Poets & Writers Theater

“It wasn’t fair that fish could see color, / and whales could not, but I was okay: I loved my new body. / I don’t know what kind of whale I was. In the ocean / there were no mirrors.” Emily Jungmin Yoon’s poem “The Transformation,” which appears in her debut collection, A Cruelty Special to Our Species (Ecco, 2018), has been adapted into a Motionpoems film directed by Malin Sandberg. 

“The book clearly describes the horror, the conflict, the chaos, the death, the trauma that came from the war, and then after that, the invisible dream that I started pursuing.” Abdi Nor Iftin, author of the debut memoir, Call Me American (Knopf, 2018), talks about growing up during the civil war in Somalia and what the American dream means to him.

“I like questions, my imagination likes them too.” In this A Word on Word series video, Alexander Chee speaks about his essay collection, How to Write an Autobiographical Novel (Mariner Books, 2018), and his writing process which involves engaging in conversation with his fictional characters.

“To deprivatize is not the same as to make public. A field is only natural or private after so much hurt.” In this short film, Jos Charles offers a preface for her poetry collection feeld (Milkweed Editions, 2018), which was a finalist for the 2019 Pulitzer Prize in poetry.

“It is not what drove your body here like a stolen car. / why you abandoned it on this unreasonable ledge....” This Button Poetry video features sam sax’s poem “Gay Boys & the Bridges Who Love Them” from his second collection, Bury It (Wesleyan University Press, 2018), and is directed by Seth Moore and Cole Smothers with choreography by Matthew Bovee and Sarah Adam.

“I watched a dandelion lose its mind in the wind / and when it did, it scattered a thousand seeds.“ Andrea Gibson, author of Lord of the Butterflies (Button Poetry, 2018), reads their poem “The Nutritionist” for this animated TED-Ed film directed by Tomás Pichardo-Espaillat.

Vita & Virginia is a film adaptation of Eileen Atkins’s 1992 play of the same name, based on love letters Virginia Woolf exchanged over the course of a decade-long affair with Vita Sackville-West, the inspiration behind Woolf’s 1928 novel, Orlando: A Biography. Directed by Chanya Button, the biopic stars Gemma Arterton as West, Elizabeth Debicki as Woolf, and Isabella Rossellini as Baroness Sackville.

“Beautiful, wonderful, amazing, fantastic: three-syllable hyperbole when playing the coquette. / Lovely, little, lastly likely: two-syllable hyperbole when listing features to describe the coquette.” Duy Doan reads “Love Trinkets” from his debut poetry collection, We Play a Game (Yale University Press, 2018), for which he won the 2019 Lambda Literary Award for Bisexual Poetry.

“The extraordinary thing about this book is it talks of a world in transition—philosophically, politically, intellectually, socially—and that is the age that we live in now.” Bettany Hughes, chair of the 2019 Man Booker International Prize, and fellow judges speak about Celestial Bodies (Sandstone Press, 2018) written by Jokha Alharthi and translated from the Arabic by Marilyn Booth, which won this year’s award. Alharthi is the first female Omani novelist to be translated into English, and the first author from the Arabian Gulf to win the prize.

“Gaudí believed in holy sound / and built a cathedral to contain it, / pulling hearing men from their knees...” Raymond Antrobus reads his poem “Echo” and discusses his debut poetry collection, The Perseverance (Penned in the Margins, 2018), for which he won the 2019 Rathbones Folio Prize.

“I went through a Philip Glass phase, but I’m out of that now. Lately I write to silence, usually.” In this Vintage Books interview, Kayo Chingonyi answers questions about his literary and pop culture influences, daily routine, and books he thinks everyone should read. Chingonyi won the 2018 International Dylan Thomas Prize for his debut poetry collection, Kumukanda (Chatto & Windus, 2017).

“As a photographer my looking really changed, it really did become sacred....” In this Louisiana Channel video, Teju Cole talks about and reads from his book of photography and text, Blind Spot (Random House, 2017), which was inspired by a short period of blindness in one eye that transformed his perspective on looking and attentiveness. The book is comprised of over a hundred fifty photographs interspersed with short lyrical prose pieces.

“I picked up languages the way some people pick up viruses. I was armed with literature.” In this video by Alma Books, Azareen van der Vliet Oloomi reads an excerpt from her novel Call Me Zebra (Houghton Mifflin Harcourt, 2018), for which she won the 2019 PEN/Faulkner Award for Fiction.

“You don’t need a lot of sensitivity or soul to feel moved by a redwood forest,” says Richard Powers about the origins of his Pulitzer Prize–winning novel, The Overstory (Norton, 2018). In this 92nd Street Y video, Powers joins Barbara Kingsolver, author of the novel Unsheltered (HarperCollins, 2018), for a reading and conversation with Kevin Larimer, editor in chief of Poets & Writers Magazine. The authors were featured in the November/December issue of Poets & Writers Magazine.

“I think we’re all born explorers. When I look at my kids, they want to climb before they can walk,” says Erling Kagge in this interview with Santiago Rivas Camargo from the 2018 Hay Festival in Cartagena, Colombia. Kagge’s new book, Walking: One Step at a Time (Pantheon Books, 2019), translated from the Norwegian by Becky L. Crook, is featured in Page One in the May/June issue of Poets & Writers Magazine.

“Forgive / yourself, they say, but / after you forgive / what you have lived, / what is left?” At San Francisco State University’s Poetry Center, Forrest Gander reads “Stepping Out of the Light” from his collection Be With (New Directions, 2018), for which he won the 2019 Pulitzer Prize award in poetry.

“Take a microscope to the face of a beautiful woman and tell me it isn’t grotesque. Poetry is such a broad genre, it covers so many ways of looking.” Kim Hyesoon talks about her newest collection, Autobiography of a Death (New Directions, 2018), translated from the Korean by Don Mee Choi, what it means to be a female poet, and why she thinks poetry is disappearing in this 2018 interview with the Literature Translation Institute of Korea.

“I’m always watching the moon and the moonlight. But I didn’t write about it.” Japanese poet Hiromi Itō talks about how the moon is linked to the menstrual cycle and her decision to write about menstruation, and reads from her poem “Vinegar, Oil” from Killing Kanoko (Action Books, 2009), translated from the Japanese by Jeffrey Angles, at the 2018 Louisiana Literature festival in Denmark.

“The other night, somebody asked, is Black poetry back? Like, we penned one verse, and it got lost at sea or slipped inside a big old crack in the big old earth, and then re-returned when everything was chaos.” In this PBS NewsHour video, Erica Dawson reads a poem about her experience while on tour for her poetry collection When Rap Spoke Straight to God (Tin House Books, 2018).

“I was very lucky to have family members who are all very outgoing and love to hear people talk about them.” On Late Night With Seth Meyers, Ingrid Rojas Contreras talks about how her family and childhood in Colombia inspired her first novel, Fruit of the Drunken Tree (Doubleday, 2018).