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This series of interviews with over forty book editors, publishers, and agents offers a unique look at the past, present, and future of the book industry and what writers can do to thrive in today’s publishing world.
The executive editor of Callaloo Literary Journal, one of the most influential publications of the African diaspora, speaks about Callaloo’s future and how the journal will continue to break new ground.
Inspired by traditional and contemporary quilt patterns, artist Larry Clifford crafts each of his BiblioQuilts from hardcover books rescued from libraries, basements, and attics.
For more than ten years, Meekling Press has been producing artist books, blending text and visual design to make unique literary-art objects with a playful punk sensibility.
Despite decades of explosive growth, factors including financial pressure and low admissions have left many MFA programs with no choice but to close. Faculty and administrators reflect on the fallout for their communities.
The first lines of a dozen noteworthy books, including Yr Dead by Sam Sax and Under the Eye of the Big Bird by Hiromi Kawakami.
The Odesa Poetry Studio is a free program that creates space for children to gather, write poems, and share their work with one another, validating their voices and feelings as they live through ongoing war.
Excerpts from Bones Worth Breaking by David Martinez, Little Seed by Wei Tchou, The Lucky Ones by Zara Chowdhary, The Exit Is the Entrance by Lydia Paar, and Come by Here by Neesha Powell-Ingabire.
The author of Thanks for This Riot, a debut story collection, introduces some of the online publications that first gave her stories a home, including American Literary Review and Okay Donkey.
Before the author of Barnflower was a writer, she was a farm kid. The memoirist shares moments from her book tour, which included meeting cows and visiting corn mazes alongside reading at local bookstores and reconnecting with friends.
