Ten Questions for Marwa Helal

“This book has its own life force. All you have to do is allow it to come together.” —Marwa Helal, author of Ante body
Jump to navigation Skip to content
Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
“This book has its own life force. All you have to do is allow it to come together.” —Marwa Helal, author of Ante body
Jay Hopler and Kimberly Johnson discuss their new books, the techniques and craft decisions they used in writing these collections, and the occasion to which both books respond: Hopler’s diagnosis of terminal prostate cancer in 2017.
“Adjust one small plot point in the second half of the book, and you realize you’ve got to go back to the beginning and account for that change.” —Soon Wiley, author of When We Fell Apart
“I am a fitful writer: long periods of not writing followed by intense engagement.” —Dana Levin, author of Now Do You Know Where You Are
The author of Country of Origin looks back on the fifteen years she spent working on her debut novel.
Two University of Baltimore MFA students founded the small press that publishes poetry, fiction, nonfiction, and hybrid work, and as well as a podcast and literary magazine.
The author spotlights five journals that published lyric and narrative poems from her debut poetry collection, The Body Family.
Writer and visual artist Ben Shattuck turned his journals from walks through New England’s wild spaces into a book of drawings and text titled Six Walks: In the Footsteps of Henry David Thoreau.
The new editor in chief of the Rumpus, Alysia Li Ying Sawchyn, discusses what sets the magazine apart and what she looks forward to in her new role.
Established in 2018, the Graywolf Press African Fiction Prize awards an African writer an advance and publication by Graywolf. The prize aims to offer African writers a platform without them having to leave the continent.
A look at contests that, in addition to cash prizes, award residencies, retreats, and introductions to agents, among other unique opportunities.
For two weeks in June, more than 15,000 writers from around the world commit to writing a thousand words a day as part of the annual 1000 Words of Summer project.
Twenty-six of the industry’s best and brightest agents responded directly to readers’ questions in this column that ran from 2010 to 2022.
The first lines of a dozen noteworthy books including The Candy House by Jennifer Egan and Ante body by Marwa Helal.
When the pandemic affected booksellers’ job security, several bookstores transitioned to employee-ownership models to create more equitable workplace environments.
The agent answers questions about mentioning positive feedback in a query letter, how much plot to include in a query, and agents for teen writers.
The author chose to share her memoir draft with family and friends and face their varied reactions to her recollection of the past—reactions which ultimately made the book richer.
The Matwaala collective was launched in 2015 to create visibility for South Asian poets. Today, Matwaala programs such as the Poets of Color festival foster solidarity between different identity groups through literature.
Leigh Newman discusses her short story collection, Nobody Gets Out Alive, and the wild terrains of parenthood, Alaska, and the emotional lives of her characters.
“To be a writer, the best thing someone can do, in my opinion, is read. Read everything.” —Eloisa Amezcua, author of Fighting Is Like a Wife
The author of Country of Origin listens to old-school Arabic music to help her render the mood of Egypt at the dawn of the postcolonial period.
“I hope everyone who writes begins by recognizing their own value and the value of the very act of their having chosen to write.” —Dara Barrois/Dixon (formerly Dara Wier), author of Tolstoy Killed Anna Karenina
The author of Country of Origin muses on the transporting power of photographs.
The 2021 guest editor of Ōrongohau: Best New Zealand Poems 2021 discusses the editorial process behind the anthology and what it reveals about contemporary New Zealand poetry.
Sally Kim, senior vice president and publisher of G. P. Putnam’s Sons, on amplifying her own voice to amplify the voices of others.