Jump to navigation Skip to content
“As a photographer my looking really changed, it really did become sacred....” In this Louisiana Channel video, Teju Cole talks about and reads from his book of photography and text, Blind Spot (Random House, 2017), which was inspired by a short period of blindness in one eye that transformed his perspective on looking and attentiveness. The book is comprised of over a hundred fifty photographs interspersed with short lyrical prose pieces.
“I’m always watching the moon and the moonlight. But I didn’t write about it.” Japanese poet Hiromi Itō talks about how the moon is linked to the menstrual cycle and her decision to write about menstruation, and reads from her poem “Vinegar, Oil” from Killing Kanoko (Action Books, 2009), translated from the Japanese by Jeffrey Angles, at the 2018 Louisiana Literature festival in Denmark.
Argentinean author Mariana Enriquez and Mexican author Guadalupe Nettel discuss their shared passion for dark and sordid aesthetics, writing about the body, blurred realities, and writers including Charles Baudelaire, Mircea Cărtărescu, and Philip Roth. Enriquez is the author of Things We Lost in the Fire (Hogarth, 2017), translated from the Spanish by Megan McDowell, and Nettel is the author of After the Winter (Coffee House Press, 2018), translated from the Spanish by Rosalind Harvey.
“Inside a novel, one has the opportunity to experience the ambiguous reality of a whole other consciousness. When you read, you are possessed by the voice of another.” In this 2017 Louisiana Channel interview, Siri Hustvedt talks about the transformative experience of reading novels. Hustvedt’s seventh novel, Memories of the Future (Simon & Schuster, 2019), is featured in Page One in the March/April issue of Poets & Writers Magazine.
“My work is a tragic form of fiction that is both European and African at the same time.” In this interview for the Louisiana Channel, Chigozie Obioma speaks about how his early influences of Shakespeare and Igbo folklore led him to write his debut novel, The Fishermen (Little, Brown, 2015). Obioma is featured in “Portraits of Inspiration” in the January/February issue of Poets & Writers Magazine.
“You’ve got to do two very contradictory things as a writer: you’ve got to enjoy spending a lot of time alone—and a lot of people don’t—and you’ve also got to go out and see about the world and immerse yourself in that world....” Irvine Welsh, whose latest novel, Dead Men’s Trousers, is forthcoming from Melville House in February, contemplates the words of wisdom and advice he would offer to young writers in this interview with Christian Lund for Louisiana Channel.
“Be very patient, even patient with chaos,” Lydia Davis advises writers in this compilation of interviews by Louisiana Channel. Seasoned writers from around the world, including Alaa Al Aswany, Umberto Eco, Richard Ford, Patti Smith, and Ngũgĩ wa Thiong’o, also offer their thoughts on how to keep writing.
“It was in the autumn—it felt like the perfect time to do this ritual, when everything’s changing to go to sleep for the winter....” In this interview at the 2018 Louisiana Literature festival in Denmark, CAConrad talks about how performing rituals after their boyfriend’s death gave rise to the poetry in their collection While Standing in Line for Death (Wave Books, 2017), which won the 2018 Lambda Literary Award in Gay Poetry.
“Everybody feels ashamed when they write. It’s a shameful practice.” In this 2018 interview with Louisiana Channel, Zadie Smith, author most recently of Swing Time (Penguin Press, 2016), discusses the positive aspects of shame and how it can be productive for the writing process.
“The lyric is a kind of small gift, and the fiction is more like putting on a theatrical production.” In this Louisiana Channel interview, Michael Ondaatje speaks about the differences in writing a poem versus a novel, his mentors, and what he discovers through the research that goes into his novels. Ondaatje recently won the Golden Man Booker Prize for The English Patient, and his novel Warlight (Jonathan Cape, 2018) is longlisted for the 2018 Man Booker Prize.
