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Write a poem using a variety of sounds to convey complex feelings, a story in which the setting reveals the mindset of a character, or a portrait of your life using overheard, seen, or invented language as it occurs throughout your day.
The new executive director and CEO of Little Free Library discusses the power of community organizing and the importance of championing banned and diverse books.
Founded in 2010 at Indiana University in South Bend, 42 Miles Press publishes “stirring, daring” poetry and encourages authors to submit work they “might be afraid to send elsewhere.”
In an essay recently published in the Evergreen Review, Eric Dean Wilson writes about discovering the playful use of metaphors in Robert Glück’s 1985 debut novel, Jack the Modernist. While considering what makes one work, Wilson recalls another writer teaching him about metaphor with a metaphor. “A metaphor, the writer said, is like a spark plug,” he says. “At just the right distance, the electrodes cause a spark to arc across the open air, igniting an explosion. The distance between the electrodes matters.” This week compose a poem that cycles through the process of creating an effective metaphor. You might start with the words, “A metaphor is like….” Allow yourself the freedom to play with language that might feel too convoluted as you gradually move toward the right combination to ignite a spark.
In this event at the University of Arizona Poetry Center, Annie Wenstrup reads from her debut collection, The Museum of Unnatural Histories (Wesleyan University Press, 2025), and Lena Khalaf Tuffaha reads from her latest collection, Something About Living (University of Akron Press, 2024).
The author of Unstuck: A Writer’s Guide (Tin House, April 2026) encourages writers to write without an outside reader in mind.
In this New York Public Library event celebrating Arab American Heritage Month and National Poetry Month hosted in partnership with the Radius of Arab American Writers, poets Maha Hashwi, Ghinwa Jawhari, Lawrence Joseph, and Kamelya Omayma Youssef read from their work and discuss their writing in a conversation with senior librarian Reuben Gelley Newman.
“I’ve always thought that art should ultimately be personal,” said artist Melvin Edwards in a 2017 interview published in Frieze magazine. “It may be validating for other people to find that your work reminds them of something else, but it’s much more important for me to keep myself alive creatively, to have the point of departure for whatever I develop be personal.” The first Black sculptor to have a solo art exhibition at the Whitney Museum in New York with his provocative, abstract steel forms, Edwards died at the age of eighty-eight on March 30, 2026. This week, think about how you can create an abstract piece of writing. How can writing about something personal develop into expressing a theme, or multiple themes, about the world, whether societal or political? In what ways do inspiration and creative vigor begin with a personal point of departure?
In this Books Are Magic event, Kim Fu reads from her latest novel, The Valley of Vengeful Ghosts (Tin House, 2026), and talks about how word choices and details shape the loneliness of her worlds in a conversation with Larissa Pham. “You can describe anything in an infinite number of ways,” says Fu.
