Poets & Writers Theater

Leslie Jamison reads her essay “The Broken Heart of James Agee” from The Empathy Exams (Graywolf Press, 2014) for a reading series hosted by the Center for Documentary Studies and the Kenan Institute for Ethics at Duke University. Jamison speaks about her new book, The Recovering: Intoxication and Its Aftermath (Little, Brown, 2018), in “The Infinite World” by Michele Filgate in the May/June issue of Poets & Writers Magazine.

“Poetry travels, you don’t need a lot of money to write it, you don’t need a lot of money to print it and distribute it.” Evie Shockley, a finalist for the 2018 Pulitzer Prize in poetry for her third collection, semiautomatic (Wesleyan University Press, 2017), talks with City of Asylum about the accessibility of writing poetry and its long and powerful tradition.

Gregory Pardlo talks about the difference between writing poetry and creative nonfiction, and the universality of storytelling in this interview with Rich Fahle at the 2018 AWP Annual Conference & Book Fair in Tampa. Pardlo’s debut memoir, Air Traffic: A Memoir of Ambition and Manhood in America (Knopf, 2018), is featured in Page One in the May/June issue of Poets & Writers Magazine. 

The Handmaid’s Tale, a television series adapted from Margaret Atwood’s classic dystopian novel published in 1985, returns for a second season. Atwood, who was a cowriter on the first season, has also collaborated extensively with series creator Bruce Miller on the storylines for this season.

In this 2016 video, Carmen Giménez Smith reads from a selection of her poems for the Lunch Poems reading series at the University of California in Berkeley. Smith speaks about her fifth book, Cruel Futures (City Lights Books, 2018), in “The Love of Labor, the Labor of Love” by Rigoberto González in the May/June issue of Poets & Writers Magazine.

“The next morning Less is awakened at six, as planned, introduced to a cup of coffee, and led into a black van with smoked windows....” In this video for Mercury News, Andrew Sean Greer reads from his fifth novel, Less (Lee Boudreaux Books, 2017), for which he was awarded the 2018 Pulitzer Prize for fiction.

On New Day Northwest, Jonathan Evison discusses how he approaches writing about class, what it’s like to have his novels adapted into films, and what inspired his new novel, Lawn Boy (Algonquin Books, 2018), which is featured in Page One in the May/June issue of Poets & Writers Magazine.

“My life is kind of like a novel in interconnected stories.” Sloane Crosley recounts the different jobs she’s had that have shaped her storytelling for Xerox’s Set the Page Free series. Her third essay collection, Look Alive Out There (MCD, 2018), is featured in Page One in the May/June issue of Poets & Writers Magazine.

In this Chicago magazine video, poets Raych Jackson, Natalie Rose Richardson, and Jamila Woods read from their poems which are featured in the new poetry anthology, The BreakBeat Poets Volume 2: Black Girl Magic (Haymarket Books, 2018). LaToya Jordan speaks with Mahogany L. Browne, one of the editors of the anthology, in “At the Center of Hip-Hop and Poetry” in the May/June issue of Poets & Writers Magazine.

“People live in stations like they never had mothers or fathers...” Jennifer Hayashida reads from her debut poetry collection, A Machine Wrote This Song (Gramma, 2018), in this book trailer filmed by Hayashida and Benj Gerdes.

“Reading really saved my life in a way that people probably will never be able to understand.” Anthony Ray Hinton, author of the memoir, The Sun Does Shine: How I Found Life and Freedom on Death Row (St. Martin’s Press, 2018), speaks about starting the only known book club on death row and the power of reading.

Argentinian author Samanta Schweblin talks about living in Berlin and reads from her debut novel, Fever Dream (Riverhead Books, 2017), translated from the Spanish by Megan McDowell. Fever Dream, which was shortlisted for the 2017 Man Booker International Prize, was the winner of the 2018 Tournament of Books beating out George Saunders’s Lincoln in the Bardo (Random House, 2017) in the final round.

“I can say in all honesty and sincerity that I can’t tell the difference between my fiction, my thinking about my fiction, and my life.” Gerald Murnane, who writes his books on typewriters, talks to Ivor Indyk about writing at home in the small town of Goroke in rural southeast Australia. Murnane’s books Border Districts and Stream System: The Collected Short Fiction of Gerald Murnane are both forthcoming from Farrar, Straus and Giroux in April.

“I narrate in such a free manner that, I hope, inspires the reader.” In this interview for Louisiana Channel, Olga Tokarczuk talks about air travel and how it influenced the story structure for her most recent novel, Flights (Riverhead Books, 2018), translated from the Polish by Jennifer Croft, which is longlisted for the 2018 Man Booker International Prize.

“I didn’t begin with the dog—I wrote that book the way I’ve written all my books which is I start at the beginning and I move on and create the story as I go along.” Sigrid Nunez talks with Rich Fahle of PBS Books about her latest novel, The Friend (Riverhead Books, 2018), at the 2018 AWP Annual Conference & Book Fair in Tampa.

“Us brown girls: Brick-built: / Masters of every metaphor and every metamorphosis…” Elizabeth Acevedo, author of The Poet X (HarperTeen, 2018), reads her poem “This Is For Us” for PBS NewsHour’s “Brief But Spectacular” series.

“I own no dog, but I am about to let go of the leash.” Shayla Lawson, author of I Think I’m Ready to See Frank Ocean (Saturnalia Books, 2018), reads her poem “Pantone 427 U” for the Spoken Series at the Pickathon music festival in Portland, Oregon.

Laurent Binet talks about his two novels, HHhH (Farrar, Straus and Giroux, 2012) and The Seventh Function of Language (Farrar, Straus and Giroux, 2017), both translated from the French by Sam Taylor, as well as the topics of semiotics and meta-narrative writing in this video for Vintage Books. The Seventh Function of Language is longlisted for the 2018 Man Booker International Prize.

Sweetbitter (Knopf, 2016), Stephanie Danler’s debut novel about a young woman’s coming-of-age experience working at an exclusive restaurant in New York City, has been adapted into a television series. The series stars Daniyar, Eden Epstein, Caitlin FitzGerald, Evan Jonigkeit, and Ella Purnell.

At Shakespeare and Company in Paris, Argentinian writer Ariana Harwicz talks about her debut novel, Die, My Love (Charco Press, 2017), with Carolina Orloff, who cotranslated the book from the Spanish with Sarah Moses. The novel is longlisted for the 2018 Man Booker International Prize.