Genre: Not Genre-Specific

Feminist Press and TAYO Launch First Book Prize

The Feminist Press has partnered with TAYO Literary Magazine to launch the Louise Meriwether First Book Prize, which will be given for debut books of fiction or nonfiction by women and nonbinary writers of color. The winner will receive $5,000 and a publishing contract with the Feminist Press.

Novels, short story collections, and works of narrative nonfiction are eligible. Women and nonbinary writers of color (or those who self-identify as nonwhite) may submit a complete manuscript of 50,000 to 80,000 words along with a cover letter that includes the following: an author statement, a brief bio, how the book fits with the work and mission of TAYO and the Feminist Press, a list of up to three influential writers, and the manuscript’s word count. The deadline is July 31. Complete guidelines here.

Entries will be read by a group of judges made up of staff, board members, and allies of the Feminist Press and TAYO Literary Magazine. The top five manuscripts will then be sent to final judges Tayari Jones and Ana Castillo, who will select the winning manuscript. The winner will be announced in February 2017.

The new prize was founded in honor of novelist, essayist, journalist, and activist Louise Meriwether, age 93, who published her first novel, Daddy Was a Number Runner, in 1970. The book, about the life of a poor black family in the post–Harlem Renaissance era, was one of the first contemporary American novels to feature a young African American girl as the protagonist, and went on to inspire the careers of authors such Jacqueline Woodson and Bridgett M. Davis.

TAYO—a which means “us” or “stand up” in Tagalog—is a magazine dedicated to publishing works of poetry and prose that “slice into the phantasmagoria of the oppressed, marginalized, post-colonized, and diasporic life.”The Feminist Press, founded in 1970 at the City University of New York, is a nonprofit press established to “advance women’s rights and amplify feminist perspectives,” and champion “silenced and marginalized voices in order to support personal transformation and social justice for all people.

Photo: Bridgett M. Davis and Louise Meriwether in 2014. Credit: Muneesh Jain

Write! Look! Listen!: UC Merced's Merritt Writing Program Reading Series

Write! Look! Listen! is the creative writing reading series of the Merritt Writing Program (MWP) at the University of California in Merced. Since 2006, Write! Look! Listen! has featured readings and guest workshops with locally and nationally recognized poets, fiction writers, journalists, and nonfiction writers. The series features ethnically and aesthetically diverse readers in order to give students a sense of the full range and vibrancy of contemporary American writing. MWP faculty members organize, publicize, and host readings and workshops that are free and open to students, faculty, staff, and the public. Current principal organizers include: Andrea Mele, Susan Varnot, Dawn Trook, and Callie Kitchen. Contributors to this blog post include: Andrea Mele, Dawn Trook, and Paul Gibbons.

What makes your organization and its program unique?
Andrea Mele: The Merritt Writing Program at UC Merced includes composition courses, Writing in the Disciplines courses, and Writing Minor courses in Professional and Creative Writing. MWP faculty created the Write! Look! Listen! Series, as well as our undergraduate Creative Writing Conference and Collaboratorium, both of which are supported by the Writing Program, UC Merced’s Center for Humanities, and Poets & Writers’ grants.

Merritt Writing ProgramWrite! Look! Listen! invites regionally-based writers of national acclaim to campus for readings and workshops. These readings and workshops are free and open to the public, and are well attended by students, faculty, and staff. WLL strives to bring writers of diverse genres and backgrounds who reflect the diversity of our own campus, and who will connect with students on both subject and craft levels. Attendees and participants often comment on the ways in which they can relate to the authors’ experiences, and how this motivates their own writing, confidence, and commitment to their craft. Recent guests include David Mas Masumoto, Steven Church, David Campos, Paula Treick DeBoard, Lawson Inada, and the Hmong American Writers Circle.

UC Merced’s Creative Writing Conference and Collaboratorium is a day-long event, which includes morning workshops, and afternoon participant and keynote readings. Students and faculty from UC Merced and nearby Merced and Modesto colleges come together for a day of collaboration—in teaching creative writing, composing it, revising, and sharing. The event generates excitement and inspiration pedagogically and creatively, and additionally reflects the Merritt Writing Program’s commitment to community engagement and diversity of educational and artistic experience. Keynote readers highlight the region’s diversity of authors and genres. Past readers include Lee Herrick (Fresno’s Poet Laureate), Soul Vang, Rachel Starnes, and Carole Firstman.

What recent project and/or program have you been especially proud of and why?
Dawn Trook: Whenever we bring the Hmong American Writers Circle to UC Merced, I feel very moved. These readings always bring out a diverse and large crowd, and it's exciting to celebrate a community whose native language didn't have a written form, so they are claiming their voices in new (and beautiful) ways. 

What’s the craziest (or funniest or most moving or most memorable) thing that’s happened at an event you’ve hosted?
Trook: When Peter Orner connected to our students in his Q&A as if he was talking to a group of writers, talking to them like equals. It really empowered them and made them feel like they were a part of a writing community.

How do you cultivate an audience?
Trook: Facebook and word of mouth seem to be the best ways. Writing program faculty promote events in their classes, and publicize events on news and social media platforms.

Merritt ParticipantsHow has literary presenting informed your own writing and/or life?
Paul Gibbons: Coteaching for the Collaboratorium has taught me all over again how to take advantage of teachable moments and how to include students. Because you’re not teaching alone, the sessions can resemble the best panel discussions—where people are all trying to understand and engage in a dialectic that benefits everyone in the room. And then the panel dissolves to one focused discussion among us, writer to writer instead of teacher to students. We use that energy to write and revise and share. At the end of the day, these sessions make me want to write more and teach better—that’s the lift from the teaching in the Collaboratorium, the momentum you get for both writing and teaching.

Trook: In a town isolated from big cities, it's kept me connected to the larger writing community. It's always great to be able to support a writer's work by bringing them to speak and read.

What do you consider to be the value of literary programs for your community?
Trook: Opening students to a variety of styles, experiences, and cultural perspectives beyond the scope of our creative writing faculty is invaluable.

Mele: The Creative Writing Conference and Collaboratorium brings together students from Central Valley colleges and universities. We value our institutional relationships, and work to create a larger sense of community by hosting students and faculty from around the valley. We hope to invite more universities to participate in future conferences.

Photo (top): David "Mas" Masumoto. Photo credit: Andrea Mele.  
Photo (bottom): Fall Faculty Reading (left to right) Andrea Mele, Erik Habecker, Tom Hothem, Orisa Santiago Morrice, Yu-Han Chao, unknown, and Brigitte Bowers. Photo credit: Paul Gibbon.

Major support for Readings & Workshops in California is provided by the James Irvine Foundation and the Hearst Foundations. Additional support comes from the Friends of Poets & Writers.

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