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“I wanted to write about a father and daughter in a building made of time.” Madeleine Thien talks about the genealogy of ideas and yearslong process of writing her novel The Book of Records (Norton, 2025) in this Toronto Public Library event with Elamin Abdelmahmoud. For more from Thien, read “Hopeless Hope: A Conversation With Madeleine Thien” by Renée H. Shea.
Earlier this month, the National Endowment for the Arts notified hundreds of independent publishers, theaters, museums, residencies, and nonprofit arts organizations about the termination of their funding, affecting countless writers, visual artists, dancers, performers, actors, and directors. How can artists continue to create when their support is suddenly taken away? Write a short story about an artist who finds themselves without the support they need—whether financial, emotional, or otherwise. Where does your character turn and how do they keep going? Will your story take on elements of fantasy, horror, tragedy, satire, or dark comedy?
“Are those who don’t know history only doomed to resell it at a higher price?” In this short film directed by Jasmine Ogunjimi, award-winning slam poet Pages Matam reads their poem “Hope as Home.” The film was produced by Da Poetry Lounge Co. and executive produced by HOPE, Inc., an organization that provides support for those experiencing housing discrimination.
Diane Seuss’s poem “Romantic Poet,” which appears in her collection Modern Poetry (Graywolf Press, 2024), is a reference to John Keats and his famous poem “Ode to a Nightingale.” Seuss writes: “You would not have loved him, / my friend the scholar / decried. He brushed his teeth, / if at all, with salt. He lied, / and rarely washed / his hair.” This week write a poem about someone or something you love that takes inspiration from Seuss’s poem and the ways in which her verse spans the universe of mundane actions and the sublime. Consider how to apportion the profane and the profound with alternations. How can the rhythm, pacing, and sound of your lines introduce a tension between what you love and the reality of what you love?
In this event hosted by Prince George’s County Memorial Library System in Maryland, Kevin Nguyen talks about how his experiences in journalism, and the histories of Japanese American incarceration and the Vietnam War, shaped his second novel, Mỹ Documents (One World, 2025), and the ways in which he sees this book as “an imagination of policy” rather than speculative fiction.
In this PBS Independent Lens documentary codirected by Dawn Logsdon, who also narrates, and Lucie Faulknor, the history of public libraries is uncovered, from the quiet revolutionaries who opened these doors to all, to today’s librarians who service the public in an age of closures and book bans. “Libraries are not just about books. They’re about people, and they’re about stories.”
“It’s an opportunity for a character, whose story could not have been told by [Mark] Twain, to have his story told.” In this short video, Percival Everett speaks about his novel James (Doubleday, 2024), a reimagining of Mark Twain’s Adventures of Huckleberry Finn told from the enslaved Jim’s point of view. Everett won the 2025 Pulitzer Prize in fiction for James.
When asked how he fills his days, in a 2019 Paris Review interview by Patrick Cottrell, author Jesse Ball talks about a household rule of not speaking in the morning and waiting until lunchtime to interact. “That leaves the morning for thinking,” says Ball. Write a personal essay about a routine or rule you have created to accommodate coexisting with another person, whether a parent, child, romantic partner, or roommate. How did you negotiate a compromise for your individual priorities? Were there any unexpected outcomes to the arrangement? Consider how the balance played out between what you sacrificed and what was gained with the cohabitation.
“Do you sometimes want to wake up to the singularity / we once were?” Marie Howe, who won the 2025 Pulitzer Prize in poetry, reads her poem “Singularity” in this short film directed by Matthew Thompson and produced by the Adrian Brinkerhoff Poetry Foundation for their Read By poetry film series.
Pangolin: Kulu’s Journey, a new documentary directed by Pippa Ehrlich, who won an Oscar for My Octopus Teacher, chronicles the rescue of a pangolin from wildlife traffickers in South Africa. In one sense, the film is about the progression of a baby pangolin named Kulu who learns skills such as foraging, gains a healthy amount of weight, and heals from his trauma before being set free in the wild. But another rescue enters the story as Gareth Thomas, a middle-aged man with a troubled past, volunteers for a nonprofit pangolin center and finds meaning in his life after spending over a year rehabilitating and eventually letting go of Kulu. Write a short story in which your main character is on a rescue mission and ends up being healed or redeemed in an unexpected way. What are the obstacles along the way that provide moments of comedy, suspense, or pathos?
