“We like to think about people and nature as two separate things,” says Richard Powers speaking about his Pulitzer Prize–winning novel, The Overstory (Norton, 2018), in this PBS NewsHour interview. “This book is precisely a book that challenges that notion of human separatism.” For more Powers, read “A Talk in the Woods: Barbara Kingsolver and Richard Powers” from the November/December 2018 issue of Poets & Writers Magazine.

“To deprivatize is not the same as to make public. A field is only natural or private after so much hurt.” In this short film, Jos Charles offers a preface for her poetry collection feeld (Milkweed Editions, 2018), which was a finalist for the 2019 Pulitzer Prize in poetry.

“You don’t need a lot of sensitivity or soul to feel moved by a redwood forest,” says Richard Powers about the origins of his Pulitzer Prize–winning novel, The Overstory (Norton, 2018). In this 92nd Street Y video, Powers joins Barbara Kingsolver, author of the novel Unsheltered (HarperCollins, 2018), for a reading and conversation with Kevin Larimer, editor in chief of Poets & Writers Magazine. The authors were featured in the November/December issue of Poets & Writers Magazine.

“Forgive / yourself, they say, but / after you forgive / what you have lived, / what is left?” At San Francisco State University’s Poetry Center, Forrest Gander reads “Stepping Out of the Light” from his collection Be With (New Directions, 2018), for which he won the 2019 Pulitzer Prize award in poetry.

“The main advice I would have is to be really easy on yourself, to shut off as much as you can the voice that’s saying maybe you’re wasting your time, and maybe everything that you do is stupid.” Elif Batuman, a finalist for the 2018 Pulitzer Prize for her debut novel, The Idiot (Penguin Press, 2017), talks to Granta about the literary model of Charles M. Schulz’s Snoopy and the blurred boundary between fiction and nonfiction.

“Poetry travels, you don’t need a lot of money to write it, you don’t need a lot of money to print it and distribute it.” Evie Shockley, a finalist for the 2018 Pulitzer Prize in poetry for her third collection, semiautomatic (Wesleyan University Press, 2017), talks with City of Asylum about the accessibility of writing poetry and its long and powerful tradition.

“The next morning Less is awakened at six, as planned, introduced to a cup of coffee, and led into a black van with smoked windows....” In this video for Mercury News, Andrew Sean Greer reads from his fifth novel, Less (Lee Boudreaux Books, 2017), for which he was awarded the 2018 Pulitzer Prize for fiction.

“I became a writer once I realized no one liked my stuff. I just had no choice but to keep going and start a new novel.” In an interview for Louisiana Channel, Pulitzer Prize–winning author Colson Whitehead talks about how rejections of his first manuscript pushed him forward to pursue writing and why he enjoys exploring different genres.

“One person’s didacticism is another person’s revelation.” At the Center for Fiction, Parul Sehgal moderates a conversation with authors Viet Thanh Nguyen and Chinelo Okparanta as part of the 2017 PEN World Voices Festival.

“In literature you get these magical moments when you can actually feel yourself to be somebody else...and those moments I think are incredibly important for the development of a society because they’re expansive moments.” Hisham Matar, winner of the 2017 Pulitzer Prize in autobiography for his debut memoir, The Return: Fathers, Sons and the Land in Between (Random House, 2016), talks about the role literature plays in creating social change.