Agent Gillian MacKenzie on her new partnership with lawyer Kirsten Wolf.
In a continuing series on international writing communities, contributing editor Stephen Morison Jr. spends time with authors and publishers in Bogotá, Colombia.
A comparative analysis of the last three years of the magazine’s Deadlines section.
After the sudden death of his sister, an author shifts his focus from trying to write through grief to writing a book for the person he lost.
Follow these agents on Twitter to gain insight into their tastes, author lists, and what kind of work they’re currently seeking.
Inside Indie Bookstores, a series of interviews with the entrepreneurs who represent the last link in the chain that connects writers with their intended audience, ran in all six issues of 2010.
Anna Gosh answers readers’ questions—from why poetry agents are seemingly nonexistent to whether or not it is possible to be “too young to write.”
Steph Burt, acclaimed critic, poet, and Harvard professor, talks about their path to becoming a poetry critic, working as both a poet and a critic, and how the internet has greatly expanded the conversations surrounding poetry and poetics.
Tracy Sherrod, current editorial director of Amistad Press, discusses how the publisher of multicultural voices has changed over its thirty-year history, as well as the challenges it faces today.
op.cit. specializes in new and used books in all subjects, first editions, and a selection of remainders. The bookstore also hosts local author showcases and readings—including the Nickel Stories reading series on the second Thursday of every month—throughout the year.