Ten Questions for Rhoni Blankenhorn

“Notes/fragments help me relive moments that carry seeds, sparks, moments of import, humor, and beauty.” —Rhoni Blankenhorn, author of Rooms for the Dead and the Not Yet
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“Notes/fragments help me relive moments that carry seeds, sparks, moments of import, humor, and beauty.” —Rhoni Blankenhorn, author of Rooms for the Dead and the Not Yet
One poet’s personal reading goal gone viral, the Sealey Challenge invites participants to read a book of poetry every day in August and to share their reading lists publicly, offering sustained immersion in poetry and its community.
A new book examines Toni Morrison’s years as an editor at Random House and the complicated art of publishing books of poetry by Barbara Chase-Riboud, Lucille Clifton, and June Jordan.
Writer and translator Elizabeth T. Gray considers the craft of integrating foreign objects into poetry.
Writer and translator Elizabeth T. Gray explores the history and function of foreign objects in poetry.
“And while it is an expansive, strange book, it manages to feel contained and possible. I think that’s in part because it was written from a place of confinement.” —July Westhale, author of moon moon
“The magnitude of space around me must have opened a kind of interior spaciousness where the writing came from.” —Lisa Fishman, author of One Big Time
The person behind the viral Instagram account @poetryisnotaluxury talks about their approach to selecting poetry for a digital platform versus a print anthology, the value of anonymity, and more.
Publishing two poetry books a year, Conduit Books shares the quirky aesthetic of its journal counterpart, Conduit. The press seeks work that is innovative, honest, and sincere, bringing people to poetry and rumination.