Genre: Creative Nonfiction

Hemingway-Pfeiffer Writer-in-Residence Program

The Hemingway-Pfeiffer Museum and Educational Center at Arkansas State University offers a monthlong residency in June to poets, fiction writers, creative nonfiction writers, and translators in Piggott, Arkansas. The residency includes a loft apartment on the downtown square in Piggott, a $1,000 stipend to help cover food and transportation costs, and the opportunity to write in the studio where Ernest Hemingway worked on A Farewell to Arms in 1928. The writer-in-residence will serve as a mentor for eight to ten writers in a weeklong retreat at the education center.

Type: 
RESIDENCY
Ignore Event Date Field?: 
no
Event Date: 
June 1, 2024
Rolling Admissions: 
no
Application Deadline: 
February 28, 2024
Financial Aid?: 
no
Financial Aid Application Deadline: 
July 27, 2024
Free Admission: 
yes
Contact Information: 

Hemingway-Pfeiffer Writer-in-Residence Program, 1913 Museum Row, Piggott, AR 72454. (870) 598-3487. Adam Long, Executive Director.

Adam Long
Executive Director
Contact City: 
Piggott
Contact State: 
AR
Contact Zip / Postal Code: 
72454
Country: 
US

Kauai Writers Conference

The 2024 Kauai Writers Conference will be held from November 11 to November 17 at the Royal Sonesta Resort on Kalapaki Beach in Kauai, Hawai‘i. The event features a three-day conference, master classes, one-on-one agent sessions, and publishing consultations for poets, fiction writers, and nonfiction writers.

Type: 
CONFERENCE
Ignore Event Date Field?: 
no
Event Date: 
November 11, 2024
Rolling Admissions: 
yes
Application Deadline: 
July 27, 2024
Financial Aid?: 
no
Financial Aid Application Deadline: 
July 27, 2024
Free Admission: 
no
Contact Information: 

Kauai Writers Conference, P.O. Box 37, Kapaa, HI 96746. David Katz, Director. davidk@kauaiwritersconference.com

David Katz
Director
Contact City: 
Kauai
Contact State: 
HI
Country: 
US

Mood Board

7.25.24

Pulitzer Prize–winning playwright Annie Baker, who made her feature film directorial debut with the coming-of-age drama Janet Planet, recently shared her inspirations for the film with the New York Times through a mood board. The artistic influences included fin-de-siècle painter Édouard Vuillard’s portraits of his mother; Maurice Pialat’s 1968 film about a foster child, L’enfance Nue; literature by Thomas Mann and Rainer Maria Rilke; and an album by Canadian jazz musician Beverly Glenn-Copeland. Write a lyric essay composed of short descriptions of creative works—perhaps similarly spanning visual and performing arts, music, and literature—that have served as inspiration to you over the years. What is special about each one, and what are the elements that draw them together?

Seeing Yourself

7.18.24

“I have known brilliant writers who could size people up in minutes with alarming accuracy.... And yet for all their ability to understand people, to see them, to capture them as characters, these writers could not see themselves,” writes Literary Hub editor-in-chief Jonny Diamond in a piece reflecting on a recent op-ed written by the daughter of Nobel laureate Alice Munro, Andrea Skinner, about her mother’s failure to protect her from sexual abuse by her stepfather. Write a personal essay that traces your self-awareness through several phases of your life, contemplating on how your understanding and perception of yourself has transformed through the years. Can you reconcile the differing points of view that various people in your life hold about you? Are there blind spots that, even if you can’t or don’t want to articulate, you wish to acknowledge?

Social Sacrifices

7.11.24

In “The Bear IRL: My Manic Day in a Michelin-Starred Kitchen,” Vice writer Nick Thompson visits a Michelin-starred restaurant in London for a day to capture a glimpse of the behind-the-scenes operations of a high-level kitchen, like the ones portrayed on the popular TV series The Bear. Thompson speaks to one chef who echoes the repercussions of sacrificing a social life that are depicted in the award-winning show, mentioning missing out on birthdays and special occasions because of long hours and weekend work schedules. “It’s more like a sports team, where you’re trying to achieve something. That’s what drives you forward,” says the chef. Write an essay about a time in your past when you had to make a sacrifice in your personal life because of your job. Was there a payoff? What were the factors that ultimately pushed you to choose your job over your social life?

Gail Godwin: Getting to Know Death

Caption: 

“That’s what gets me through now. I have curiosity about everything.” In this virtual interview for A Mighty Blaze hosted by Caroline Leavitt, author Gail Godwin talks about the experiences that shaped her latest memoir, Getting to Know Death: A Meditation (Bloomsbury, 2024), which is featured in Page One in the July/August issue of Poets & Writers Magazine.

Taiyon J. Coleman: Traveling Without Moving

Caption: 

In this Moon Palace Books event in Minneapolis celebrating Taiyon J. Coleman’s debut essay collection, Traveling Without Moving: Essays From a Black Woman Trying to Survive in America (University of Minnesota Press, 2024), which is featured in Page One in the July/August issue of Poets & Writers Magazine, the author reads with fellow Chicagoan writers April Gibson and Lester A. Batiste.

 

Counterfactual

In an interview by Margaret Ross for the Art of Nonfiction series published in the Summer 2024 issue of the Paris Review, author and Harvard University professor Elaine Scarry says, “I see my writing on imagination and on war as continuous. Or rather, the two subjects are essentially locked in combat, because the act of inflicting injury or pain is really a willful aping of imagination, turning it upside down and appropriating it.” Write a lyric essay that braids together two subjects: Use the imagination or the artistic process as one topic, and then choose another subject that may seem “locked in combat” with your ideas around creativity, perhaps one more adjacent to pain or distress. What kind of truth can be coaxed to the surface when you think about the connections between them?

Nina Lohman: The Body Alone

Caption: 

“Hybrid writing is realized. It is the form that a story needs to take on the page.” In this 1-Week Critique interview hosted by Matthew Schmidt, author Nina Lohman discusses her approach to hybrid writing and walks through drafts of her latest book, The Body Alone: A Lyrical Articulation of Chronic Pain (University of Iowa Press, 2024), which is featured in Page One in the July/August issue of Poets & Writers Magazine.

Pages

Subscribe to Creative Nonfiction