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In this regular feature, we offer a few suggestions for podcasts, smartphone apps, Web tools, newsletters, museum shows, and gallery openings: a medley of literary curiosities that you might enjoy.
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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
In this regular feature, we offer a few suggestions for podcasts, smartphone apps, Web tools, newsletters, museum shows, and gallery openings: a medley of literary curiosities that you might enjoy.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including T. C. Boyle's When the Killing's Done and Laura Kasischke's Space, in Chains, as the starting point for a closer look at these new and noteworthy titles.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features the Literary Bohemian, Tin House, Barrelhouse, Alimentum, New Letters, and Confrontation.
Small Press Points highlights the happenings of the small press players. This issue features Wave Books, the Seattle-based poetry publisher that over the past five years has established a national reputation for its carefully selected and artfully produced books.
For the past twelve months, five poets and five composers from across the country have been working together to explore in words and sound the idea of sanctuary. Their project will culminate this month in the performance of a concert, titled The Sanctuary Project.
Gabriel Cohen, coordinator of Sundays at Sunny’s, one of New York City’s longest-running literary reading series, talks with John B. Thompson, author of Merchants of Culture: The Publishing Business in the Twenty-First Century, who demystifies the complexity of the book-publishing industry in the United States and in the United Kingdom.
Shortly after Michael Chabon stepped into the position of chair of the MacDowell Colony’s board of directors last December, he spoke about his dedication to the colony and about making the most of the MacDowell experience.
A scene from The Select (The Sun Also Rises), the third in a trilogy of productions based on modernist American literature of the 1920s by New York City–based theater company Elevator Repair Service, which will play at Emerson College’s Paramount Center in Boston from March 15 to March 20.
Does your book need to be finished before you seek representation? Do agents really read synopses? Agent Jenni Ferrari-Adler, whose clients include Lauren Shockey and Emma Straub, answers these questions and more.
While caring for her dying grandmother, author Lisa Saffran gained new perspective on the richness of life in language as well as a renewed perseverance as a creative writer.
The former executive editor of Alice James Books reveals her strategies for editing a strong book.
Three years after emerging poet Joshua Vinzant committed suicide, his mentor set out in an unrelenting quest to find a publisher for Vinzant's chapbook, Max, which was published by Ropewalk Press last summer.
A pen-and-ink drawing and a typewritten letter by Charles Bukowski are two pieces among the documents and ephemera currently on view in Charles Bukowski: Poet on the Edge at the Huntington Library in San Marino, California.
In the past year several new electronic-submission systems have emerged, among them Submishmash, Green Submissions, and Tell It Slant, enabling journal editors to manage writer's work more efficiently.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Maxine Hong Kingston's I Love a Broad Margin to My Life and Michael McClure's Of Indigo and Saffron, as the starting point for a closer look at these new and noteworthy titles.
Small Press Points highlights the happenings of the small press players. This issue features Solid Objects, the New York City–based independent press that publishes "short, self-contained works that might not otherwise find their way into book form because of their length."
A day after he finalized the last of his illustrations for our January/February 2011 issue, Jim Tierney, an illustrator and designer at Penguin, spoke about the inspiration behind his work.
Haiti Noir, a collection of stories edited by Haitian American writer Edwidge Danticat, is one of the latest in Akashic Books’ series of noir fiction anthologies from around the world.
Literary journals learn to sidestep old-school printing, distribution, and marketing costs by leveraging new media and social-networking platforms.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features ZYZZYVA, Cave Wall, Annalemma, H.O.W. Journal, Assembly, and the Whitefish Review.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Leslie Marmon Silko's The Turquoise Ledge and Julia Franck's The Blindness of the Heart, as the starting point for a closer look at these new and noteworthy titles.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Pleiades, Nashville Review, Sycamore Review, One Story, the Oxford American, the Awakenings Review, Fairy Tale Review, and Bound Off.
In the sixth installment of our series Inside Indie Bookstores, contributor Jeremiah Chamberlin travels to New York City to speak with Sarah McNally, owner of McNally Jackson Books.
The Virginia Quarterly Review was rocked by the July 30 suicide of its managing editor, Kevin Morrissey, leaving the award-winning magazine’s future in doubt, as well as that of its editor.