Epic Elements
In the introduction to John Berryman’s Only Sing: 152 Uncollected Dream Songs, forthcoming in December from Farrar, Straus and Giroux, editor Shane McCrae makes the case that Berryman’s The Dream Songs—a compilation of two books, 77 Dream Songs (FSG, 1964) and His Toy, His Dream, His Rest (FSG, 1968)—is an epic poem, pointing to its stylistic concision. “The language of an epic poem must be, in its way, as compressed as the language of a lyric poem,” he writes, “and in those moments when it is not compressed, the language must strike the reader as relaxed from compression, and loaded with the certainty of future compression.” Another feature of epic poems is the presence of a hero, although McCrae notes that Berryman’s Henry is an “unheroic hero,” variably charming, gloomy, facetious, and colloquial. Begin composing a series of poems that contain these two elements of traditional epic poetry. How does your hero or antihero function to create a binding narrative?
