Inside Writers’ Houses
A look at Writershouses.com, a new Web site that chronicles the pursuit and experience of literary pilgrimage, and A Skeptic’s Guide to Writers’ Houses, a scholar’s take on this devotional phenomenon.
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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
A look at Writershouses.com, a new Web site that chronicles the pursuit and experience of literary pilgrimage, and A Skeptic’s Guide to Writers’ Houses, a scholar’s take on this devotional phenomenon.
The launch of Google’s eBookstore, which offers a unique compatibility across more than eighty-five devices, could prove to be a game-changing challenge to the closed systems of Amazon, Apple, and Barnes & Noble.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including T. C. Boyle's When the Killing's Done and Laura Kasischke's Space, in Chains, as the starting point for a closer look at these new and noteworthy titles.
Shortly after Michael Chabon stepped into the position of chair of the MacDowell Colony’s board of directors last December, he spoke about his dedication to the colony and about making the most of the MacDowell experience.
A scene from The Select (The Sun Also Rises), the third in a trilogy of productions based on modernist American literature of the 1920s by New York City–based theater company Elevator Repair Service, which will play at Emerson College’s Paramount Center in Boston from March 15 to March 20.
While caring for her dying grandmother, author Lisa Saffran gained new perspective on the richness of life in language as well as a renewed perseverance as a creative writer.
Does your book need to be finished before you seek representation? Do agents really read synopses? Agent Jenni Ferrari-Adler, whose clients include Lauren Shockey and Emma Straub, answers these questions and more.
The former executive editor of Alice James Books reveals her strategies for editing a strong book.
Three years after emerging poet Joshua Vinzant committed suicide, his mentor set out in an unrelenting quest to find a publisher for Vinzant's chapbook, Max, which was published by Ropewalk Press last summer.
Small Press Points highlights the happenings of the small press players. This issue features Solid Objects, the New York City–based independent press that publishes "short, self-contained works that might not otherwise find their way into book form because of their length."
A pen-and-ink drawing and a typewritten letter by Charles Bukowski are two pieces among the documents and ephemera currently on view in Charles Bukowski: Poet on the Edge at the Huntington Library in San Marino, California.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features ZYZZYVA, Cave Wall, Annalemma, H.O.W. Journal, Assembly, and the Whitefish Review.
Literary journals learn to sidestep old-school printing, distribution, and marketing costs by leveraging new media and social-networking platforms.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Maxine Hong Kingston's I Love a Broad Margin to My Life and Michael McClure's Of Indigo and Saffron, as the starting point for a closer look at these new and noteworthy titles.
In the past year several new electronic-submission systems have emerged, among them Submishmash, Green Submissions, and Tell It Slant, enabling journal editors to manage writer's work more efficiently.
Haiti Noir, a collection of stories edited by Haitian American writer Edwidge Danticat, is one of the latest in Akashic Books’ series of noir fiction anthologies from around the world.

A day after he finalized the last of his illustrations for our January/February 2011 issue, Jim Tierney, an illustrator and designer at Penguin, spoke about the inspiration behind his work.
The Virginia Quarterly Review was rocked by the July 30 suicide of its managing editor, Kevin Morrissey, leaving the award-winning magazine’s future in doubt, as well as that of its editor.
Staring down a disorder that prevents her from recognizing faces offers ample material for a memoir, but Heather Sellers tackles much more in You Don't Look Like Anyone I Know.
Portraits of Henry Miller “as a demon” and Guillaume Apollinaire, two of the thirty pieces featured in Beyond the Words: Author Portraits by Carl Köhler, currently on exhibit at the University of Chicago’s Joseph Regenstein Library.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Pleiades, Nashville Review, Sycamore Review, One Story, the Oxford American, the Awakenings Review, Fairy Tale Review, and Bound Off.
Small Press Points highlights the happenings of the small press players. This issue features Sidebrow, the San Francisco–based independent press that publishes "works by multiple authors who aren’t timid about crossing genre boundaries."
A look at the retro text editors and Web applications that more and more writers are using to roll back the reach of new media.
The new Lit Mag Adoption Program is designed to introduce journals into creative writing course curricula and engage student writers as readers and members of a national literary community.