Artificial Poetry

12.16.25

Clunky metaphors, the use of em dashes and the verb “delve,” and the rule of threes. These are some telltale signs that you’re reading prose created by artificial intelligence systems like ChatGPT, according to a recent New York Times Magazine article titled “Why Does A.I. Write Like . . . That?” by Sam Kriss. AI creates a certain supposedly distinctive voice that is markedly strange, yet one which is foundationally based on how humans articulate themselves in language. This week write a poem from the persona of an AI bot that is commenting on its own algorithm and how it mines language from novels and textbooks to create what humans request through their prompts. Play with vocabulary, punctuation, and style to mimic the voice of AI. How does your AI persona’s own “consciousness” push it to create hallucinations?

Poets of Place & Body: Teresa Dzieglewicz

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In this Beyond Baroque celebration of Teresa Dzieglewicz’s debut collection, Something Small of How to See a River (Tupelo Press, 2025), poets Jessica Abughattas, Meghann Plunkett, and Arumandhira Howard read their work exploring strength, care, and radical joy along with Dzieglewicz, whose collection is featured in Page One in the November/December issue of Poets & Writers Magazine.

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Get the Word Out: 2025 Fall Fiction Reading

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In this video, Ricardo Hernandez, assistant director of Programs & Partnerships at Poets & Writers, hosts a celebratory reading by the 2025 Fall Fiction cohort of Get the Word Out, a publicity incubator for early career authors. Introduced by writer and publicist May-Zhee Lim, readers include Hillary Behrman, Denise Derya Brandt, Kim Coleman Foote, Sophia Huneycutt, Rachel León, Kat Lewis, Rajendrani Mukhopadhyay, Radhika Singh, Grace Spulak, and Diana Xin.

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Year in Review

12.11.25

It’s that time of year to send and receive holiday cards, some of which may include a family newsletter with highlights of the past year from friends and family. According to a survey from the Emily Post Institute, a family business promoting etiquette since 1922, 47 percent of respondents don’t like to receive holiday newsletters. The institute’s website suggests this might be because the letters are more of a brag sheet rather than a genuine desire to communicate. Try your hand at composing a holiday newsletter that recounts notable events and milestones from throughout the past year. Take this exercise as an opportunity to reflect on favorite memories and changes, both big and small. Perhaps you’ll decide to subvert conventional expectations and strike a subversively satirical or darkly apocalyptic tone. Have fun with it!

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