Poets & Writers Theater

“These are people who are basically pulled all over the world, and they have various antecedents that are a bit everywhere.” In an interview with Parul Sehgal at the 92nd Street Y, André Aciman, whose latest novel, Find Me (Farrar, Straus and Giroux, 2019), is a sequel to his 2007 novel, Call Me By Your Name, talks about how his cultural background has influenced the way his characters communicate and interact with one another.

“Whatever shall i do with my dead / my tombs & mausoleums / these potted plants tended by strangers...” Mahogany L. Browne reads “for my dead & loved ones” and “Blood Rhythms - Blood Currents - Black N’ Blue Stylin’” by Ntozake Shange, and her own poem “Black Girl Magic” at a tribute for Shange at New York City’s 92nd Street Y.

In this 92nd Street Y video, Mahogany L. Browne reads poems from her books Black Girl Magic (Roaring Brook Press, 2018) and Kissing Caskets (YesYes Books, 2017). Her forthcoming book, Woke: A Young Poet’s Call to Justice, will be out in March from Roaring Brook Press.

“I wish I could tell you that they are like seeds as they wish to be.” In this video Bernard Ferguson, one of the winners of 92Y’s 2019 Discovery Poetry Contest, reads his poem “When a Grave Swells.”

“I don’t know exactly what a prayer is. I do know how to pay attention, how to fall down into the grass, how to kneel down in the grass, how to be idle and blessed...” In this animated video, the late Mary Oliver reads her poem “The Summer Day” recorded from a 2012 92Y reading.

“From the window I watched older men push carts between stopped cars...” In this video Alfredo Aguilar, one of the winners of 92Y’s 2019 Discovery Poetry Contest, reads his poem “My Mother Drove Us Into Tijuana for Dentistry.”

“You don’t need a lot of sensitivity or soul to feel moved by a redwood forest,” says Richard Powers about the origins of his Pulitzer Prize–winning novel, The Overstory (Norton, 2018). In this 92nd Street Y video, Powers joins Barbara Kingsolver, author of the novel Unsheltered (HarperCollins, 2018), for a reading and conversation with Kevin Larimer, editor in chief of Poets & Writers Magazine. The authors were featured in the November/December issue of Poets & Writers Magazine.

“I have to wait a long time / for the softer voice of his own / to come through.” In this 2012 reading, the late Mary Oliver reads a selection of poems from her book A Thousand Mornings (Penguin Press, 2012) at the 92nd Street Y.

“I hear words spoken in the mouths of children, threaded in complex narratives.” At a 92nd Street Y event, Valeria Luiselli reads from her book Tell Me How It Ends: An Essay in Forty Questions (Coffee House Press, 2017), which details her experience as an interpreter for undocumented Latin American children facing deportation.

“Now that your life nears its end / when you turn back what you see / is ruin.” Frank Bidart reads a selection of poems from his book Half-light: Collected Poems 1965–2016 (Farrar, Straus and Giroux, 2017), which is featured in Page One in the September/October issue of Poets & Writers Magazine.

“Stories should not protect us, stories should expose us...” Israeli author David Grossman, who received the 2017 Man Booker International Prize for his novel A Horse Walks Into a Bar (Jonathan Cape, 2017) with his translator Jessica Cohen, talks about how all stories are multilayered and some can even trap us.

“I think it’s really important for writers to understand themselves as artists.” At the 92nd Street Y, longtime friends Eileen Myles and Chris Kraus read from their work and have a conversation about their life experiences and writing processes.

“I report, that is my profession. I report, as a loud noise testifies to a gun.” Upon the posthumous publication of Doctorow: Collected Stories (Random House, 2017), Ta-Nehisi Coates and Jennifer Egan read from E. L. Doctorow’s short stories in celebration of his life and work at the 92nd Street Y.

“I think that the biggest thing people need to embrace is discomfort.” At the 92nd Street Y, Roxane Gay reads from her short story collection Difficult Women (Grove Press, 2017) and discusses topics from writing and feminism to Channing Tatum with poet Saeed Jones.

“A sentence just came out of nowhere and it said: ‘So here I am, upside down in a woman.’” In a conversation with Christopher Beha at the 92nd Street Y, Ian McEwan discusses the origins of his new novel, Nutshell (Nan A. Talese/Doubleday, 2016), which is narrated by a fetus.

"Reading and writing allows us to be empathic. And without empathy, I think, our society would be at a total loss. I think in that way, writing can affect great change." Poets Nathaniel Mackey and Cathy Park Hong answer questions from New York City high school students about writing and inspiration at a live Writers at Work event hosted by 92nd Street Y with the Paris Review.

"Writing memoir, if it's done right I think, is like knocking yourself out with your own fist." For a reading at the 92nd Street Y moderated by Kathryn Schulz, Mary Karr, author of The Art of Memoir (Harper, 2015), joins Helen Macdonald, author of H Is for Hawk (Grove Press, 2015), to speak about their love of memoir and poetry.

"If you're not about the truth, you're not qualified to play any kind of music." National Book Award–winner James McBride reads from Kill 'Em and Leave: Searching for James Brown and the American Soul (Spiegel & Grau, 2016), a book covering the life of James Brown and McBride's personal history with music. 

"Nothing can ever happen twice." Listen to a selection of poems by Nobel laureate Wislawa Szymborska, read by her translator Clare Cavanagh, as well as poets Charles Simic and Krystyna Dabrowska, at a celebration of her life and work hosted by the 92nd Street Y. The event also celebrated the publication of Szymborska's posthumous collection, Map: Collected and Last Poems (Houghton Mifflin Harcourt, 2015).

"Senatus Populusque Romanus." Cambridge historian Mary Beard gives a lecture at the 92nd Street Y based on her latest book, SPQR: A History of Rome (Liveright, 2015). Beard is a finalist for the 2015 National Book Critics Circle Award in the nonfiction category.