Page One: Where New and Noteworthy Books Begin
The first lines of a dozen noteworthy books, including The Tradition by Jericho Brown and Orange World by Karen Russell.
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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
The first lines of a dozen noteworthy books, including The Tradition by Jericho Brown and Orange World by Karen Russell.
Funded by novelist Charles Frazier, the Cold Mountain series will highlight new literary fiction from the South.
The online storytelling community expands to print with the launch of Wattpad Books.
A Houston artist turns outdated manuals, phone books, and encyclopedias into visually striking sculptures.
Poet and memoirist Meghan O’Rourke, the incoming editor of the Yale Review, discusses her approach to editing, her plans for the journal, and the trends she’s most excited about.
A historical novelist discusses her experiences in self-publishing; an editor and publicist weigh in.
A literary agent answers questions from writers about genre, age, costs, and client lists.
A pair of English singer-songwriters perform literature-inspired music in bookstores across the United States.
“If what you’re writing begins to scare you, don’t stop—it’s about to get real good.” —Gala Mukomolova, author of Without Protection
After the death of Donald Hall, on June 23, 2018, a poet says goodbye to his mentor and friend.
The search is underway for the next executive director of the Cave Canem Foundation.
A best-selling author offers some light-hearted tips for authors crafting those obligatory pages at the front and back of their books.
“There’s a lot of mystery in my writing process, and I have the suspicion that I’m doing all the steps out of order.” —Emily Skaja, author of Brute
“My best work, regardless of genre, often happens in one big burst.” —Namwali Serpell
“It’d be nice if the American literary community’s obsession with signal-boosting the optics of diversity were solidified into a tangible, fiscally remunerative reality for minority writers.” —Bryan Washington
“I’d love the community of contemporary writers to read each other with the freedom and rigor (vigor) we bring to hearing the music we love the most.” —Ed Pavlić
“A good portion of Gingerbread was written sitting on the floor, in a chair with no legs but excellent back support.” —Helen Oyeyemi, author of Gingerbread
In his new memoir, Survival Math, Mitchell S. Jackson examines his own life and the men who shaped it, exploring the complexities of family, fatherhood, and America.
“The literary community is too small—I’d create lots more thoughtful and appreciative readers like the ones who read interviews in Poets & Writers Magazine.” —Brian Kimberling, author of Goulash
“Go there. When the work takes you somewhere deep, it can be difficult not to swim back up out of fear or squeamishness.” —Lindsay Stern, author of The Study of Animal Languages
The Center for Fiction relocates to Brooklyn, New York, with plans to expand its membership, events, educational offerings, and resources for fiction writers.
In this continuing series, a book critic discusses the unique challenges of reviewing for radio and how she picks the books that make it on the air.
Twenty years after its founding, online anthology Poetry Daily expands its editorial vision through a new partnership with George Mason University.
The first lines of a dozen noteworthy books, including Casting Deep Shade by C. D. Wright and The White Card: A Play by Claudia Rankine.
The annual twelve-day conference at the University of the South, featuring workshops, craft lectures, and a historic community of writers, turns thirty.