Submissions are open for the Bellevue Literary Review Prizes in Poetry and Prose. The annual contest seeks submissions from poets, fiction writers, and creative nonfiction writers whose work addresses “themes of health, healing, illness, the mind, and the body.” One winner in each genre will receive $1,000 and publication in the Bellevue Literary Review.
Using only the online submission system, submit up to three poems totaling no more than five pages or up to 5,000 words of prose with a $20 entry fee by July 15. Jen Bervin will judge in poetry, Dan Chaon will judge in fiction, and Kay Redfield Jamison will judge in creative nonfiction. All entries are considered for publication. Visit the website for complete guidelines.
Founded by a group of physician-writers in 2000, the Bellevue Literary Review seeks to explore “human existence through the prism of health and healing, illness and disease.” Published by the New York University Langone Medical Center, the publication’s offices are located in New York City’s Bellevue Hospital, the oldest public hospital in the country. Previous contributors to the magazine include Leslie Jamison, Celeste Ng, and Rick Moody.
“Search YouTube with the word ‘commercials’ and the decade of your choosing, and you will find hundreds of compilations, including transfers of old broadcasts,” writes Eve Peyser in “In Vintage TV Ads, a Curious Fountain of Hope (and Cheese)” in the New York Times, about her habit of watching old television commercials in order to “make believe that I live in a world I never got to inhabit but is still familiar.” Browse through some old commercials from the decade of your choice, and write a personal essay that explores how the viewings lead you to thoughts about the past and the future. What emotions are evoked as you think about broader themes such as the passing of time, the omnipresence of consumerism, and the trends and values of different eras?
“Work that’s good, that’s itself, eventually gets seen.” —Paul Lisicky, author of Later
“It is a vulnerable thing to expose one’s least-glamorous moments to the scrutiny of the page.” —Cooper Lee Bombardier, author of Pass With Care
“I find the notion of being ‘a writer’ ephemeral and fraught, while ‘someone who wrote today’ feels straightforward and manageable.” —Jordan Kisner, author of Thin Places