Article Archive

Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.

A Brief History of the "P" Word

by
Julia Kamysz Lane
5.1.02

Public allegations of plagiarism are leveled at unsuspecting authors at least once a year, but their frequency doesn't diminish the calamitous results: bruised reputations, soured accusers, disenchanted readers, and riled media. This spectacle isn't, however, an invention of our media-saturated age. Public fascination with plagiarism is as old as our appetite for scandal.

An Interview With Poet Karen Volkman

by
Nick Twemlow
4.12.02
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The appearance of Karen Volkman's first book of poems, Crash's Law, selected for the National Poetry Series in 1995 and published by Norton the following year, signaled the arrival of a startling and canorous voice in American poetry. In the introduction to the book, series judge Heather McHugh called Volkman "an analyst of love," and remarked that the book "bespeaks a mind attuned no less to the accidents than to the orders of a sensual life."

An Interview With Poet Claudia Keelan

by
Tod Marshall
4.12.02

Claudia Keelan was born in 1959 in Anaheim, California. She is the author of three books of poetry, Refinery (Cleveland State University (1994), The Secularist (University of Georgia, 1997), and Utopic (Alice James, 2000). A graduate of the University of Iowa Writers Workshop, Keelan directs the MFA program at the University of Nevada Las Vegas.

An Interview With Poet Laura Mullen

by
Tod Marshall
4.5.02

Laura Mullen was born in Los Angeles in 1958. She received her MFA from the Iowa Writers Workshop and currently teaches at Colorado State University in Fort Collins. She is the author of The Surface (University of Illinois, 1991) and After I Was Dead (University of Georgia, 1999). Her writing has won many awards including a fellowship from the National Endowment for the Arts.

An Interview With Poet Donald Revell

by
Nick Twemlow
4.5.02
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Donald Revell grew up in the Bronx, New York. He received his Ph.D. from SUNY-Buffalo, and splits his time between Nevada and Utah, where he is Professor of English and Creative Writing at the University of Utah. Wesleyan University Press published Revell's seventh book of poems, Arcady, in February. Written as a response to the death of his sister and only sibling, Roberta, in 1995, Arcady draws its vision from the well of Arcadia—the utopic Greek realm described as paradise by Virgil, painted by Poussin, scored by Charles Ives, and contemplated by Thoreau.

An Interview With Translator Wyatt Mason

by
Max Winter
4.5.02
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Wyatt Mason's Rimbaud Complete, published by Modern Library in March, is a translation of the complete writings of French poet Arthur Rimbaud (1854-1891). The book contains all of his poetry—from his earliest juvenilia to his later poems, which Rimbaud wrote in his early twenties, before he stopped writing poems altogether. The volume contains fifty pages of previously untranslated material, including all the poet's earliest verse, a school notebook, and a rough draft of his best known poem A Season In Hell.

An Interview With Fiction Writer Katherine Towler

by
Denise Hart
3.22.02

Katherine Towler spent eight years writing her first novel Snow Island, published in February by MacAdam/Cage, an independent press in San Francisco. The novel tells the story of 16-year-old Alice Daggett and a reclusive World War I veteran, George Tibbits, who live on a New England island during the first years of World War II.

E-book Publishers Get Mixed Signals

by
Dalia Sofer
3.1.02

Now that the explosive growth of the dot-com industry has abated, many are wondering if the same fate awaits electronic publishing. At the annual Frankfurt Book Fair in Germany, where a sober crowd gathered in October 2001, just weeks after the attacks in New York City and Washington, D.C., the Pollyannaish predictions of recent years about e-books were replaced by a more uncertain tone.

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The Trouble He's Seen: A Profile of John Dufresne

by
Eve Richardson
3.1.02

So how did John Dufresne—the eldest of four children of French-Canadian parents, a boy who grew up in the Catholic, blue-collar Grafton Hill neighborhood of Worcester, Massachusetts, a boy for whom it was beyond imagining that a man might find his vocation in words—become a noted short story writer, a sought-after teacher of creative writing, and the author of three acclaimed novels, two of which are set well below the Mason-Dixon line? In part, the answer is a keen ear for the music of language and an eye for the telling detail.

Celebrating Steinbeck's Centennial

by
Eleanor Henderson
3.1.02

Thirty-six years after his death, John Steinbeck—the Nobel Prize–winning author of American classics like The Grapes of Wrath and East of Eden—is the focus of the largest-ever centenary celebration for a single author. Born in Salinas, California, on February 27, 1902, Steinbeck is being remembered with a yearlong program of over 175 events in 39 states.

An Interview With Poet Agha Shahid Ali

by
Eric Gamalinda
2.1.02

On December 8, 2001, Kashmiri-American poet Agha Shahid Ali died of brain cancer at the age of 52. Ali taught creative writing at the University of Massachusetts at Amherst for seven years, and published eight books of poetry, including Rooms Are Never Finished (Norton, 2001), which was a finalist for the National Book Award. A posthumous collection of poems, Call Me Ishmael at Midnight, will be published by Norton in 2003.

An Interview With Editor Michael Davidson

by
Kevin Larimer
1.4.02

In February New Directions will publish New Collected Poems by George Oppen. Born almost a century ago, Oppen fought and was injured in World War II, published his first book when he was in his mid-twenties, then stopped writing and joined the Communist Party. Twenty-five years later he resumed writing and won the Pulitzer Prize in 1969 for his book Of Being Numerous. He died in 1984.

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New Magazine Delivers Big Ideas

by
Dalia Sofer
1.1.02

The Great Books Foundation, which for more than 50 years has been reminding the public that a book replete with sophisticated ideas and a "good read" are not mutually exclusive, has brought that same philosophy to a new magazine. The Common Review aims to deliver the riches of intellectual engagement to a general reading audience.

Academy Suffers Cutbacks, Layoffs

by
Mary Gannon
1.1.02

The Academy of American Poets, the 68-year-old literary nonprofit, has made headlines recently, but not for its latest party or prizewinner. In September the organization, best known for founding National Poetry Month, announced that Executive Director William Wadsworth had been asked to resign by board of directors president Henry Reath. And on November 7, the board voted to lay off eight of the Academy's seventeen employees and to subdivide its new office and rent out half of the space, which the group had renovated and moved into in August.

Slope Builds Press on Level Ground

by
Kevin Larimer
1.1.02

A number of literary magazines—APR, Fence, McSweeney's, Open City, Pearl, Pleiades, and Verse—have in recent years pursued book publishing ventures, usually ones that include an annual book contest. Putting an electronic twist on that trend is the bimonthly online literary magazine Slope. This spring, founding editor Ethan Paquin is making the jump from Web journal to print press by launching Slope Editions, which will publish two or three books of poetry annually.

An Interview With Poet James Tate

by
Nick Twemlow
12.14.01

The short story collection Dreams of a Robot Dancing Bee, to be published later this month by Verse Press-the nonprofit literary publisher that also publishes the triannual literary poetry journal Verse-represents a significant shift in focus for poet James Tate. The author of numerous books of poetry, including Worshipful Company of Fletchers (Ecco Press), which won a National Book Award in 1997, and his Pulitzer Prize-winning Selected Poems (1991), Tate has tackled a new genre, as well as a new way of thinking about writing.

Small Press Soiree on the Bay: Postcard From Oakland

by
J. Hempel
11.30.01

Approximately two hundred editors, writers, and readers of small literary magazines published in the Bay Area gathered at the Black Box, a trendy Oakland theater art gallery on Sunday, November 18, for the Small Press Soiree. Dulcey Antonucci, the editor of Area i, a literary magazine that takes its name from the parking designation for residents of downtown Berkeley, collaborated with local editors to plan the evening in an effort to introduce the audience to new publications.

An Interview With Editor Daniel Menaker

by
Carolyn Hughes
11.9.01

Daniel Menaker's career moves are well known in publishing circles. After twenty six years at The New Yorker-he started as a fact checker and copy editor before serving as senior editor for twenty years-Menaker moved to the position of literary editor at Random House, where he worked for the past six years. Last month, he announced that he was joining HarperCollins Publishers as executive editor of the HarperCollins imprint. Menaker will report directly to Susan Weinberg, senior vice president and editorial director of HarperCollins, Perennial, and Quill.

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The Future of Creativity: Postcard From Chicago

by
S. Kirk Walsh
11.9.01

The term "creative communities" often evokes sequestered environments at far-flung artists' colonies or graduate school MFA programs. This traditional notion was challenged, expanded, redefined, and reinvented during "The Future of Creativity" symposium in Chicago.

 

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