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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
In her new book, illustrator Kate Gavino—author of the popular Last Night’s Reading blog—brings hundreds of literary readings to life by pairing illustrations of authors with selected quotes from each event.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue’s MagNet features the Black Warrior Review, Granta, the Asia Literary Review, the Burnside Review, and the Dark Horse.
Frustrated by a reviewing culture that they found to be increasingly insular—and as such, less honest—two poets decided to create a safe new space for reviewers to write candidly—and anonymously—about new collections of poetry.
Literary Arts executive director Andrew Proctor discusses the rebirth of Wordstock, and how the overhauled book festival will continue to highlight Portland, Oregon’s thriving literary scene.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including John Irving’s Avenue of Mysteries and a translation of Liu Xia’s Empty Chairs, as the starting point for a closer look at these new and noteworthy titles.
An American expat details her experience as a translator of Bulgarian literature.
A successful self-published novelist talks about how he used his background in programing and knowledge of artificial intelligence to write and market his best-selling techno thriller series. Editor Jessica Page Morrell and publicist Jessica Glenn weigh in and give advice to burgeoning self-publishers.
The agent of authors such as María Amparo Escandón and Joy Nicholson offers advice on query letters, editing, and what not to do when submitting a manuscript.
A young translator recalls attending the 2014 American Literary Translators Association conference, and her discovery of how deeply personal the craft of translation can be.
Five editors of independent presses specializing in translation discuss how they find new work from around the world, the challenges they face as publishers, and the future of literary translation.
Michael Wiegers, the editor in chief of Copper Canyon Press, talks about how he decides which books to publish (from the two thousand manuscripts the press receives each year) and what it’s like to edit the likes of Pablo Neruda, W. S. Merwin, and C. D. Wright.
Catapult, a new literary venture that launched in September, is working to provide resources for writers at every stage of their career—from workshops to self-publishing platforms to traditionally published books—in an effort to create an online community that “conceptually mirrors the ecosystem in which writers and creatives exist right now.”
When universities face budget cuts, their presses are often the first to meet the chopping block, causing waves of unemployment for writers and editors alike. In the wake of their own shutdown, however, the University of Akron community fought to get theirs back.
Alaska’s Fiddling Poet, who over the past twenty years has been playing his fiddle and reading poems for audiences across the country, talks about how he has built a career—and a life—out of touring and sharing his music and poetry with others.
Start your MFA research with this comprehensive guide to more than 170 full- and low-residency programs in creative writing, expanded and updated for 2016. Each listing includes detailed information such as core faculty, special features, funding, tuition, application fees, and deadlines. The free PDF also includes a regional index, a cost-of-living comparision, and a handy Application Tracker to keep track of your applications.
Joshua Wolf Shenk, the new executive director of the Black Mountain Institute (BMI)—an international literary center that supports writers whose work addresses political and cultural issues—discusses BMI’s role in the culture of creative writing and what he plans to bring to the organization.
Last month, the City University of Hong Kong’s highly respected MFA writing program abruptly shut down. Joanna Scutts investigates the program’s sudden closure, which has prompted protests and political speculations from students and faculty around the world.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Jonathan Franzen’s Purity and Salman Rushdie’s Two Years Eight Months and Twenty-Eight Nights, as the starting point for a closer look at these new and noteworthy titles.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue’s MagNet features Table Talk, Black Clock, Huizache, Bitter Oleander, and American Chordata.
The Bridge, an online forum launched by the literary nonprofit Brooklyn Poets, fosters connections between emerging and established writers, and provides a student-mentor alternative to the traditional MFA program.
Supporting local bookstores may have just gotten a little easier. A new digital tool called CityShelf allows users to search the shelves of independent bookstores in select cities throughout the country from their mobile devices.
Iconic author David Foster Wallace is the subject of the recently released film The End of the Tour, in which actor Jason Segel stars as Wallace. The film is an adaptation of David Lipsky’s Of Course You End up Becoming Yourself: A Road Trip With David Foster Wallace, which chronicles Lipsky and Wallace’s 1996 road trip during Wallace’s promotional tour for Infinite Jest.
Dawn Davis—vice president and publisher of 37 INK, an imprint of Simon & Schuster’s Atria Publishing Group—talks about editing Edward P. Jones, the lack of diversity in publishing, and what some of the most successful authors have in common.
Warren Wilson College’s low-residency MFA program is taking strides to address questions of diversity, having started a conversation among faculty and students about the intersection of race, culture, and craft in the MFA landscape.
Small Press Points highlights the innovation and can-do spirit of independent presses. This issue features the Bangkok, Thailand–based Bleeding Heart Publications. Established last year by Scottish ex-pat Gordon Ross and U.S. writer Cali Dawson, the press is committed to publishing fiction and nonfiction from English-language writers from all over the world.
