Poets & Writers Theater

“I hear words spoken in the mouths of children, threaded in complex narratives.” At a 92nd Street Y event, Valeria Luiselli reads from her book Tell Me How It Ends: An Essay in Forty Questions (Coffee House Press, 2017), which details her experience as an interpreter for undocumented Latin American children facing deportation.

“Now that your life nears its end / when you turn back what you see / is ruin.” Frank Bidart reads a selection of poems from his book Half-light: Collected Poems 1965–2016 (Farrar, Straus and Giroux, 2017), which is featured in Page One in the September/October issue of Poets & Writers Magazine.

“Stories should not protect us, stories should expose us...” Israeli author David Grossman, who received the 2017 Man Booker International Prize for his novel A Horse Walks Into a Bar (Jonathan Cape, 2017) with his translator Jessica Cohen, talks about how all stories are multilayered and some can even trap us.

“I think it’s really important for writers to understand themselves as artists.” At the 92nd Street Y, longtime friends Eileen Myles and Chris Kraus read from their work and have a conversation about their life experiences and writing processes.

“I report, that is my profession. I report, as a loud noise testifies to a gun.” Upon the posthumous publication of Doctorow: Collected Stories (Random House, 2017), Ta-Nehisi Coates and Jennifer Egan read from E. L. Doctorow’s short stories in celebration of his life and work at the 92nd Street Y.

“I think that the biggest thing people need to embrace is discomfort.” At the 92nd Street Y, Roxane Gay reads from her short story collection Difficult Women (Grove Press, 2017) and discusses topics from writing and feminism to Channing Tatum with poet Saeed Jones.

“A sentence just came out of nowhere and it said: ‘So here I am, upside down in a woman.’” In a conversation with Christopher Beha at the 92nd Street Y, Ian McEwan discusses the origins of his new novel, Nutshell (Nan A. Talese/Doubleday, 2016), which is narrated by a fetus.

"Reading and writing allows us to be empathic. And without empathy, I think, our society would be at a total loss. I think in that way, writing can affect great change." Poets Nathaniel Mackey and Cathy Park Hong answer questions from New York City high school students about writing and inspiration at a live Writers at Work event hosted by 92nd Street Y with the Paris Review.

"Writing memoir, if it's done right I think, is like knocking yourself out with your own fist." For a reading at the 92nd Street Y moderated by Kathryn Schulz, Mary Karr, author of The Art of Memoir (Harper, 2015), joins Helen Macdonald, author of H Is for Hawk (Grove Press, 2015), to speak about their love of memoir and poetry.

"If you're not about the truth, you're not qualified to play any kind of music." National Book Award–winner James McBride reads from Kill 'Em and Leave: Searching for James Brown and the American Soul (Spiegel & Grau, 2016), a book covering the life of James Brown and McBride's personal history with music. 

"Nothing can ever happen twice." Listen to a selection of poems by Nobel laureate Wislawa Szymborska, read by her translator Clare Cavanagh, as well as poets Charles Simic and Krystyna Dabrowska, at a celebration of her life and work hosted by the 92nd Street Y. The event also celebrated the publication of Szymborska's posthumous collection, Map: Collected and Last Poems (Houghton Mifflin Harcourt, 2015).

"Senatus Populusque Romanus." Cambridge historian Mary Beard gives a lecture at the 92nd Street Y based on her latest book, SPQR: A History of Rome (Liveright, 2015). Beard is a finalist for the 2015 National Book Critics Circle Award in the nonfiction category.

"After conquering / frontiers, the mind comes back to rest, / stretching out over the white sand." At a 92Y event, Pulitzer Prize-winner Yusef Komunyakaa reads "Islands" from his poetry collection, The Emperor of Water Clocks (Farrar, Straus & Giroux, 2015), and the Wire actor Wendell Pierce reads from his memoir, The Wind in the Reeds (Riverhead Books, 2015), in which he explores art's ability to redeem his native New Orleans after Hurricane Katrina.

"The mind must / set itself up / wherever it goes..." So begins the poem "New Rooms" by Kay Ryan from her collection, Erratic Facts (Grove Press, 2015). Ryan is a former U.S. poet laureate, Pulitzer Prize-winner, and recipient of a MacArthur "Genius" grant.

"I was captured by the Facist Militia on December 13 1943." So begins Primo Levi's Survival in Auschwitz, republished as If This Is a Man in the new three-volume collection, The Complete Works of Primo Levi (Liveright, 2015), edited by Ann Goldstein. Robert Weil, David Remnick, and John Turturro read selections from the edition at the 92nd Street Y in New York City.

"Is it that bad to write genre?" David Simon, writer and producer of the HBO drama The Wire, speaks with novelist Richard Price about his choice to release his latest book, The Whites (Henry Holt, 2015), under the pseudonym Harry Brandt.

Last week Maxine Hong Kingston, whose memoir, I Love a Broad Margin to My Life, was published in January by Knopf, and Leslie Marmon Silko, author of the memoir The Turquoise Ledge (Viking, 2010), read together at the Unterberg Poetry Center of the 92nd Street Y in New York City.