reads the title poem from her forthcoming collection, Postcolonial Love Poem (Graywolf Press, 2020). A Q&A with Diaz by Jacqueline Woodson appears in the March/April issue of Poets & Writers Magazine.

“What streams of light might escape me and reveal / about the things I collect and hide...” This Motionpoems film directed by Tash Tung features Natalie Diaz’s poem “Cranes, Mafiosos and a Polaroid Camera,” which was first published in Spillway and will be included in her second collection, Postcolonial Love Poem, forthcoming from Graywolf Press in March 2020. 

“Soundless, it crosses a line, quiets into a seed / & then whatever makes a seed. almost like gone / but not gone. the air kept its shape.” At the 2019 Lambda Literary Retreat, Danez Smith reads “undetectable” and “say it with your whole black mouth” from their third poetry collection, Homie (Graywolf Press, 2020), which is featured in Page One in the January/February issue of Poets & Writers Magazine.

“Instead of scanning newspaper headlines, / I spend the morning reading names / of flowers and trees in the botanical garden.” Harryette Mullen reads a selection of poems from her collection Urban Tumbleweed: Notes From a Tanka Diary (Graywolf Press, 2013) at Beyond Baroque in this Poetry.LA video.

“I love To the Lighthouse, but they never get to the lighthouse.” In this episode of Cocktails With Bright Antenna, Benjamin Percy talks about the differences between literary fiction and genre fiction, how some writers are gardeners and some are architects, and reveals the origins of his phobias. Percy’s latest book, Suicide Woods (Graywolf Press, 2019), is featured in Page One in the November/December issue of Poets & Writers Magazine.

“We can be unrelentingly hard to ourselves, and under such circumstances, it’s a shame to not let the world’s light stick to us when we have the chance.” Esmé Weijun Wang, author of The Collected Schizophrenias (Graywolf Press, 2019), speaks about the importance of prioritizing compliments over criticism in this PBS NewsHour video.

“I want to live a life of free imagination.” In this video, Binyavanga Wainaina describes his dream for Africans to tell their own stories and be set free of certain traditional systems and structures. The Kenyan author and gay rights activist, who won the Caine Prize for African Writing in 2002, died at the age of forty-eight on May 21, 2019. For more from his work, read an excerpt from his memoir, One Day I Will Write About This Place (Graywolf Press, 2011).