Emilie Lygren and Deema K. Shehabi

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In this Green Apple Books event, Emilie Lygren, author of Once I Was a Stone (Wayfarer Books, 2025), and Deema K. Shehabi, author of Water to Water: Gaza Renga (Interlink Books, 2025), read a selection of their poems and discuss their experiences with writing communities and creating time and space for their writing.

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Origins of Conflict

4.30.26

Can we learn how to avoid conflict by studying the behavior of other animals? A recent New York Times article reported that in the last decade or so, a group of chimpanzees in the forests of Uganda experienced an unprecedented uptick in large-scale violence, prompting scientists to question the origins of this civil warfare and consider whether these types of violent conflicts are a part of human evolution. Compose a personal essay that reflects on your thoughts about conflict, whether it be a large-scale conflict in the country you live in or more intimate between friends and family. How can sorting through your own beliefs and emotions help you reach new understandings about human social relations and behavior?

Diane Ackerman: The Planets

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In this video, Diane Ackerman reads a selection of poems from the fiftieth-anniversary edition of her debut collection, The Planets: A Cosmic Pastoral, published by Marginalian Editions, and discusses her lifelong obsession with poetics in a conversation with Maria Popova for this McNally Jackson Books event at St. Ann & the Holy Trinity Church in Brooklyn.

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Virtual Love

4.29.26

Early last year, a group of three thousand people across the United States were surveyed for a study published by Brigham Young University’s Wheatley Institute which found that nearly one out of five adults had chatted with an AI romantic partner. Considering this growing trend, write a short story that revolves around the unexpected consequences that arise when a character develops a romantic relationship with an AI-generated companion. Is there an inciting incident that prompts your character to turn to technology for comfort? Does anyone else know about this new love interest or is the relationship kept a secret? Aside from possible elements of sci-fi dystopia or tropes from mystery and thriller genres, consider incorporating some unexpected humor and satire into your story.

Waiting for Takeoff

4.28.26

“I love the hour before takeoff, / that stretch of no time, no home / but the gray vinyl seats linked like / unfolding paper dolls,” begins Rita Dove’s poem “Vacation,” which appears in her 2021 collection, Playlist for the Apocalypse. The poem follows the speaker’s thoughts and observations of others in the airport waiting at the flight gate, from the “ragtag nuclear families” to “the heeled bachelorette” to “the lone executive.” Taking inspiration from Dove’s poem, write a poem that takes place in an airport, infusing the piece with the dynamic energy of different people on the move, traveling and waiting, perhaps impatiently with nervous energy or exhaustion. How might the sounds and textures of the airport play a role in how the poem conveys the atmosphere?

Monica Ferrell, Bianca Stone, and Craig Morgan Teicher

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In this Books Are Magic event celebrating National Poetry Month, Monica Ferrell reads from her collection The Future (Four Way Books, 2026), Bianca Stone reads from her collection The Near and Distant World (Tin House, 2026), and Craig Morgan Teicher reads from his collection August, September, October (BOA Editions, 2026).

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Dear Poet 2026: Wendy Xu

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“Am I living? Do I / accept revision / as my godhead / and savior?” Wendy Xu reads her poem “Looking at My Father,” which appears in her collection The Past (Wesleyan University Press, 2021), in this video for the Dear Poet series, the Academy of American Poets’ educational project for National Poetry Month.

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Observations, Dreams, Stories

4.23.26

In the author’s note to his debut novel, The Copywriter, published by Scribner in February, poet and copywriter Daniel Poppick lists the types of writing that can be found in the work, a compilation of observations, questions, stories, lyrics, lists, fragments, and other forms that together constitute a portrait of contemporary life, language, and ideas, from the perspective of a poet sharing his notebook. “What follows is a work of fiction. But if it makes nothing happen, call it poetry,” writes Poppick. Spend a week keeping a journal or notebook of your own. Jot down bits and pieces of overheard, seen, or invented language as it occurs, allowing yourself the freedom to simply record without worrying too much about context or explication. Then comb through your notes and group your favorite snippets into a more coherent narrative, using recurrent themes or images to paint a portrait of your own life at this moment.

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