A look at the psychology of writers block and how scientific studies in creativity offer insight into how writers can use the tools they already have to break through.
A poet, novelist, and memoirist investigates the experience of imposter syndrome—that insidious feeling of being a fraud—and poses the question, What would happen if writers stopped viewing their careers as a series of happy accidents?
Regardless of whether our writing is accepted, the submission process has merits all its own, from creating deadlines to distancing us from our work.
Any job has the potential to teach us valuable lessons about writing. Novelist Hannah Gersen shares what she learned about writing fiction from working as a speechwriter for the New York City Parks and Recreation Commissioner.
Novelist and seasoned colonist Alexander Chee shares valuable advice for writers embarking on their first writers retreat.
The assistant poetry editor of Able Muse offers his thoughts on coming to terms with the inevitability—and impersonality—of rejection in the world of literary magazines.
A case for balancing action with introspection in fiction, in order to avoid “gumming up the gears of your story.”
Barnes & Noble narrows losses; the world’s top-earning authors; the dangers of reading; and other news.