“This name— / branded on my family—rises out of / the ashes in the wind. I can trace each syllable / back to our cantón: Buena Vista.” Cynthia Guardado reads from her collection Cenizas (University of Arizona Press, 2022) and speaks about ancestry, names, and family stories in this Poetry.LA interview with poet Douglas Manuel.

Xochitl-Julisa Bermejo, director of the organization Women Who Submit, reads from her collection Posada: Offerings of Witness and Refuge (Sundress Publications, 2016) and speaks about writing family stories as a first-generation Chicana in this interview with Mariano Zaro for the Poetry.LA series.

“[The Congo] is the heartbeat of the world, and it’s never recognized as a central heartbeat,” says Will Alexander about the focus of his most recent collection, Refractive Africa (New Directions, 2021), a finalist for the 2022 Pulitzer Prize in poetry, in this Poetry.LA interview with Douglas Manuel about the intuition he follows for his writing. “I’m not colonized by cognitive expertise,” says Alexander.

In this Poetry.LA conversation, Ramón García, author of The Chronicles (Red Hen Press, 2015), and Anthony Seidman, author of Cosmic Weather (Spuyten Duyvil Publishing, 2020), read their poems and talk about their origin stories as poets, poetry in translation, and the many writers throughout history who have influenced their writing.

“Instead begin with the body—itself a kind / of ending.” In this Poetry.LA video, torrin a. greathouse reads from their debut collection, Wound From the Mouth of a Wound (Milkweed Editions, 2020), and speaks to Mariano Zaro about writing through multiple identities and connecting trauma, disability, and transness.

“Poetry gave me a way to express myself in a language that was very difficult for me initially.” In this Poetry.LA interview with Mariano Zaro, poet Teresa Mei Chuc, author of Red Thread (Fithian Press, 2012) and Keeper of the Winds (FootHills Publishing, 2014), speaks about her family’s experience as Vietnamese refugees and how encountering poetry offered a freedom to express herself through the English language.

“I consider myself essentially a storyteller who’s chosen the genre of poetry.” Lynne Thompson, author of Start With a Small Guitar (What Books Press, 2013) and Beg No Pardon (Perugia Press, 2007), speaks about family stories and how she came to poetry after a career in law with Mariano Zaro for the Poetry.LA interview series. Thompson is the 2021 poet laureate of Los Angeles.

“Wouldn’t care how they dressed me as long as I was cleaned and touched with love before I was put away to rot.” Douglas Manuel reads “Knee Deep” and “Bad Son” from his debut poetry collection, Testify (Red Hen Press, 2017), and discusses his work with Poetry.LA host Lisa Grove.

“It was almost effortless. It was an amazing experience because it was as though the poems were writing me.” In this Poetry.LA interview from 2013, the late Wanda Coleman speaks about the moment she felt like a poet, her career as a soap opera writer, and how she finds enjoyment in writing. Wicked Enchantment: Selected Poems (Black Sparrow Press, 2020), a new collection of Coleman’s poetry edited by Joshua Bodwell and Terrance Hayes, is featured in Page One in the May/June issue of Poets & Writers Magazine.

“We are all writing about each other // in chorus, an out loud wince...” Maggie Glover reads poems from her debut collection, How I Went Red (Carnegie Mellon University Press, 2014), and speaks about her writing in this interview with Lisa Grove for Poetry.LA.