Poets & Writers Theater

“Gaudí believed in holy sound / and built a cathedral to contain it, / pulling hearing men from their knees...” Raymond Antrobus reads his poem “Echo” and discusses his debut poetry collection, The Perseverance (Penned in the Margins, 2018), for which he won the 2019 Rathbones Folio Prize.

“I went through a Philip Glass phase, but I’m out of that now. Lately I write to silence, usually.” In this Vintage Books interview, Kayo Chingonyi answers questions about his literary and pop culture influences, daily routine, and books he thinks everyone should read. Chingonyi won the 2018 International Dylan Thomas Prize for his debut poetry collection, Kumukanda (Chatto & Windus, 2017).

“As a photographer my looking really changed, it really did become sacred....” In this Louisiana Channel video, Teju Cole talks about and reads from his book of photography and text, Blind Spot (Random House, 2017), which was inspired by a short period of blindness in one eye that transformed his perspective on looking and attentiveness. The book is comprised of over a hundred fifty photographs interspersed with short lyrical prose pieces.

“I picked up languages the way some people pick up viruses. I was armed with literature.” In this video by Alma Books, Azareen van der Vliet Oloomi reads an excerpt from her novel Call Me Zebra (Houghton Mifflin Harcourt, 2018), for which she won the 2019 PEN/Faulkner Award for Fiction.

“You don’t need a lot of sensitivity or soul to feel moved by a redwood forest,” says Richard Powers about the origins of his Pulitzer Prize–winning novel, The Overstory (Norton, 2018). In this 92nd Street Y video, Powers joins Barbara Kingsolver, author of the novel Unsheltered (HarperCollins, 2018), for a reading and conversation with Kevin Larimer, editor in chief of Poets & Writers Magazine. The authors were featured in the November/December issue of Poets & Writers Magazine.

“I think we’re all born explorers. When I look at my kids, they want to climb before they can walk,” says Erling Kagge in this interview with Santiago Rivas Camargo from the 2018 Hay Festival in Cartagena, Colombia. Kagge’s new book, Walking: One Step at a Time (Pantheon Books, 2019), translated from the Norwegian by Becky L. Crook, is featured in Page One in the May/June issue of Poets & Writers Magazine.

“Forgive / yourself, they say, but / after you forgive / what you have lived, / what is left?” At San Francisco State University’s Poetry Center, Forrest Gander reads “Stepping Out of the Light” from his collection Be With (New Directions, 2018), for which he won the 2019 Pulitzer Prize award in poetry.

“Take a microscope to the face of a beautiful woman and tell me it isn’t grotesque. Poetry is such a broad genre, it covers so many ways of looking.” Kim Hyesoon talks about her newest collection, Autobiography of a Death (New Directions, 2018), translated from the Korean by Don Mee Choi, what it means to be a female poet, and why she thinks poetry is disappearing in this 2018 interview with the Literature Translation Institute of Korea.

“I’m always watching the moon and the moonlight. But I didn’t write about it.” Japanese poet Hiromi Itō talks about how the moon is linked to the menstrual cycle and her decision to write about menstruation, and reads from her poem “Vinegar, Oil” from Killing Kanoko (Action Books, 2009), translated from the Japanese by Jeffrey Angles, at the 2018 Louisiana Literature festival in Denmark.

“The other night, somebody asked, is Black poetry back? Like, we penned one verse, and it got lost at sea or slipped inside a big old crack in the big old earth, and then re-returned when everything was chaos.” In this PBS NewsHour video, Erica Dawson reads a poem about her experience while on tour for her poetry collection When Rap Spoke Straight to God (Tin House Books, 2018).

“I was very lucky to have family members who are all very outgoing and love to hear people talk about them.” On Late Night With Seth Meyers, Ingrid Rojas Contreras talks about how her family and childhood in Colombia inspired her first novel, Fruit of the Drunken Tree (Doubleday, 2018).

“I would read out loud and tried to check in my own breath, in my own body how the sentence was feeling and what kind of experience it was giving me as the first reader.” Marci Vogel reads from her books At the Border of Wilshire & Nobody (Howling Bird Press, 2015) and Death and Other Holidays (Melville House, 2018) and discusses her writing process both with poetry and prose in this Poetry.LA interview with Mariano Zaro.

“She wasn’t sure if we were real, but nothing about us felt false.” Akwaeke Emezi, a 2018 National Book Foundation 5 Under 35 honoree nominated by Carmen Maria Machado, reads from their debut novel, Freshwater (Grove Press, 2018). The novel has been longlisted for the 2019 Baileys Women’s Prize for Fiction.

Tom Shankland has directed a new television series adaptation of Les Misérables, Victor Hugo’s classic 1862 historical fiction novel, for Masterpiece on PBS. The cast of characters includes a young working woman Fantine, her daughter Cosette, and police inspector Javert, who chases after fugitive Jean Valjean. Ellie Bamber, Lilly Collins, David Oyelowo, and Dominic West star in the lead roles.

“I am hovering over a 1950s America: chrome fins, picnic tables, hydroelectric power.” In this installment of Joseph Fasano’s Unamuno Poem Project, which presents pairings of poem recitations in English and Spanish, Kathleen Flenniken’s poem “Angel” is read by Clarissa Watson in English and Javier O’Donnell reads his translation in Spanish.

“In the days since her arrest, Mary Ripley has not slept—ironic, since sleeping is precisely what she was doing on the night her landlady was murdered.” In this short animation, Christina Dalcher narrates her seven-sentence story, “The Burden of Proof.” Dalcher is the author of the debut novel, Vox (Berkley, 2018), which takes place in a dystopian United States where women are only allowed to speak one hundred words per day.

“I like to have a story be just the essential.” Nana Kwame Adjei-Brenyah, author of Friday Black (Mariner Books, 2018), talks about why he enjoys the short story form, writing Black characters, and his connection with his students in this Late Night With Seth Meyers interview. 

“This story is not just about an immigrant girl making her way through the world, but it’s a story of a girl who is fighting hard for her American dream.” In this video, Reyna Grande discusses her memoir A Dream Called Home (Atria Books, 2018), a sequel to her best-selling memoir The Distance Between Us, and the inspiration she hopes her books will bring to young readers.

“I became a writer not because I was seeking community but rather because I thought it would be something I could do alone and hidden in the privacy of my own room,” says Sigrid Nunez in her acceptance speech for the 2018 National Book Award in fiction, which she won for her seventh novel, The Friend (Riverhead Books, 2018). “How lucky to have discovered that writing books made the miraculous possible: to be removed from the world and to be a part of the world at the same time.”

Ophelia is a retelling of William Shakespeare’s play Hamlet from the perspective of the Prince of Denmark’s love interest. Directed by Claire McCarthy, the feature film stars Daisy Ridley in the title role, Tom Felton as Laertes, George MacKay as Hamlet, Clive Owen as Claudius, and Naomi Watts as Gertrude.