Disturbing the Lyric “I”

The author of What Can I Tell You?: Selected Poems considers how lyric poetry may communicate beyond the realm of private experience.
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In our weekly series of craft essays, some of the best and brightest minds in contemporary literature explore their craft in compact form, articulating their thoughts about creative obsessions and curiosities in a working notebook of lessons about the art of writing.
The author of What Can I Tell You?: Selected Poems considers how lyric poetry may communicate beyond the realm of private experience.
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The author of Selected Books of the Beloved investigates the uses of specificity in narrative poetry.
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The author of Animal Joy: A Book of Laughter and Resuscitation reflects on the importance of letting the mind wander to release blocked creativity.
The author of Animal Joy: A Book of Laughter and Resuscitation considers the link between the author’s emotional state while writing and the reader’s engagement.
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The author of Took House explores what happens when poets permit themselves to write about the same subject multiple times.
The author of Took House explores the importance of “strangeness” in poetry and offers a method for capturing this quality by combining two different draft poems.
The author of Took House explores a kinder approach to revision, in which language cut during one editorial process may be saved as material for a new writing project.
The author of [WHITE] explores the benefits of writing to a specific audience and the risks of trying to meet the market’s imagined demands.
The author of [WHITE] considers how writers might take inspiration from visual artists in their approach to revision, pushing beyond surface editing to “see” their work afresh.
The author of [WHITE] explores how writing outside one’s primary genre can lead to literary breakthroughs.
The author of [WHITE] shares how experimenting with found texts can energize the poetic process and expand a poet’s lyric repertoire.
The author of Country of Origin looks back on the fifteen years she spent working on her debut novel.
The author of Country of Origin listens to old-school Arabic music to help her render the mood of Egypt at the dawn of the postcolonial period.