Poets & Writers Theater

“I adopted the six days for creation and a seventh for rest model. I figured, if it worked for building this world, it should work for fictional ones as well.” Novelist Nathan Englander, author of kaddish.com (Knopf, 2019), shares how his religious upbringing has influenced his writing rituals in this PBS NewsHour video.

“The questions that I try to answer in the book, through fiction, are questions about people I knew when I was a child…I made up the answers because I could not access the real answers.” In this Entertainment Weekly video, De’Shawn Charles Winslow, author of the debut novel, In West Mills (Bloomsbury, 2019), speaks with fellow debut authors Taffy Brodesser-Akner, Sarah M. Broom, Linda Holmes, and Lisa Taddeo about the inspiration and evolution of their books. Winslow is featured in “First Fiction 2019” in the July/August issue of Poets & Writers Magazine.

“My favorite form is the long short story or the novella because I think it allows you a little bit more breadth and scope in terms of what you can do.” Brian Evenson, whose eighth story collection, Song for the Unraveling of the World (Coffee House Press, 2019), is featured in Page One in the July/August issue of Poets & Writers Magazine, reads from his work and talks about teaching, writing habits, and spirituality in this video from the 2014 Mission Creek Festival.

“Rule No. 10: Revise, revise, revise. I cannot stress this enough. Revision is when you do what you should have done the first time, but didn’t.” Colson Whitehead, whose seventh novel, The Nickel Boys (Doubleday, 2019), is featured in Page One in the July/August issue of Poets & Writers Magazine, reads his 2012 New York Times piece “How to Write” at the Muldoon’s Picnic variety show in New York City in 2015.

“It was an attempt to see if language can really be a bridge, as it is often aspired to be, and ultimately that it could fail.” In this video, Ocean Vuong speaks about the letter he wrote to his illiterate mother that inspired his debut novel, On Earth We’re Briefly Gorgeous (Penguin Press, 2019). A profile of Vuong by Rigoberto González appears in the July/August issue of Poets & Writers Magazine.

The Goldfinch, adapted from the Pulitzer Prize–winning novel by Donna Tartt, follows a young man who turns to the world of art forgery after the loss of his mother. Directed by John Crowley, with a screenplay by Peter Straughan, the film stars Ansel Elgort, Nicole Kidman, Sarah Paulson, and Jeffrey Wright.

“The extraordinary thing about this book is it talks of a world in transition—philosophically, politically, intellectually, socially—and that is the age that we live in now.” Bettany Hughes, chair of the 2019 Man Booker International Prize, and fellow judges speak about Celestial Bodies (Sandstone Press, 2018) written by Jokha Alharthi and translated from the Arabic by Marilyn Booth, which won this year’s award. Alharthi is the first female Omani novelist to be translated into English, and the first author from the Arabian Gulf to win the prize.

“I’m very skeptical of the way in which books are marketed as commodities, almost like accessories which people can fill their homes with,” says Sally Rooney in this interview at the 2018 Louisiana Literature festival in Denmark. Rooney’s second novel, Normal People (Hogarth, 2019), was longlisted for the 2018 Man Booker Prize and will be adapted into a television series.

“I start with a physical feeling. I start with a visual image.” On Late Night With Seth Meyers, Ann Beattie speaks about her writing process, the differences between writing a novel and a short story, and how she came up with the title for her most recent novel, A Wonderful Stroke of Luck (Viking, 2019).

“It’s about translating the spirit of the book so you’re taking a story and bringing it across borders—not just into a different language, but a different cultural context.” Jeremy Tiang discusses the “often invisible” contributions of literary translators in this video from the 2019 London Book Fair. Tiang’s essay “The Art of Translation: Many Englishes, Many Chineses” appears in the March/April issue of Poets & Writers Magazine.

In this interview, Susan Choi talks to Paul Peppis at the University of Oregon about her fifth novel, Trust Exercise (Henry Holt, 2019), her previous four novels, which include A Person of Interest (Viking, 2008) and My Education (Viking, 2013), writing Asian American characters, and her nonfiction work.

George Clooney and Grant Heslov codirect and costar in this new six-episode television adaptation of Joseph Heller’s 1961 novel, Catch-22. With a screenplay by Luke Davies and David Michôd, the series stars Christopher Abbot as Yossarian, Kyle Chandler as Colonel Cathcart, and Hugh Laurie as Major de Coverley.

“One of the nice things about conferences like this one is you meet these other human dream incubators. They’ve got their lightning rods up. They’re also receiving these dreams.” Karen Russell speaks to Rich Fahle of PBS Books at the 2019 AWP Conference & Book Fair about the writers who have inspired her, motherhood, and her third story collection, Orange World (Knopf, 2019). Orange World is featured in Page One in the May/June issue of Poets & Writers Magazine.

“As a translator, you could do two thousand things right, but someone is going to notice the two things you do wrong, so it’s really an impossible art.” Krys Lee, whose translation from the Korean of Young-Ha Kim’s story collection Diary of a Murderer (Mariner Books, 2019) is featured in Page One in the May/June issue of Poets & Writers Magazine, talks about the inherent difficulties of literary translation.

“The type moves and dances across the page—and it’s very much a book about sound on the page.” Max Porter talks about the unique typesetting in his second novel, Lanny (Graywolf Press, 2019), which is featured in Page One in the May/June issue of Poets & Writers Magazine, at the London Centre for Book Arts.

Pankaj Mishra, Maureen Freeley, Bettany Hughes, Elnathan John, and Angie Hobbs, judges for the 2019 Man Booker International Prize, talk about the merits of the books shortlisted for the prize, which is awarded to both the author and translator. The six books span five languages—Arabic, French, German, Polish, and Spanish—and are written by authors from Oman, France, Germany, Poland, Colombia, and Chile.

In this video, Ian McEwan visits the Adel Rootstein Display Mannequins workshop where the staff works on the mannequin featured on the book cover for his novel Machines Like Me (Nan A. Talese, 2019). The cover depicts the robot character, Adam, who is involved in a love triangle with a human couple in an alternate 1980s London.

Shirley Jackson’s final novel, We Have Always Lived in the Castle (Viking Press, 1962), has been adapted into a feature film for the first time. Directed by Stacie Passon and starring Alexandra Daddario, Taissa Farmiga, Crispin Glover, and Sebastian Stan, the mystery thriller follows a family whose dark past resurfaces upon the arrival of an estranged cousin.

“I picked up languages the way some people pick up viruses. I was armed with literature.” In this video by Alma Books, Azareen van der Vliet Oloomi reads an excerpt from her novel Call Me Zebra (Houghton Mifflin Harcourt, 2018), for which she won the 2019 PEN/Faulkner Award for Fiction.

“You don’t need a lot of sensitivity or soul to feel moved by a redwood forest,” says Richard Powers about the origins of his Pulitzer Prize–winning novel, The Overstory (Norton, 2018). In this 92nd Street Y video, Powers joins Barbara Kingsolver, author of the novel Unsheltered (HarperCollins, 2018), for a reading and conversation with Kevin Larimer, editor in chief of Poets & Writers Magazine. The authors were featured in the November/December issue of Poets & Writers Magazine.