The Freedom of Form in Fiction
The author of Patient, Female (Milkweed Editions, 2026) encourages writers to experiment with radically different forms to combat the blank page.
Jump to navigation Skip to content
The author of Patient, Female (Milkweed Editions, 2026) encourages writers to experiment with radically different forms to combat the blank page.
In this interview with the Hindu, Amitav Ghosh talks about his writing over four decades and the making of his latest novel, Ghost-Eye (Farrar, Straus and Giroux, 2026), which is featured in Page One in the July/August 2026 issue of Poets & Writers Magazine.
In this Square Books video, Josh Weil reads from his second novel, What Came West (Doubleday, 2026), and talks about his research of the Sierra Nevada before and during the Gold Rush in a conversation with Michael X. Wang. The novel is featured in Page One in the July/August 2026 issue of Poets & Writers Magazine.
Eden Royce, R. O. Kwon, Aimee Bender, Susan Muaddi Darraj, and Jamel Brinkley introduce the authors of this summer’s best debut fiction: P.C. Verrone, M Lin, Joe Bond, Amanda Rizkalla, and Devyn Defoe.
Write a poem that explores memories of the end of summer, a story that features a character working on a project about a person’s biography, or a travel journal with poetic observations of a singular moment or image in time.
A fiction writer considers how long, or short, any given narrative needs to be, and in the process finds a new appreciation for an often-neglected form: the novella.
The fiction writer Aamina Ahmad highlights journals that have published her short stories, narratives “interested in the way contemporary Pakistani society functions,” and “the pressures it exerts on ordinary people.”
At the start of Deborah Levy’s My Year in Paris With Gertrude Stein, a hybrid-genre book merging biography with fiction, published by Farrar, Straus and Giroux in June, the first-person narrator finds a silver lining to her friend’s cat going missing, noting that the drama “was a relief from writing my essay on Gertrude Stein, about whom I knew too much and nothing at all.” The narrator goes on to express her frustration while studying who Stein was as a writer and a person. “Sometimes, when I read her baffling and beguiling writing I wanted to smack it in the chops,” writes Levy. Select a writer or artist whose personality, mythology, and life story pique your interest, and write a short story that revolves around a character who is working on a project about your chosen person. Consider how the subject’s real biography might play with parallels in your fictionalized character’s life and world.
“Writing is like any other bodily function for me—necessary, rhythmic, and almost involuntary.” —Kate Christensen, author of Good Company
“Curiosity requires discipline. It’s an active act of throwing your mind at an object that deserves your attention and rising to its challenge.” In this interview for Vogue Australia, R. F. Kuang, author most recently of Katabasis (Harper Voyager, 2025), talks about how she cultivates curiosity, her artistic inspirations, and what it means to live a good life.