Interrogating Injustice, Celebrating Ideals: An Interview With Richard Blanco
Richard Blanco’s new book, How to Love a Country, questions the very makeup of the American narrative, and ultimately asks what it means to be American.
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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
Richard Blanco’s new book, How to Love a Country, questions the very makeup of the American narrative, and ultimately asks what it means to be American.
Poets House in New York City launches an interactive digital exhibition of their chapbook collection.
Poet and memoirist Meghan O’Rourke, the incoming editor of the Yale Review, discusses her approach to editing, her plans for the journal, and the trends she’s most excited about.
A Houston artist turns outdated manuals, phone books, and encyclopedias into visually striking sculptures.
The Kansas City, Missouri–based independent press approaches its fiftieth anniversary with plans to launch a chapbook competition in 2020.
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A roundup of four new anthologies, including the third volume of the BreakBeat Poets series, Halal If You Hear Me, edited by Fatimah Asghar and Safia Elhillo.
The first lines of a dozen noteworthy books, including The Tradition by Jericho Brown and Orange World by Karen Russell.
Funded by novelist Charles Frazier, the Cold Mountain series will highlight new literary fiction from the South.
“If what you’re writing begins to scare you, don’t stop—it’s about to get real good.” —Gala Mukomolova, author of Without Protection
After the death of Donald Hall, on June 23, 2018, a poet says goodbye to his mentor and friend.
The search is underway for the next executive director of the Cave Canem Foundation.
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A best-selling author offers some light-hearted tips for authors crafting those obligatory pages at the front and back of their books.
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“It’d be nice if the American literary community’s obsession with signal-boosting the optics of diversity were solidified into a tangible, fiscally remunerative reality for minority writers.” —Bryan Washington
“I’d love the community of contemporary writers to read each other with the freedom and rigor (vigor) we bring to hearing the music we love the most.” —Ed Pavlić
“A good portion of Gingerbread was written sitting on the floor, in a chair with no legs but excellent back support.” —Helen Oyeyemi, author of Gingerbread
In his new memoir, Survival Math, Mitchell S. Jackson examines his own life and the men who shaped it, exploring the complexities of family, fatherhood, and America.
“The literary community is too small—I’d create lots more thoughtful and appreciative readers like the ones who read interviews in Poets & Writers Magazine.” —Brian Kimberling, author of Goulash
“Go there. When the work takes you somewhere deep, it can be difficult not to swim back up out of fear or squeamishness.” —Lindsay Stern, author of The Study of Animal Languages