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“Science fiction is a reminder that not everyone had access to their history,” says Norwegian artist Sandra Mujinga who draws on science fiction in her artistic practice, which includes installation and video art, for this Louisiana Channel interview. “It’s so important to keep imagining other realities,” says Mujinga.
“Memory is my instrument and my element, my material,” says French Nobel Prize–winning author Annie Ernaux in this Louisiana Channel interview with Matthias Dressler-Bredsdorff in Copenhagen. “I’m nobody when I write. I search. When I write, I know I have a woman’s experience.”
In this 2019 Louisiana Channel interview, Man Booker–winning author Han Kang speaks about the origins of her writing from her love of books to her questions about humanity. “When we are confronted by the horror of humanity, we have to question ourselves,” says Kang. Her new novel, Greek Lessons (Hogarth, 2023), translated from the Korean by Deborah Smith and Emily Yae Won, is featured in Page One in the May/June issue of Poets & Writers Magazine.
“Writing can be beautiful, witty, and entertaining but it’s a serious commitment.” In this 2019 Louisiana Literature interview, Anne Waldman shares her advice to aspiring writers with emphasis on the importance of reading widely and respecting the act of writing.
“I think of literature as a science that really cares about experiments, you can consider the wildest ideas, and you can play with theories that are wrong, that are delirious and insane.” Chilean novelist Benjamín Labatut, author of When We Cease to Understand the World (New York Review of Books, 2021), translated from the Spanish by Adrian Nathan West, speaks with his Danish translator Peter Adolphsen for this Louisiana Channel interview.
“Literature is there to show us how there can be beauty in meaning, and this is what makes the literary experience so unique...and I’m hunting for this feeling all the time.” Hernan Diaz, author most recently of Trust (Riverhead Books, 2022), speaks about his relationship with reading, writing, and language in this Louisiana Channel interview with Marc-Christoph Wagner at the New York Public Library.
“What I like about teaching is that it is always an experiment in unfolding a new language of value that isn’t a dominant value of the day, that needs to be developed to stay human,” says Ben Lerner, author of The Hatred of Poetry (Farrar, Straus and Giroux, 2016), about some of his approaches to mentoring and teaching poets in this interview with his Danish translator Tonny Vorm at the Louisiana Museum of Modern Art in Denmark.
“When I write, I feel much larger than the limits of my body,” says Ocean Vuong, author of Time Is a Mother (Penguin Press, 2022), in this interview with his Danish translator Caspar Eric at the Louisiana Museum of Modern Art in Denmark. “There is a mystery you tap into that is much bigger.”
“One of the necessary disciplines in my life has been to discipline myself not to fall into despair when I’m not writing,” says Geoff Dyer in this Louisiana Channel interview in which he discusses his writing process and how his new book, The Last Days of Roger Federer: And Other Endings (Farrar, Straus and Giroux, 2022), came to be.
“My mother thought that if she taught me to read, I would become interested to read my books and leave her alone,” says Jamaica Kincaid about her experience reading as a child and how it influenced her as a writer in this interview from the 2021 Louisiana Literature Festival at the Louisiana Museum of Modern Art in Denmark.
