Poets & Writers Theater

The Handmaid’s Tale, a television series adapted from Margaret Atwood’s classic dystopian novel published in 1985, returns for a second season. Atwood, who was a cowriter on the first season, has also collaborated extensively with series creator Bruce Miller on the storylines for this season.

“I wanted their lives, especially our working-class women, to be out there. People need to be seen. I wanted to show that.” Nicole Dennis-Benn talks about the working-class town she grew up in Jamaica and how her experiences inspired her debut novel, Here Comes the Sun (Liveright, 2016), in this video for PBS NewsHour’s “Brief but Spectacular” series.

“The next morning Less is awakened at six, as planned, introduced to a cup of coffee, and led into a black van with smoked windows....” In this video for Mercury News, Andrew Sean Greer reads from his fifth novel, Less (Lee Boudreaux Books, 2017), for which he was awarded the 2018 Pulitzer Prize for fiction.

On New Day Northwest, Jonathan Evison discusses how he approaches writing about class, what it’s like to have his novels adapted into films, and what inspired his new novel, Lawn Boy (Algonquin Books, 2018), which is featured in Page One in the May/June issue of Poets & Writers Magazine.

Howards End, the 1910 novel by E. M. Forster about social class divisions between three English families, has been adapted into a four-part television miniseries for BBC One and Starz. Directed by Hettie Macdonald and written by Kenneth Lonergan, the series stars Hayley Atwell, Philippa Coulthard, and Matthew Macfadyen.

Argentinian author Samanta Schweblin talks about living in Berlin and reads from her debut novel, Fever Dream (Riverhead Books, 2017), translated from the Spanish by Megan McDowell. Fever Dream, which was shortlisted for the 2017 Man Booker International Prize, was the winner of the 2018 Tournament of Books beating out George Saunders’s Lincoln in the Bardo (Random House, 2017) in the final round.

“I think physicists and poets are not as different as we like to think. The same unconscious processes are at work in both.” In this interview from the 2017 Louisiana Literature festival in Denmark, Siri Hustvedt talks about her background in neuroscience, the experiences of writing both nonfiction and fiction, and the value of approaching questions from different interdisciplinary perspectives.

“I can say in all honesty and sincerity that I can’t tell the difference between my fiction, my thinking about my fiction, and my life.” Gerald Murnane, who writes his books on typewriters, talks to Ivor Indyk about writing at home in the small town of Goroke in rural southeast Australia. Murnane’s books Border Districts and Stream System: The Collected Short Fiction of Gerald Murnane are both forthcoming from Farrar, Straus and Giroux in April.

“I narrate in such a free manner that, I hope, inspires the reader.” In this interview for Louisiana Channel, Olga Tokarczuk talks about air travel and how it influenced the story structure for her most recent novel, Flights (Riverhead Books, 2018), translated from the Polish by Jennifer Croft, which is longlisted for the 2018 Man Booker International Prize.

Weike Wang speaks with Mary Laura Philpott of A Word on Words about her debut novel, Chemistry (Knopf, 2017), and why her main character doesn’t have a name. Wang is a 2017 National Book Foundation 5 Under 35 honoree and a recipient of a 2018 Whiting Award in fiction.

“I didn’t begin with the dog—I wrote that book the way I’ve written all my books which is I start at the beginning and I move on and create the story as I go along.” Sigrid Nunez talks with Rich Fahle of PBS Books about her latest novel, The Friend (Riverhead Books, 2018), at the 2018 AWP Annual Conference & Book Fair in Tampa.

Laurent Binet talks about his two novels, HHhH (Farrar, Straus and Giroux, 2012) and The Seventh Function of Language (Farrar, Straus and Giroux, 2017), both translated from the French by Sam Taylor, as well as the topics of semiotics and meta-narrative writing in this video for Vintage Books. The Seventh Function of Language is longlisted for the 2018 Man Booker International Prize.

Sweetbitter (Knopf, 2016), Stephanie Danler’s debut novel about a young woman’s coming-of-age experience working at an exclusive restaurant in New York City, has been adapted into a television series. The series stars Daniyar, Eden Epstein, Caitlin FitzGerald, Evan Jonigkeit, and Ella Purnell.

At Shakespeare and Company in Paris, Argentinian writer Ariana Harwicz talks about her debut novel, Die, My Love (Charco Press, 2017), with Carolina Orloff, who cotranslated the book from the Spanish with Sarah Moses. The novel is longlisted for the 2018 Man Booker International Prize.

“It was like the story of your relations with others...was constantly being recorded and updated, and you could check it at any time.” Elif Batuman reads from her debut novel, The Idiot (Penguin Press, 2017), a semifinalist for the 2018 Women’s Prize for Fiction, at Politics and Prose Bookstore in Washington, D.C.

In this video, John Keene reads from his short story “Cold” from his collection Counternarratives (New Directions, 2015) at the Poetry Center at San Francisco State University. Keene is a 2018 recipient of the Windham-Campbell Prize.

At the Waterstones bookstore in London, Jenny Zhang talks about several books that have significantly influenced her writing: Philip Roth’s Portnoy’s Complaint (Random House, 1969), George Saunders’s Pastoralia (Riverhead Books, 2000), and Roddy Doyle’s Paddy Clarke Ha Ha Ha (Penguin Books, 1993). Zhang’s first short story collection, Sour Heart (Lenny, 2017), won the 2018 PEN/Robert W. Bingham Prize for Debut Fiction.

“Reading is an opportunity to see little aspects of the world and different periods that you can never access yourself...” Tom Rachman talks about how his literary inspirations, such as Dickens, Tolstoy, Virginia Woolf, and George Orwell, have evolved over the years. Rachman’s third novel, The Italian Teacher (Viking, 2018), is featured in Page One in the March/April issue of Poets & Writers Magazine.

“Everything you live through changes you, inevitably, and I think as you change, your writing changes.” Maggie O’Farrell speaks about receiving Specsavers Bestseller Awards for four of her novels, including The Vanishing Act of Esme Lennox (Houghton Mifflin Harcourt, 2007), and how she has evolved as a writer. O’Farrell’s debut memoir, I Am, I Am, I Am: Seventeen Brushes With Death (Knopf, 2018), is featured in Page One in the March/April issue of Poets & Writers Magazine.

“‘Yes, it’s true, there’s something thrilling, addictive even, about the idea that you’re living every moment only half a step ahead of death.’” Lisa Halliday reads from her debut novel, Asymmetry (Simon & Schuster, 2018), which is featured in Page One in the March/April issue of Poets & Writers Magazine.