Ten Questions for Gabriel Bump

“I didn’t understand how important Chicago and South Shore were to me until I left.” —Gabriel Bump, author of Everywhere You Don't Belong
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Read weekly interviews with authors to learn the inside stories of how their books were written, edited, and published; insights into the creative process; the best writing advice they’ve ever heard; and more.
“I didn’t understand how important Chicago and South Shore were to me until I left.” —Gabriel Bump, author of Everywhere You Don't Belong
“I had a substantially different version of this book that just wasn’t working, scrapped it, did that again, and then the third time was a charm.” —Charles Yu, author of Interior Chinatown
“The book didn’t announce itself to me until 2017, when I went looking for it. I scanned over the poems I had been writing, scanning to see what my brain had been up to without me noticing.” —Danez Smith, author of Homie
“I spent much of 2016 and 2017 not just trying to find my way back into the book but also trying to convince myself that art still mattered.” —Meng Jin, author of Little Gods
“It was important to me to err on the side of generosity in writing this book.” —Anna Wiener, author of Uncanny Valley
“I write every day when I am in the middle of a novel. And I write intensely when I am in the middle of a short story or a poem. At all other times I blame myself for not writing.” —Amanda Michalopoulou, author of God's Wife
“The most challenging thing every time I sit down to write is to make the poem on the page as alive as the poem in my head.” —Barbara Crooker, author of Some Glad Morning
“Fridays I would slash and burn upwards of 80 percent of that week’s word haul. Anything that stayed had to earn its keep.” —Tommy Pico, author of Feed
“I had to imagine the life of characters who shared some of my own history but had their own unique ways of being in the world.” —Jeffrey Colvin, author of Africaville
“Writing—the writing it down—has increasingly become the least important part of the process. Living in the world of the novel, existing as the characters, viewing the day-to-day from their perspective, is the most important thing.” —Jeff VanderMeer, author of Dead Astronauts
“Sometimes at the end of an eight-hour day I’d have a single paragraph to show for it.” —Dexter Palmer, author of Mary Toft; or, The Rabbit Queen
“Much of the book I had no recollection of writing, and it was strange to be confronted with what I’d done, as though I was getting access to parts of my mind I hadn’t known existed.” —Nina MacLaughlin, author of Wake, Siren
“Don’t be afraid to cut it if it’s not working.” —Elaine Equi, author of The Intangibles
“My preferred notebook is a sharp-cornered, hardcover Roaring Spring black marble composition book with 20# paper, item number 77461, college ruled—I’m a Pisces and need a line to keep me grounded.” —Malcolm Tariq, author of Heed the Hollow
“I don’t trust any readers! And readers shouldn’t trust any writers. We’re all scoundrels, down to the last.” —Kai Cheng Thom, author of I Hope We Choose Love
“In college I had a fiction teacher tell me to make every sentence so good that the reader would have to read the next one. So basic and obvious but I needed to hear it.” —Jami Attenberg, author of All This Could Be Yours
“I sometimes wish the writing process for me was faster, but things need to percolate in their own time.” —Mimi Lok, author of Last of Her Name
“Read like your work depends on it. It does.” —Adrienne Brodeur, author of Wild Game
“The process of writing a memoir can swallow you whole if you aren’t careful.” —Saeed Jones, author of How We Fight For Our Lives.
“Maybe we are all just a bit frazzled with the state of the world today, but it’s not always easy to sit and focus. When I do find time to write, it’s like I’m back to myself. I’m back home.” —Kimberly Reyes, author of Running to Stand Still
“I didn’t always feel like writing but I still made myself sit down and do it. I practiced discipline and worked towards inspiration.” —Maaza Mengiste, author of The Shadow King
“I had made a bargain with myself that if I lived, I would give a book of what I learned back to the world in return—an act of gratitude and sometimes vengeance—and I made it.” —Anne Boyer, author of The Undying
“Nearly everything about writing a book is hard. The hope is that it’s harder, in some way, not to.” —Oliver Baez Bendorf, author of Advantages of Being Evergreen
“Sometimes the discourse on disability infringes on my imagination.” —Jillian Weise, author of Cyborg Detective
“I’ve learned that writing is not for the impatient.” —Crystal Hana Kim, author of If You Leave Me