Q&A: David Treuer of Pantheon
David Treuer, a writer, teacher, and recently appointed editor-at-large at Pantheon, discusses his focus on publishing emerging Indigenous writers and the possibilities of his new role.
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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
David Treuer, a writer, teacher, and recently appointed editor-at-large at Pantheon, discusses his focus on publishing emerging Indigenous writers and the possibilities of his new role.
While editing her memoir about the history and methodology of mental health diagnoses, the author gains a new respect for fact-checking and more confidence in her book.
A look at the ways writers can benefit from distinctly different kinds of gatherings, including groups offering accountability partners, workshop feedback, and publishing advice.
The novelist and teacher offers advice on starting a writers group where your creative work can thrive.
A growing movement asks that literary translators receive equitable compensation and acknowledgement, starting with the inclusion of translators’ names on book covers.
Three new anthologies, including The Long Devotion: Poets Writing Motherhood.
The best-selling nonfiction author describes the craft lessons he drew from the false starts that paved the way for his debut novel, All the Secrets of the World.
Advice on becoming a writer ignores the impact of motherhood—and fails to acknowledge the privileges of canonical writers. The author describes learning “to see art-making as a professional possibility” as a brown mother-writer.
After experiencing a writers group that only delivered praise, the author realizes the value of constructive feedback and offers guidance on how best to give it.
“How do you navigate a life in opposition to and in spite of systemic racism, with poetry?” —Angel Dominguez, author of Desgraciado
“Don’t let an algorithm tell you what to read. Disobey the algorithm.” —Sarah Manguso, author of Very Cold People
The author of Nobody’s Magic considers what happens when you lust after your own characters.
“It took me more than a year to put aside my fear of attempting it.” —Lan Samantha Chang, author of The Family Chao
The author of Nobody’s Magic reflects on writing in African American Vernacular English.
“It’d be easier for me to stop talking than to stop writing.” —Tochi Onyebuchi, author of Goliath
The author of Nobody’s Magic shares lessons from writing an unlikable nonnormative character.
“I will miss thinking about Joan and her world every second of every day.” —Weike Wang, author of Joan Is Okay
“Make it so good they can’t reject it.” —Edgar Gomez, author of High-Risk Homosexual
“Everything fell out of me in five intense sleepless weeks.” —Xavier Navarro Aquino, author of Velorio
Ten writers, including Alex Dimitrov and Kaitlyn Greenidge, share the best writing advice they’ve ever heard.
The author reflects on five journals that published essays from their debut collection, Dark Tourist.
A look at the growing number of online scams that lure writers with offers of speaking engagements or by posing as an agent or editor online. Two writers directly affected by scams share their experiences.
After collecting poetry books to lend to students, poet and educator Hiram Sims opened the Sims Poetry Library in Los Angeles. Today the library boasts a collection of over six thousand books and serves as a home base for poets in the community.
The author recalls being pregnant in the early days of the pandemic and asks: How we can continue to create in times of uncertainty?
The first lines of a dozen noteworthy books, including Manifesto: On Never Giving Up by Bernardine Evaristo and To Paradise by Hanya Yanagihara.