Whether you create it yourself or hire a designer, developing an author Web site is one of the best ways to promote yourself and provide an authoritative source for readers to discover your work.
Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features the Gettysburg Review, Prairie Schooner, Fence, Harpur Palate, Slate, and Ellipsis.
Small Press Points highlights the happenings of the small press players. This issue features Blue Moon Books, Soft Skull Press, Grove Press, Grove/Atlantic, Inc. Clear Cut Press, and Broadsided Press.
Another day, another strange encounter in an airport. This one with Charles D’Ambrosio, who wound up on the same flight as ours from Portland to Seattle.
Why is Portland, Oregon, my favorite city in which to read? Let me count the ways.
Ah, springtime in New York City! That ineluctable smell! What is it, exactly? Curry and fish sauce, garbage, perfume, rotten eggs, fresh bread, urine, incense, stale tailpipe, shish kebab, body odor. (I am estimating.)
This is the first installment in a series of Postcards written by Steve Almond and Julianna Baggott, coauthors of Which Brings Me to You (Algonquin Books, 2006), while on tour to promote their book.
Two years after the failure of Zoo Press's fiction contests in 2004, founder Neil Azevedo responds about more controversy surrounding its poetry contests.
At the end of Folio Literary Management's second month in operation, Scott Hoffman, who represents writers of fiction and nonfiction and receives between two hundred and five hundred queries a week, spoke about the role of agents in today's publishing marketplace.
This installment of Page One features excerpts from A Strange Commonplace by Gilbert Sorrentino, Genealogy by Maud Casey, and Visigoth by Gary Amdahl.
Sadly, recent revelations are forcing readers—confronted by a brand-new band of literary scallywags, hucksters, and hoaxers—to reconsider the veracity of the story as well as that of the storyteller.
As marketing director of Copper Canyon Press, the thirty-four-year-old independent publisher of poetry in Port Townsend, Washington, I am required to read a lot. While most of the titles on my reading list are poetry collections, I recently read two nonfiction texts that got me thinking about the "economics" of creative writing.
One afternoon in March 2003, I received an unexpected phone call from writer Julianna Baggott. "I've got a crazy idea," she told me. "It's so crazy, I feel a little nervous even bringing it up."
It took a long time to write these words. I'm not referring to the psychosomatic affliction known as writer's block. I mean the delays caused by the process of composition and revision.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features One Less Magazine, the Women's Review of Books, Cream City Review, Global City Review, Bat City Review, Backwards City Review, and Poetry.
For this inaugural installment of More to the Story—an occasional feature in which we ask authors to list the movies, music, artwork, and books that inspired them during the course of writing their new books—we asked A.M. Homes about her fifth novel,This Book Will Save Your Life, which was published by Viking last month.
Small Press Points highlights the happenings of the small press players. This issue features Seven Stories Press, Impassio Press, and BOA Editions, Ltd.
On April 14 hundreds of scholars gathered in the Millennium Hall of the Loews Hotel in Philadelphia for the second day of the thirty-fourth annual meeting of the Shakespeare Association of America, a nonprofit, academic organization devoted to the study of William Shakespeare and his plays and poems.
Bill Manhire is one of New Zealand’s most visible writers and certainly its most visible poet. The country’s inaugural poet laureate, Manhire is the author of more than ten books of poems, including Lifted, recently published by his long-time New Zealand publisher, Victoria University Press.
The author of fifteen books, including eight novels, three short story collections, a memoir, and a ten-volume treatise on the nature and ethics of violence, William T. Vollmann is often associated with his most controversial subjects—crack and prostitution among them. He is also characterized by a few signature stunts, such as firing a pistol during his readings and kidnapping a girl who had been sold into prostitution and turning her over to a relief agency while writing an article for Spin magazine.
On a frigid night in early March, a well-dressed crowd of around five hundred people piled into the New School’s Tishman Auditorium to witness the announcement of the winners of the National Book Critics Circle Awards. The membership organization of seven hundred critics and reviewers, founded in 1974, bestows awards annually for poetry, fiction, biography, general nonfiction, and criticism. This year, for the first time, autobiography (or memoir), was added as a separate category—an interesting distinction at a time when the controversy over the genre has dominated literary news.
The Edward F. Albee Foundation in Montauk, New York, gives writers room to write—in one of the most inspiring barns in the country.