Ten Questions for Brian Kimberling
“The literary community is too small—I’d create lots more thoughtful and appreciative readers like the ones who read interviews in Poets & Writers Magazine.” —Brian Kimberling, author of Goulash
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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
“The literary community is too small—I’d create lots more thoughtful and appreciative readers like the ones who read interviews in Poets & Writers Magazine.” —Brian Kimberling, author of Goulash
“Go there. When the work takes you somewhere deep, it can be difficult not to swim back up out of fear or squeamishness.” —Lindsay Stern, author of The Study of Animal Languages
In this continuing series, a book critic discusses the unique challenges of reviewing for radio and how she picks the books that make it on the air.
Twenty years after its founding, online anthology Poetry Daily expands its editorial vision through a new partnership with George Mason University.
The annual twelve-day conference at the University of the South, featuring workshops, craft lectures, and a historic community of writers, turns thirty.
Twenty-two writers, including Alexander Chee and Rebecca Makkai, offer their personal take on the best retreats for productivity, motivation, networking, and more.
The first lines of a dozen noteworthy books, including Casting Deep Shade by C. D. Wright and The White Card: A Play by Claudia Rankine.
A poet discusses five journals that published poems from his third collection, As One Fire Consumes Another.
Founded in 2014 by Sean Shearer, BOAAT Press publishes both traditional books and handmade chapbooks of poetry by emerging writers.
A graphic memoirist explores issues of race, identity, family, and America through conversations with her six-year-old son.
A round-up of four new anthologies, including A People’s Future of the United States: Speculative Fiction From 25 Extraordinary Writers edited by Victor LaValle.
The Center for Fiction relocates to Brooklyn, New York, with plans to expand its membership, events, educational offerings, and resources for fiction writers.
After twenty-two years as the executive director of the MacDowell Colony, Cheryl A. Young discusses the future of the prestigious residency program.
Ten of the best retreats, workshop programs, conferences, and festivals for emerging writers across the country.
Fifteen years in the making, Ilya Kaminsky’s Deaf Republic is a dramatic masterwork, a parable-in-poems that confronts the darkness of war and terror with the blazing light of “a poet in love with the world.”
The Man Booker Prize-winning novelist whose new book, Black Leopard, Red Wolf, is the first title of an epic fantasy trilogy, sits down with Kima Jones for a conversation about the freedom of genre-defying fiction.
A translator examines the many shapes a language can take, and how cultural influence and interpretation can affect the translation process.
“I’m always trying to do something new, which is usually something I’m afraid of.” —Shane McCrae, author of The Gilded Auction Block
“I do not allow rules and regulations to dictate my writing—it’s one thing I can control.” —Paige Ackerson-Kiely, author of the poetry collection Dolefully, a Rampart Stands
The author of six books, including most recently the novel Bowlaway, out this month from Ecco, talks family, myth, feminism, humor, and the stories we inherit.
“I usually wait until I need to write, which makes for a really thrilling, cathartic experience of creation.” —Hala Alyan, author of The Twenty-Ninth Year
Hosted by Tracy K. Smith, the daily poetry podcast The Slowdown will be syndicated on several public radio stations across the country.
“I think a lot of contemporary editors, myself included, push too much for clarity when sometimes a little muddiness is just the thing.” —Juliet Lapidos, author of Talent
“You must find pleasure in the work itself—doing the work. Otherwise, what’s the point?” —Sarah McColl, author of Joy Enough.
“Butt in chair, do the work. It’s the most basic and important writing advice there is.” —Laura Sims, author of Looker