Writing About Family: Lessons
Writer and scholar Rebecca Rainof offers advice on how to write about family by considering lessons learned over a lifetime.
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Genre: Not Genre-Specific
Writing About Family: Impossible Conversations
Writer and scholar Rebecca Rainof offers advice on how to write about family by imagining fictive dialogues.
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Ten Writers on Writing Advice: 2024
Ten authors answer the question: What’s the best piece of writing advice you’ve ever received?
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How the Light Gets In: The Camera Obscura
Writing and revising often seem to hinge on bringing new possibilities into focus. A poet considers the camera obscura as a metaphor for how an inversion of the light can transform and attune us to the moment.
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How the Light Gets In: The Lighthouse
When it seems impossible to find a way into writing, a robust community can be a beam of light in the darkness. The author of Ghost Hour describes the ways that a new writers group helped rekindle and guide her creative practice.
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A Library Grows in Norway
A century-long art project that pledges a grove of spruces in Norway to print one hundred sealed manuscripts, the Future Library is a source of optimism in the looming climate crisis that we can still build a future full of stories.
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How the Light Gets In: The Moon
When “normal” fails, embrace the strangeness and possibility the night can provide. A renowned fiction writer recounts the uncommon delight of inviting others to join her in writing under the moon.
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How the Light Gets In: The Nightlight
Many things bring light; some bring just enough to keep the monsters at bay. When ideal circumstances are scarce, focus on the dim, constant light that helps you get the work done, even if it comes from an unusual source.
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Building Together: How to Give—and Effectively Receive—Constructive Feedback
Workshop isn’t about fixing, but building together—instead of giving prescriptive suggestions on a piece, a widely published poet recommends offering specific notes as an invitation to explore further possibilities.
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How the Light Gets In: The Volcano
What does it mean to truly let loose as a writer? The author of I’m Not Hungry but I Could Eat urges us to lean into the fire and pressure head-on, to let everything out on the page and offer it up to the world.
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