In case anyone was wondering, the four most frequently used words in T.S. Eliot’s 1943 collection Four Quartets are “time,” “past,” “fire,” and “end.” It is this kind of information that can be found by using one of several new features recently added to Amazon.com’s “Search Inside the Book” function, launched in October 2003.
Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
Unfortunately, these days it is not the quality of the award-winning writing that gets people talking; it is the way in which contests are run and the manner in which winners are chosen—or not chosen, as the case may be—that attract attention.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Poetry, the Southern Review, Swivel: The Nexus of Women and Wit, 6x6, Ninth Letter, and Black Clock.
C. Michael Curtis, a senior editor at the Atlantic Monthly, who is known not only for selecting award-winning short stories but also for his considerate and sensible letters of rejection to the thousands of submissions he’s read over the years, spoke about the magazine’s new approach to publishing fiction.
What if genetic cloning had become the defining science of the 20th century? The main characters of Kazuo Ishiguro's new novel contend with such a world—and its moral consequences.
HarperCollins recently announced that it will close its United States imprint Fourth Estate.
Thanks to a growing trend in grassroots marketing and publicity, writers in the San Francisco Bay area are reading to packed houses—literally.
Elizabeth Gaffney, Adrienne Miller, and Adrienne Brodeur—three high-profile magazine editors who recently added "debut novelist" to their resumés.
Most writers have heard the old saying about the Bard and the chimps: Gather 100 monkeys (or similarly hirsute primates) in a room, give them typewriters, and sooner or (more likely) later, they’ll deliver the complete works of Shakespeare. Nick Hoggard, a British computer programmer living in Sweden, has decided to put the theory—often attributed to Thomas Huxley, a 19th-century disciple of Charles Darwin—to the test.
Christopher McCabe, the new manager of BEA, speaks directly about its purpose and sets the stage for the United States publishing industry’s biggest event.
Page One features a sample of titles we think you'll want to explore. With this installment, we offer excerpts from Haunted by Chuck Palahniuk, Bitter Milk by John McManus, and The Lake, The River & the Other Lake by Steve Amick.
Voices in Wartime, a documentary about the experience of war as seen by soldiers, journalists, historians, and poets, featuring contemporary poets Chris Abani, Sam Hamill, Marie Howe, and Todd Swift, opened in select theaters nationwide last month.
To those who knew him through his work—and, if we are to believe the many tributes published in the past two months, to those who knew him intimately as well—Thompson was a strange and lovely amalgamation.
In April 2003, an agent sat down with me, pointed to my manuscript, and said the words I had been dreading: I think this should be a novel. I shuddered. I was no novelist. I was a minimalist, a votress of the goddess of gesture, a worshipper at the altar of the succinct. I was a short story writer.
Small Press Points highlights the happenings of the small press players. This issue features City Lights Books, Verse Press, Wave Books, the Feminist Press, Ig Publishing, and Sarabande Books.
Aided by a $260,000 grant from the National Endowment for the Humanities, Poets House and the Poetry Society of America, two nonprofit literary organizations based in New York City, recently partnered to establish Branching Out: Poetry in the Twentieth Century.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features the Grove Review, the Sonora Review, Volt, Quick Fiction, and Barrelhouse.
When I stepped off the plane in Aspen, Colorado, in June 1997, I found a 60-year-old Hunter S. Thompson waiting for me in a convertible Cadillac blasting Norman Greenbaum's "Spirit in the Sky" at full volume. I was terrified; he was giddy. He was playing the song because it was a part of the soundtrack put together for the film version of Fear and Loathing in Las Vegas that was scheduled to hit theaters the following summer, and he could not have been happier.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Diner, the Massachusetts Review, Night Train, the Women’s Review of Books, DoubleTake, the Oxford American, and Cranky Literary Journal.
Ted Kooser, appointed the 13th poet laureate of the United States last August, launches American Life in Poetry, a weekly newspaper column featuring a poem and a brief introduction, which is distributed free to any paper wishing to publish it.
The standard recompense for winning a literary contest is typically one of the following: money, publication in a literary magazine or a book, and a certain amount of recognition, but some rather unusual awards are handed out each year that don’t fall within the usual “money plus publication” category.
The Academy gears up to celebrate the 10th annual National Poetry Month in April—an event seen, depending on one’s perspective, as either a marketing bonanza or a wonderful excuse to bring poems into the public sphere.
Small Press Points highlights the happenings of the small press players. This issue features Copper Canyon Press, Shambhala Publications, Other Press, Suspect Thoughts Press, and Vernacular Press.
I am in the middle of Don Quixote—where many writers are and, according to Cervantes scholars, where every writer should be. I’m reading it because this year marks the 400th anniversary of its publication. I would like to say that I’ve finished it, but I cannot. The Quixote, as it is affectionately referred to by die-hard fans, is not something you finish. It’s something you rattle around in.
Page One features a sample of titles we think you'll want to explore. With this installment, we offer excerpts from Pinkerton’s Sister by Peter Rushforth and Cooling Time: An American Poetry Vigil by C.D. Wright.