The Written Image: The Poets Series
Melanie Janisse-Barlow turns the tables on a long tradition of poets finding their muse in visual art through her Poets Series project, a collection of painted portraits of poets.
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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
Melanie Janisse-Barlow turns the tables on a long tradition of poets finding their muse in visual art through her Poets Series project, a collection of painted portraits of poets.
A free online archive collects writing from more than 1,200 incarcerated and formerly incarcerated people, as well as correctional officers and prison staff, from across the country.
In celebration of ten years, sixty-five million users, and sixty-nine million book reviews, a history of Goodreads—from its beginnings as a tool for readers to its growth into an important platform for book promotion.
Poets, activists, and survivors respond to gun violence in a new anthology of poems and essays from Beacon Press.
A literary agent answers readers’ questions—from how seriously agents consider a writer’s previous sales to how to responsibly seek new representation.
Writing through trauma isn’t always a healing experience. A poet and novelist investigates the complexities and challenges of writing with post-traumatic stress disorder.
How important is it for characters to be likeable? A look at a controversial question, and how literature’s darker actors can pose useful lessons about both the craft of writing and ourselves.
Fiction writer Danielle Lazarin discusses five journals that have published her short stories, some of which appear in her debut collection, Back Talk, forthcoming from Penguin Books in February.
Page One offers the first lines of a dozen new and noteworthy books, including Wild Is the Wind by Carl Phillips and No Time to Spare by Ursula K. Le Guin.
A look at some of the most exciting first books of poetry published in 2017, including WHEREAS by Layli Long Soldier and Calling a Wolf a Wolf by Kaveh Akbar.
Merriam-Webster’s editor-at-large, Peter Sokolowski, discusses how the popular dictionary is driven by both definitions and data, and reveals the 2017 Word of the Year: feminism.
“There are very few rules that can’t be broken,” says the author of six books of fiction and one essay collection in this wide-ranging interview.
Three Whiting Literary Magazine Prizes totaling up to $120,000 will be given annually for print and digital publications. The new awards program is intended to support both “nimble upstarts as well as established journals.”
Two fiction writers discuss scandals and second chances, finding the heart of the novel, and blurring the personal and political.
Novelist Amy Tan talks about her approach to memoir and how this shift in process changed the way she views her fiction writing.
Poet Kiki Petrosino highlights five journals that first published poems appearing in her third collection, Witch Wife, out from Sarabande Books in December.
Page One offers the first lines of a dozen new and noteworthy books, including Louise Erdrich’s novel Future Home of the Living God and Victoria Chang’s poetry collection Barbie Chang.
A new book subscription service sends members a novel every two months, along with food, recipes, and related ephemera, to help readers engage with other cultures.
Brooklyn, New York–based literary magazine A Public Space has launched a book division called A Public Space Books, with its first title set for publication next year.
Small Press Points highlights the innovation and can-do spirit of independent presses. This issue features the Shropshire, England–based Platypus Press.
Published this month by Little, Brown, David Sedaris Diaries: A Visual Compendium features images and artwork from the best-selling author’s 153 diaries, which he composed over the past forty years.
With a new book of nonfiction, Bunk, a new job as director of a leading research center on black culture, and a new role as poetry editor of the New Yorker, Kevin Young is fully engaged in a personal program of moving multitudes.
Jamia Wilson, the new executive director and publisher of the Feminist Press, shares her plans to advance the press’s mission of championing marginalized voices.
Vinnie Kinsella shares the process of self-publishing an essay anthology, Fashionably Late: Gay, Bi, and Trans Men Who Came Out Later in Life. An editor and a publicist weigh in.
As part of a continuing series, we offer a breakdown of the numbers behind our Grants & Awards listings in our November/December 2017 issue.