A simple exercise to help lead you closer to the fiery core of your own, utterly unique, narrative style.
Agent Gillian MacKenzie on her new partnership with lawyer Kirsten Wolf.
In a continuing series on international writing communities, contributing editor Stephen Morison Jr. spends time with authors and publishers in Bogotá, Colombia.
A comparative analysis of the last three years of the magazine’s Deadlines section.
Inside Indie Bookstores, a series of interviews with the entrepreneurs who represent the last link in the chain that connects writers with their intended audience, ran in all six issues of 2010.
Whether you end up distributing your own prose or poetry at a reading or collecting the work of your friends in limited editions, these instructions on how to create and bind your own chapbooks offer hours of bookmaking fun.
Anna Gosh answers readers’ questions—from why poetry agents are seemingly nonexistent to whether or not it is possible to be “too young to write.”
In a continuing series, Deborah W. Englander consults an author and events manager, as well as a CEO of a book-marketing firm, to provide self-published author Jonathan R. Miller valuable book-industry advice on his novel The Two Levels.
Steph Burt, acclaimed critic, poet, and Harvard professor, talks about their path to becoming a poetry critic, working as both a poet and a critic, and how the internet has greatly expanded the conversations surrounding poetry and poetics.
Tracy Sherrod, current editorial director of Amistad Press, discusses how the publisher of multicultural voices has changed over its thirty-year history, as well as the challenges it faces today.