Poets & Writers Theater

“Say it. / That every day is a toast / to living. An ode to the way we / made resilience an art...” In this lecture for the Chautauqua Institution, Joshua Bennett reads a selection of his poems and meditates on his father’s life and the history of the spoken word tradition. Bennett speaks about his latest poetry collection, Owed (Penguin Poets, 2020), in an installment of Ten Questions.

“If we only read the same type of authors all our lives it’s like you’re only hearing one thread, one voice.” In this video from the 2019 Louisiana Literature festival, Elif Shafak talks about reading the same books over and over again as a child, and why it’s more inspiring to read “from East and West, fiction and nonfiction.”

“Sometimes I too want to be a poem. / I don’t want to be this pain, / but the language used / to unearth it.” In this Button Poetry video, Michael Lee reads “Just Yesterday” from his debut poetry collection, The Only Worlds We Know (Button Poetry, 2019).

“The Nickel Academy becomes a proving ground for people’s goodness, for their tendency towards evil, and it proves character,” says Colson Whitehead about his latest novel, The Nickel Boys (Doubleday, 2019), in this video for the Get Lit virtual book club series with host of WNYC’s All Of It Alison Stewart.

“It was Dre who once said, / You lose something every day / Your mind on the way to the store / The floor on the way to your mind…” In this Ours Poetica video, Jacqueline Woodson reads “You Lose Something Every Day,” a poem from Willie Perdomo’s collection The Crazy Bunch (Penguin Books, 2019). 

On The Kristen Arnett Show based at the Black Mountain Institute and presented by Literary Hub on Instagram Live, Arnett talks about launching the paperback edition of her first novel, Mostly Dead Things (Tin House Books, 2019), and discusses life during the pandemic with special guest Hanif Abdurraqib.

“We thought / Fingers in dirt meant it was our dirt, learning / Names in heat, in elements classical / Philosophers said could change us.” In this Paris Review video, Jericho Brown reads two poems from his most recent collection, The Tradition (Copper Canyon Press, 2019), for which he received the 2020 Pulitzer Prize in Poetry. Filmed in 2019 in the woods of Decatur, Georgia, “Poets in Space” was directed and produced by Daniel Grossman and Sean Webley in collaboration with the poet Malachi Black.

In this 92Y video, Camille Rankine introduces Hanif Abdurraqib, who reads from his poetry collection A Fortune for Your Disaster (Tin House Books, 2019), and Timothy Donnelly, who reads from his poetry collection The Problem of the Many (Wave Books, 2019).

“We are cheating death, all the time, passing one overcrowded town, then another, and another.” This short animated film offers a preview of Tishani Doshi’s novel Small Days and Nights (Bloomsbury Circus, 2019), which is shortlisted for the Royal Society of Literature Ondaatje Prize 2020.

In this Open Studio With Jared Bowen interview, playwright Kirsten Greenidge; Kerri Greenidge, historian and author of Black Radical: The Life and Times of William Monroe Trotter (Liveright, 2019); and Kaitlyn Greenidge, author of We Love You, Charlie Freeman (Algonquin Books, 2016) talk about growing up together as sisters and how their work often overlaps.

“These are people who are basically pulled all over the world, and they have various antecedents that are a bit everywhere.” In an interview with Parul Sehgal at the 92nd Street Y, André Aciman, whose latest novel, Find Me (Farrar, Straus and Giroux, 2019), is a sequel to his 2007 novel, Call Me By Your Name, talks about how his cultural background has influenced the way his characters communicate and interact with one another.

“I think Jane Austen, in general, writes about young people and young love very accurately,” says Leo Suter, who costars with Theo James and Rose Williams in the PBS Masterpiece adaptation of Jane Austen’s final unfinished novel, Sanditon, written and executive produced by Andrew Davies. Originally titled The Brothers, the manuscript was left unfinished in 1817 with only the first eleven chapters written, and has since been adapted and completed in various versions.

“I have an obligation to human beings, my characters, so that’s all I care about.” In this PEN International interview, Yiyun Li speaks about the expectation as a Chinese American writer to be a spokesperson for a particular experience, and how she enjoys exploring the interior struggles of her characters. Li won the 2020 PEN/Jean Stein Book Award for her novel Where Reasons End (Random House, 2020).

“We, too, are inventing a life form of our own—not out of body parts but out of the zeros and ones of code.” In this Vintage Books video, Jeanette Winterson talks about reimagining Mary Shelley’s Frankenstein for her most recent novel, Frankissstein: A Love Story (Jonathan Cape, 2019), which was longlisted for the 2019 Booker Prize.

“Bread pudding was the first thing that I baked after I came out to my parents,” says Bryan Washington in this New Yorker video about his personal connection to the dish. For more on Washington, read his installment of Ten Questions, where he speaks about his debut story collection, Lot (Riverhead Books, 2019).

Sally Rooney’s second novel, Normal People (Hogarth, 2019), has been adapted into a Hulu and BBC television miniseries directed by Lenny Abrahamson and Hettie Macdonald. The twelve-episode series stars Daisy Edgar-Jones and Paul Mescal as two teenagers in Ireland from different backgrounds navigating friendship and romance through the years.

“I’ve always found that the things I find the most intimidating end up being the most intellectually satisfying.” At the Louisiana Literature Festival in 2019, Roxane Gay speaks about what moved her to write Hunger: A Memoir of (My) Body (Harper, 2017), and begins her reading with a piece about loving Mister Rogers.

“Whatever shall i do with my dead / my tombs & mausoleums / these potted plants tended by strangers...” Mahogany L. Browne reads “for my dead & loved ones” and “Blood Rhythms - Blood Currents - Black N’ Blue Stylin’” by Ntozake Shange, and her own poem “Black Girl Magic” at a tribute for Shange at New York City’s 92nd Street Y.

“People turn to the dictionary for lots of reasons and we can be sure of one thing from this evidence: words matter.” In this video, Peter Sokolowski, editor-at-large of Merriam-Webster, explains how the 2019 Word of the Year was chosen and what the most looked up words say about our mindset.

“Black women are crafting a collective response / to centuries of being under everybody’s water / We are a rising tsunami of fury come back / to take back what was carried away/without consent....” Staceyann Chin reads “Tsunami Rising” from her debut poetry collection, Crossfire: A Litany for Survival (Haymarket Books, 2019), for the Unbound series in Brooklyn, copresented by BAM and Greenlight Bookstore.