First Fiction: Anthony Veasna So
Alex Torres reflects on the literary legacy of his beloved partner, Anthony Veasna So, the author of the debut story collection Afterparties, who died in December 2020.
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Format: In Print and Online
The Anthologist: A Compendium of Uncommon Collections
Four new anthologies including The 2021 Griffin Poetry Prize Anthology: A Selection of the Shortlist and We Are the Baby-Sitters Club: Essays and Artwork From Grown-Up Readers.
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The Pop-Up Literary Agency
A pop-up literary agency at the University of Arizona allows students to gain practical, hands-on experience in the publishing world by connecting children’s picture book authors with established agents.
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Page One: Where New and Noteworthy Books Begin
The first lines of a dozen noteworthy books, including Second Place by Rachel Cusk and The Renunciations by Donika Kelly.
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A Decade of Women Who Submit
Ten years after its first meeting, Women Who Submit has grown to a global community that continues to empower women and nonbinary writers to seek publication.
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The Anthologist: A Compendium of Uncommon Collections
Three new anthologies including Living Nations, Living Words: An Anthology of First Peoples Poetry and There’s a Revolution Outside, My Love: Letters From a Crisis.
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Small Press Points: Black Ocean
Established in 2004, the indie press strives to treat poetry as a genre with “frontlist potential” while also publishing fiction, nonfiction, and literature in translation from new voices.
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The Power of the PERIPLUS Collective
The PERIPLUS collective aims to democratize writing and publishing by matching emerging BIPOC writers with established authors and publishing professionals for yearlong mentorships.
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Reviewers & Critics: Jennifer Szalai of the New York Times
The critic on how she began writing reviews, how she and the Times staff pick books to cover, and how social media affects her work.
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Words Matter: Copyediting as a Process for (or Against) Social Change
Copy editors are adapting to increasing cultural awareness of racial injustice and new approaches to representing identity on the page. How can their work can help or hinder social change?
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