Genre: Fiction

Hemingway-Pfeiffer Writer-in-Residence Program

The Hemingway-Pfeiffer Museum and Educational Center at Arkansas State University offers a monthlong residency in June to poets, fiction writers, creative nonfiction writers, and translators in Piggott, Arkansas. The residency includes a loft apartment on the downtown square in Piggott, a $1,000 stipend to help cover food and transportation costs, and the opportunity to write in the studio where Ernest Hemingway worked on A Farewell to Arms in 1928. The writer-in-residence will serve as a mentor for eight to ten writers in a weeklong retreat at the education center.

Type: 
RESIDENCY
Ignore Event Date Field?: 
no
Event Date: 
June 1, 2024
Rolling Admissions: 
no
Application Deadline: 
February 28, 2024
Financial Aid?: 
no
Financial Aid Application Deadline: 
September 11, 2024
Free Admission: 
yes
Contact Information: 

Hemingway-Pfeiffer Writer-in-Residence Program, 1913 Museum Row, Piggott, AR 72454. (870) 598-3487. Adam Long, Executive Director.

Adam Long
Executive Director
Contact City: 
Piggott
Contact State: 
AR
Contact Zip / Postal Code: 
72454
Country: 
US

The Triumph of a Heart: Garth Greenwell in Conversation With Brian Gresko

Caption: 

In this Poets & Writers event, novelist Garth Greenwell reads from his new book of fiction, Small Rain (Farrar, Straus and Giroux, 2024), and joins frequent Poets & Writers Magazine contributor Brian Gresko for a discussion on the book’s themes of mortality and meaning-making, and what it takes to live a full life oriented toward art. A profile of Greenwell by Gresko appears in the September/October issue of Poets & Writers Magazine.

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In Conversation: Claire Messud and Anne Michaels

Caption: 

In this event hosted by the Royal Society of Literature, Claire Messud, author most recently of This Strange Eventful History (Norton, 2024), and Anne Michaels, author most recently of Held (Knopf, 2024), speak about the shared themes of history and memory in their new novels in a conversation with novelist Elif Shafak.

Genre: 

Penny-Pinching

“Most pennies produced by the U.S. Mint are given out as change but never spent; this creates an incessant demand for new pennies to replace them,” writes Caity Weaver in an article published in the New York Times Magazine about the wasteful production of pennies. “A conservative estimate holds that there are 240 billion pennies lying around the United States…enough to hand two pennies to every bewildered human born since the dawn of man.” Write a short story that imagines a different life for the copper-plated coin, perhaps a universe in which all dormant pennies are suddenly used or an attempt to collect and dispose of them is put into place. What would propel your characters to care about the worth of a penny?

Juli Min: Shanghailanders

Caption: 

“The book is, in many ways, about expectations and change.” In this Fane Productions event, Juli Min reads from her debut novel, Shanghailanders (Spiegel & Grau, 2024), and discusses her choice to begin the novel in the future in Shanghai and how the diverse and multifaceted city is its own character in a conversation with author Rowan Hisayo Buchanan.

Genre: 

New York Times’ Top 100 Books

Caption: 

In this NBC News video, New York Times Book Review editor Gilbert Cruz talks about assembling the newspaper’s recently released list of top 100 books of the twenty-first century with the help of a panel of novelists, nonfiction writers, poets, critics, and book lovers.

The Sound of Things

8.28.24

French director and screenwriter Tran Anh Hung’s Oscar-nominated film The Taste of Things, adapted from a 1924 novel by Swiss author Marcel Rouff, opens with a scene that takes place in the ground-floor kitchen of a late-nineteenth-century estate in France. The scene, which lasts for nearly forty minutes and contains little dialogue, consists primarily of shots of a chef and his cooks preparing a sumptuous feast as they maneuver around one another, handling and arranging various ingredients for each dish. The camera zooms in on the pots and pans, and precise sounds of sizzling, sauteing, crackling, rinsing, stirring, bubbling, and steaming are captured. Write a scene or portion of a short story that focuses in on the sounds of a particular room in your setting. When you subtract human voices, does a chronicle of meticulous details emerge?

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