“It doesn’t interest me to know how a book will end, I have to discover that for myself.” In this video from the National Centre for Writing, Eimear McBride, who won the 2014 Baileys Women’s Prize for Fiction for her debut novel A Girl Is a Half-Formed Thing, speaks about how character and story and the process of discovery are the keys to her writing process.

“This is how you tell a story,” says narrator Tilda Swinton in a short film written and directed by Andrew Ondrejcak, which goes through six steps of a writer’s process paired with a dance choreographed by Kyle Abraham. “There is a problem. It is an obstacle so monumental that it seems unlikely our tiny protagonist will be able to overcome something so impressive. It’s a mountain pressing down, it’s a witch, a curse, a giant.”

“I love To the Lighthouse, but they never get to the lighthouse.” In this episode of Cocktails With Bright Antenna, Benjamin Percy talks about the differences between literary fiction and genre fiction, how some writers are gardeners and some are architects, and reveals the origins of his phobias. Percy’s latest book, Suicide Woods (Graywolf Press, 2019), is featured in Page One in the November/December issue of Poets & Writers Magazine.

“There comes a point where you’ve gotten so deep into the novel that the words don’t really make sense anymore,” says Laura Lippman as she describes the need for a tactile writing process involving visual and colorful outlines. Lippman’s latest novel, Lady in the Lake (William Morrow, 2019), is set in 1960s Baltimore and follows a housewife turned aspiring reporter who pursues the murder of a forgotten young woman.

“I just felt this deep need to express myself.... I had a strong desire to understand and to express that understanding.” In this CBS Sunday Morning interview, Ta-Nehisi Coates talks about the purpose of his writing and how the music of Marvin Gaye influences the language in his work. Coates’s debut novel, The Water Dancer (One World, 2019), is featured in Page One in the September/October issue of Poets & Writers Magazine.

“You pick the right tool for the job, and sometimes fantasy is a way to open up a story and convey a universal truth, and sometimes realism.” Colson Whitehead speaks with PBS NewsHour’s Jeffrey Brown about his writing process and the true story that inspired his latest novel, The Nickel Boys, which was published this week by Doubleday.

“I like questions, my imagination likes them too.” In this A Word on Word series video, Alexander Chee speaks about his essay collection, How to Write an Autobiographical Novel (Mariner Books, 2018), and his writing process which involves engaging in conversation with his fictional characters.

“I start with a physical feeling. I start with a visual image.” On Late Night With Seth Meyers, Ann Beattie speaks about her writing process, the differences between writing a novel and a short story, and how she came up with the title for her most recent novel, A Wonderful Stroke of Luck (Viking, 2019).

“I do come back to poets from the Caribbean especially, who gave me permission to be a writer.” In this interview with City of Asylum, Kwame Dawes talks about the writers whose work he revisits, his writing routine, and why he doesn’t use the word “inspiration.” Dawes is the editor in chief of Prairie Schooner and is featured in “Telling a Different Story: How to Cultivate Inclusivity at Literary Magazines” in the November/December issue of Poets & Writers Magazine.

“The Poet X is my third novel, but it’s the first one published.” At the New York State Writers Institute, Elizabeth Acevedo speaks about making the transition from poetry to fiction, facing rejection, and learning to persevere in the process of publishing her first novel, The Poet X (HarperTeen, 2018), which is longlisted for the 2018 National Book Award in young people’s literature.