Jump to navigation Skip to content
The acclaimed fiction writer, essayist, comic book writer, and screenwriter cautions against growing too rigid in your practice and suggests kicking down some doors and using writing as a multi-tool.
The translator of Ye Hui’s The Ruins highlights journals that embraced his translations, including Asymptote and Copihue Poetry.
The editor of Diagram highlights five literary magazines with unexpected ambitions, including a celebration of sentence-long narratives and a journal dedicated to revenge.
The author of American Harvest: God, Country, and Farming in the Heartland identifies exemplary journals publishing nonfiction, where editors seek “a novel point of view, a voice willing to confront the true uncharted territory of the imagination.”
Writers looking to place their prose and poetry chapbooks will find committed advocates and caring editors at indie publishers including Cooper Dillon Books and Black Lawrence Press.
An agent at Trellis Literary Management offers nuanced advice to writers on approaching literary magazine publication, including how much these credits matter in a query letter and which writers benefit most from such exposure.
The acclaimed fiction writer unpacks the art of the longer short story—a form with space for ambitious plot and rich characterization, with the pressure and punch of concision.
In spite of the pandemic and other challenges, executive director Andrew Proctor has steered Literary Arts in Oregon through a successful capital campaign, raising over $22 million at a time when the arts need it most.
With a $100,000 grant from O’Shaughnessy Ventures, bookshop manager Charlie Becker is building an AI tool to help secondhand booksellers identify and catalogue titles.
New publishing lines, reading series, symposia, and magazine partnerships are springing up in Dallas with support from SMU’s Project Poëtica.
