Genre: Poetry

Vermont Studio Center

Vermont Studio Center (VSC) offers two-, three-, and four-week residencies year-round to poets, fiction writers, creative nonfiction writers, and translators in Johnson, Vermont, a village located in the heart of the northern Green Mountains. VSC offers time and space to write, readings, craft talks, and individual consultations with invited visiting writers. Residents are provided with a private room, a private or shared bathroom, private studio space, and meals as well as shared access to a kitchen and communal spaces.

Type: 
RESIDENCY
Ignore Event Date Field?: 
yes
Event Date: 
November 27, 2025
Rolling Admissions: 
ignore
Application Deadline: 
November 27, 2025
Financial Aid?: 
no
Financial Aid Application Deadline: 
November 27, 2025
Free Admission: 
no
Contact Information: 

Vermont Studio Center, 80 Pearl Street, P.O. Box 613, Johnson, VT 05656. (802) 635-2727.

Contact City: 
Johnson
Contact State: 
VT
Contact Zip / Postal Code: 
05656
Country: 
US
Add Image: 
A large red building with a gray roof next to a river.
Genre: 
Poetry
Fiction
Creative Nonfiction
Translation

Unnatural Habitat

The Time Is Now
11.25.25

Write a poem that begins with the image of an animal arriving where it should not be, such as a whale in an office space or a Zebra in a suburban backyard. Allow this surreal scene to take you to unexpected places and metaphors. Is the animal an omen or is it concealing a secret? Focus on the literal and symbolic dimensions of the encounter, drawing out the scene to illuminate overlooked truths, inner stirrings, and the quiet absurdities of the world around you.

Margaret Atwood on 60 Minutes

Caption: 

In this 60 Minutes interview, Margaret Atwood speaks about her response to book banning, her new memoir, Book of Lives: A Memoir of Sorts (Doubleday, 2025), and why she says the popularity of her novel The Handmaid’s Tale is “not due to me or the excellence of the book. It’s partly the twists and turns of history.”

Genre: 
Poetry
Fiction
Creative Nonfiction
Tags: 
Margaret Atwood
60 Minutes
interview
The Handmaid's Tale
Book of Lives: A Memoir of Sorts
Doubleday
memoir
2025

When Objects Dream

The Time Is Now
11.18.25

In “Man Ray: When Objects Dream,” a new survey exhibition at the Metropolitan Museum of Art in New York, among the many works on display are over fifty of the artist’s “rayographs,” photograms made in the early twentieth century by placing objects on or near light-sensitive photo paper that is then exposed to create dramatically silhouetted images with high contrast. In these works, everyday objects—a comb, bottle, lightbulb, eggbeater, key, and wrench—become defamiliarized through Man Ray’s manipulation of placement and movement, capturing what poet Tristan Tzara described as the moment “when objects dream.” Browse through some of the rayographs and select one image that particularly resonates with you. Compose a poem that imagines the dreams in your chosen image. In your deciphering of the objects, ask yourself what do they dream?

Harryette Mullen: Regaining Consciousness

Caption: 

In this event hosted by City Lights Bookstore, Harryette Mullen reads from her latest poetry collection, Regaining Consciousness (Graywolf Press, 2025), and talks about how her poetics remain playful even in the face of disaster in a conversation with Tonya M. Foster.

Genre: 
Poetry
Tags: 
Harryette Mullen
Tonya M. Foster
Regaining Consciousness
Graywolf Press
City Lights Bookstore
2025

Watched From Above

The Time Is Now
11.11.25

“Avoid movement on roofs, between buildings, and near windows. / Do not stand where you will stand out.” In Carolyn Forché’s poem “On Being Watched From Above,” published in the New Yorker and forthcoming in the anthology I Witness: An Anthology of Documentary Poetry (Wesleyan University Press, 2026) edited by Kwoya Fagin Maples and Erin Murphy, she draws from official Territorial Defense text to write a documentary poem that, void of specific names and places, reflects the horrors of contemporary warfare and surveillance technology. Taking a cue from the imperative and direct language in Forché’s poem, write your own poem that expresses sentiments around society’s increasing use of surveillance and monitoring. In an era in which these modes are oftentimes presented as serving a greater good, what might be overlooked about the costs to our ways of life?

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